PositiveThe Wall Street Journal\"Breathless, yet, and no place for the reader to stop and catch up, as we are drawn deeper and deeper into a world with its own rules and its own personnel: god-kings, firebloods, shadowdancers and more to come, laid out tantalizingly in footnotes and glossary and addenda ... Ms. Lyons is all set to take her readers on a long journey indeed, unfolding and unfolding like brilliant origami. So far, though, not a hairy chest in sight, nor a languishing maiden. Fantasy has moved on, and is all the better for it.\
RaveThe Wall Street JournalLike all the best sci-fi authors, Mr. Benford really means it. The quantum world, he insists, is the real world ... That’s what sci-fi is all about, \'vistas unknown\' and \'times untouched,\' and that’s why reading it is a unique literary experience. When it’s done full-throttle, the way Mr. Benford does it.
Kim Stanley Robinson
PositiveThe Wall Street JournalSci-fi fans will love the detail and the optimism about humanity’s future in space. Not so comforting are the penetrating comments about politics on Earth. But in grown-up sci fi, of which Mr. Robinson is the pre-eminent producer, it’s all about mozhe shitou guo he—\'crossing the river by feeling the stones,\' the author’s enigmatic quote from Deng Xiaoping.
Peter F Hamilton
PositiveWall Street JournalMr. Hamilton paints with a very broad brush, skipping from planet to planet and plotline to plotline, but each strand is at the same time finely detailed...The Old Masters of sci-fi would admire the scope and sweep of “Salvation,” but marvel even more at the amount of thought that now has to go into making futures plausible.
David R. Bunch
PositiveThe Wall Street Journal\"[The stories] give a strange image of post-humanity, as imagined before the e-revolution took off: cyberpunk on floppy disks ... The progenitor of cyberpunk? Bunch certainly pioneered the irreverence. What he didn’t have was any feel for \'life on the street,\' since in his vision, there were no streets, let alone street-people. As a prophet, he scores low—but, thinking of sheets of plastic covering the oceans, not quite zero. Just the same, he created a classic of sci-fi history, sharp, quirky, contrarian, screaming for attention.\
Cixin Liu, Trans. by Joel Martinsen
PositiveThe Wall Street JournalMost sci-fi authors these days lean toward the focus on people ... Cixin Liu’s Ball Lightning (Tor, 384 pages, $28.99), translated from the Chinese by Joel Martinsen, swings firmly the other way ... Yes, there is a human story buried in the techno-political struggle, for only an obsessive with a reason for his obsession would keep pursuing such a mystery. Nevertheless, it’s science that commands the high ground of the action ... In this stand-alone novel he has taken sci-fi back to its origins in fear and hope and mystery.
Sarah Beth Durst
RaveThe Wall Street JournalIt’s the spirits that make Sarah Beth Durst’s world of Renthia distinctive in The Queen of Sorrow ... The idea that nature is animate is all but universal, of course. But Ms. Durst’s spirits aren’t like the flimsy oreads and dryads of Greek myth. They are not in harmony with humans, but bitterly hostile ... The Renthia trilogy stands old beliefs, and even old myths, on their heads. Ms. Durst has given us a refreshing, provocative and ultimately convincing remake of modern fantasy conventions. The wonder is that we ever saw things the other way round.
S M Stirling
PositiveThe Wall Street JournalAs a spy thriller, Black Chamber stacks up with the old classics of Kipling and John Buchan. As sci-fi, it comes off as terribly plausible, with Tom Clancy-like mastery of old weapons and potential ones ... Alternate histories run on details, true facts you didn’t know, factoids that might have been true, challenging you to tell them apart. Black Chamber combines them on every level—political, historical and scientific—all worked into a tension-filled tearaway plot.
Mary Robinette Kowal
PositiveWall Street JournalMs. Kowal’s heroine, Elma, is a wartime ferry pilot and also a crack number-cruncher—just what’s needed. But this is the 1950s. The Calculating Stars traces Elma’s progress through astronaut training, but her real struggle is for acceptance in a world where woman = homemaker ... This is what NASA never had, a heroine with attitude.
RaveThe Wall Street Journalis a world where Spiritualism works—the whole nine yards, ectoplasm, spirit mediums and all ... Mr. Rajaniemi keeps pulling new ideas out of his hat, each one making you think, with a shudder, \'Of course—but who would have thought of that?\' This stand-alone novel makes him the all-time great of unintended consequences as well. Summerland is a masterpiece, set to be a classic—but not by any means a comfortable one.
