About Book Marks
Recent Reviews
Lily Tuck
Rave The Boston Globe Short but searing ... The fictionalized bits — the majority of this short novel — flow and recede around these few known facts ... Brutal.
Daniel M. Lavery
Rave The Boston Globe A gently humorous episodic work ... While Lavery’s witty, at times flippant tone encourages such a casual approach, reading each chapter as its own character sketch could undermine the subtle connections underlying even the lightest parts of this debut ... [A] little jewel of a novel.
James Lee Burke
Mixed Arts Fuse Fans of the previous Robicheaux books will not be surprised by this mingling of the metaphysical and mundane in what is essentially a fast-paced action-oriented thriller. Burke’s writing has long redefined Southern Gothic, forging a sui generis style that mixes woo-woo paranormal with lush and loving descriptions of the vanishing Louisiana wilderness, which stands as a contrast to human depravity ... Burke’s tropes threaten to devolve into tics at times ... May be masquerading as a whodunit, an action thriller that pits flawed good against implacable evil for a soul-satisfying wallop. But it’s more than that: It’s Beat poetry, suffused with sadness and longing for all those sunsets now gone.
Brian Vandemark
Positive The Boston Globe Comprehensive, with copious footnotes, Kent State reads smoothly but is at times bogged down in details: Is it necessary to know what everyone was wearing? However, the book’s relevance to today’s cultural and political divide is inescapable.
Katia Lief
Mixed The Boston Globe It is in the twists, unfortunately, that Invisible Woman stumbles, choosing expedience rather than loyalty to character. The problem is not the plotting: Lief has great fun with the Highsmith-inspired Joni, working in all the insecurities of an aging woman who has seen her life shrink to insignificance. Where the author falters is in the delivery: Instead of letting the unstable narrator work through her own situations, Lief recounts the twisted heart of specific Highsmith novels, then clocks Joni’s reaction to them ... Too often Lief leans on the Highsmith novels to signify emotional development, skipping over the kind of note-perfect exchanges that distinguish the rest of this fast-paced novel. Considering how clear-eyed Lief is about her troubled characters and the world that shaped them, these missteps are especially jarring. These injured, eloquent characters could well have been left to speak for themselves.
Karen Pinchin
Positive The Boston Globe Comprehensive ... Pinchin fleshes out her book with every imaginable fact about the big fish, often multiple-sourcing her information ... Even-handed ... Exhaustive and engaging.
Russell Banks
Positive The Boston Globe ... beautifully crafted ... sounds ponderous, but for master storyteller Banks, it’s simply another outing for one of his quirky, damaged Florida protagonists ... There’s an inevitability to the fall of the allegorically named Mann, as well as New Bethany’s demise, but Banks leavens the tragedy with regular returns to the older Mann’s asides as he switches tapes and comments on contemporaneous details, like the sinkhole in his driveway. He’s a compelling narrator, grown philosophical with age ... Such a strong voice makes up for the fact that his obsession, Sadie, isn’t a fully fleshed character...In fact, Sadie’s true feelings are never known, an opacity that is central to the book’s crisis and allows her to serve as a vehicle to showcase Harley’s conflicts.
Kevin Wilson
Positive The Boston Globe ... this narrator’s dilemma is not only less dramatic than her teen self’s story, it is also less believable. Would a reporter’s call really have evoked such panic in a grown woman? The voice also distances the reader and deprives the book of the immediacy of, say, Wilson’s Nothing to See Here ... Luckily the bulk of this book is the younger Frankie’s tale, in which Wilson so beautifully depicts the joy of self-discovery ... If, inevitably, this denouement feels like a bit of a letdown, lacking the intensity of the adolescent drama, it doesn’t detract from the real delight to be found in Now Is Not the Time to Panic. While this fourth outing is flawed, it still rings with much of the visceral freshness of his earlier books and says something about art as well. To steal from Holzer, In a dream I read a Kevin Wilson novel, and I was filled with joy.
Laura Warrell
Positive Boston Globe Moody and musical ... Warrell excels at describing these points of contact — more often bruising impact than connection — conveying the varying degrees of longing, loneliness, and even aversion that can bring two people together ... She’s also skilled at describing jazz — and, perhaps more important, what the music means to a musician ... Despite this sensitive portrayal, the book does have occasional off notes ... The specificity — the ripped-from-the-headlines quality — feels jarring, at least to this Boston-area reader ... Warrell does much better when she sticks to the timeless dance we humans do: between love and fear, the need to embrace and the search for self. For Circus, Koko, and the score of others in this sprawling and ambitious book, it’s an improvisation, and at its best, it’s beautiful.
Tess Gunty
Rave Boston Globe Hildegard of Bingen had little to say about human connectivity, being more concerned with the divine. But the spirit of the 12th-century mystic runs through The Rabbit Hutch, uniting and celebrating the disparate misfit residents of the low-rent apartment complex of the same name in Tess Gunty’s transcendent debut novel ... In this compelling and startlingly beautiful book, the Rabbit Hutch, with its grinding poverty and \'walls so thin you can hear everyone’s lives progress like radio plays,\' is as much a character as its residents ... Gunty weaves these stories together with skill and subtlety. The details of Blandine’s traumatic history, for example, are slipped in via a very few well-chosen details.
Elisa Albert
Positive Boston Globe Fiery, and often funny ... A headlong rush of narrative ... Even at her most furious, Aviva is both profane and witty ... Albert makes little attempt at crafting Aviva into a \'likeable\' protagonist, but she has created a relatable and, at times, irresistible character, whose own empathy offers us insight into the life of an artist who also happens to be unhappy.
Hilary Mantel
Positive The Boston Globe Mantel explores different facets of a semi-outcast childhood in her striking and starkly beautiful prose.
Donna Leon
Positive The Arts Fuse Even as an entry in such an idiosyncratic (and appealing) series, this case is one of the most personal our protagonist – a thoughtful, compassionate man – has faced. Fraud, and the lax Italian laws that accommodate it, may be at the center of this narrative, but the issues at its heart are human rather than legal: loss, aging, and the ways in which time plays on our character, for good or ill ... series fans will love tracing familiar routes, as Brunetti boards a vaporetto and navigates the city’s maze of walkways and bridges, stunning architecture and decaying palazzos around every turn. This outing, however, is lighter than usual on the domestic scenes — notably the glorious multicourse meals Paola prepares for the family (although there is one risotto with radicchio di Treviso). Surprisingly, this lack doesn’t seriously impair the