PositiveThe Wall Street JournalThe Brothers Grimm gave us the fairy tales; many years later Tanith Lee gave us Tales From the Sisters Grimmer. In this astonishing debut, Ms. Fine bids fair to be the Sister Grimmest.
PositiveThe Wall Street JournalWe’re in Raymond Chandler country straight away, but is this sci-fi? ... In the end the sci-fi content of Noir is fairly small, but the exuberance of the Chandler pastiche never flags ... Noir is worth reading just for its similes and metaphors ... Not serious, but fun.
PositiveThe Wall Street JournalSci-fi authors love to imagine ever more violent entertainments being used to pacify the masses. In John Scalzi’s Head On, the game is 'Hilketa.' Two sides slug it out with swords and warhammers, with the aim of decapitating a player on the opposite side—the randomly designated 'goat'—and throwing his head through the goal or hoop ... Crime in the Scalzi world is like chess in three dimensions, in a game expertly controlled by the author.
PositiveThe Wall Street JournalThe Oracle Year raises many questions, but adds constant twists of plot. Where did those predictions come from? Were they sent by a genie? Or a demon? If you’re told what you’re going to do in advance, can you just refuse to do it? If it happens anyway, are we looking at providence? Someone, or something, must have had a plan.
PositiveThe Wall Street JournalJames Rollins’s riveting The Demon Crown is a mix of biology, techno-thriller and archaeology ... The biology element centers on insects, the most dangerous creatures on earth... The techno-thriller part involves, of course, a plot to take over the world by unleashing 'a biological Pearl Harbor.' But it may be the archaeology which is most factual and most fascinating ... The nuggets of hard information, often accompanied by illustrations, are what make the story, but plot revelations keep coming and the pace never slows. Just the thing for a post-holiday booster shot.
Chandler Klang Smith
RaveThe Wall Street JournalIt’s a mesmeric world, comic in the way teenage voyages of self-discovery inevitably are, but with an undertone of menace, horror, even hints of allegory. Satire, too ... Fantasy, sure, but recognitions flare. Ms. Smith’s imagination is inexhaustible. The Sky Is Yours is a great and disturbing debut, which colonizes a new realm of the magic city.
S. A. Chakraborty
RaveThe Wall Street JournalAnyone who has read The Arabian Nights will remember, at least dimly, that Suleiman the Wise—the King Solomon of the Bible—had power over spirits, and imprisoned many of the most recalcitrant in bottles, or lamps like Aladdin’s. In the West they are simply called 'genies,' but S.A. Chakraborty’s The City of Brass makes the mythological situation clearer, if much more complex ... This is a great debut novel, with strikingly different setting and cast—nary an elf or an orc in sight. Not only does it open up an imaginative space we had all but lost, it raises important issues of inclusion and diversity with engaging flair.
RaveThe Wall Street Journal...just as Andy Weir’s first novel, The Martian, breathed new life into the old Robinson-Crusoe-on-Mars plot, now his second, Artemis, has revitalized the Lunar-colony scenario, with the author’s characteristic blend of engineering know-how and survival suspense ... You finish the novel thinking, as you do with the very best sci-fi: Well, maybe this is the way things are going to happen. Because the scenario, and the plot, is constrained by the kind of hard facts, financial and technological, most of us aren’t even aware of. It all seems just about possible, which is a comforting thought after decades of disappointment following the old Clarke-and-Heinlein era of imagined space travel. Finally, Jazz is a great heroine, tough with a soft core, crooked with inner honesty. A big improvement on Heinlein’s Podkayne, sci-fi sacrilege though it is to say so.
PanThe Wall Street JournalEmbassytown creates yet another memorable city, this time in a more recognizably science-fiction setting: a distant planet recently reached by human colonizers. Embassytown is their tenuous toe-hold in this new world … Embassytown is, in its way, the story of a Fall. The winged Hosts are like angels exposed to a new original sin brought to them from outside by mysterious strangers with names like EzRa and CalVin. To some readers, this may seem philosophically very deep. But Mr. Mieville never really integrates the intellectual complexities with a compelling narrative. One problem is that the ideas that preoccupy the author here have to do with language itself. Language about language must always be in some sense secondhand, and the Host language is presented as essentially untranslatable. This makes the
goings-on in Embassytown—and the characters—hard to relate to.
PositiveThe Wall Street JournalMr. Hutton’s study has little to say about the immediate present. J.K. Rowling and Pratchett do not appear in his index, nor does Salem, and even Shakespeare gets very little space. What he has done very valuably, though, is to put what most of us know already into a far wider context, both geographically and historically. It’s up to us then to examine our own notions of witches and witchcraft—no longer threatening, but still perfectly familiar.
RaveThe Wall Street Journal…[a] world brilliantly re-created by Ms. Hartsuyker … Ms. Hartsuyker captures the sense of saga times and saga heroes: violent but litigious, treacherous but honorable, impetuous but crafty. Ragnvald, Harald and Hakon all play off one another, as do the striking Svanhild, her stepmother Vigdis and—only just coming into the picture—Gyda, whose proud refusal of Harald created Norway.
PositiveThe Wall Street JournalThat vision will resonate with a lot of voters in the big square states, who might agree that politics offers only a choice between 'regular and decaf oligarchs,' in Mr. Brown’s phrase. As for the idea that the Constitution keeps executive power in check, that’s fine except that the law now serves power like 'the devil’s butler' ... Tropic of Kansas is good at projecting pain and bitterness. Finding a cure isn’t so easy, even for sci-fi. But the first step is recognizing that something’s wrong.
PositiveThe Wall Street JournalMr. Doctorow’s philosophy is passionately argued, like his earlier anthems to communal action in Homeland and Little Brother. Provocative ideas keep popping up, such as his explanation of World War I: It was caused by primogeniture. Once the second sons of aristocratic Europe ran out of places in Asia and Africa and Oceania to take over and be governors of, they turned on one another. So the thinking is lively, but the characters? What they are is basically trustafarians, faux-hemians, kids in designer jeans. The trouble with those people, some would say, is, sure, they walk away. But they know they can always walk back. Is that a good basis for a stable new world?
PositiveThe Wall Street JournalMr. Mastai’s story is a long riff on the time paradoxes lovingly explored in previous sci-fi. It’s also underpinned by love triangles, one of them converted by time paradoxes into a quadrangle, or perhaps (they’re complicated) a double triangle ... Bafflement is kept at bay by the fact that Mr. Mastai’s model, openly acknowledged, is Kurt Vonnegut’s Cat’s Cradle, with its short chapters and snappy punchlines. He has caught the tone very well: a narrative voice at once wise and naïve, indignant and resigned, flip and deeply sad.
PositiveThe Wall Street Journal\"Mr. Gaiman milks such situations for all their humor and incongruity, very much in the spirit of the originals. For a modern audience, though, he has to spell things out ... Mr. Gaiman has produced what the modern world likes: a clear, continuous narrative, with big scenes the same as they always were but with emotional pointers added. Yet he can feel the undercurrents as well: the jealousies and betrayals, the sense that Odin is always playing a long game revealed to no one.\
PositiveThe Wall Street Journal'Alternate worlds' and 'the corridors of time' are established sci-fi motifs, but Mr. Crouch has invested them with scientific plausibility, and more unusually, with emotional depth. His book is a meditation on personality and identity. It draws on questions and anxieties we all wrestle with in the dark hours.
RaveThe Wall Street JournalNight of the Animals is by turns visionary, ironic, satirical and deeply remorseful. The felled woodlands, the erased species, a new Great Extinction—all happen within one long lifetime. It’s a rich addition to the literature of lament, viewed with sympathy and longing.
PositiveThe Wall Street JournalNo summary can catch the air of confusion, uncertainty and loss that pervades Mr. Levi’s narrative. As one of the characters says, 'No one sees Septimania for what it is.' It makes other conspiracy theories seem under-plotted ... Septimania has the format of a novel, but it has roots in the folk-tales of The Arabian Nights. It reaches out to epic, in the form of Dante’s Divine Comedy, and to Wordsworth’s Newton, 'voyaging through strange seas of thought, alone.' It takes in the sad modern world of refugees and terrorism, plots and code-breakers. And it’s a love story, too. More than one reading will be needed to digest Mr. Levi’s comprehensive, many-branching vision. It adds new dimensions to the idea of the novel.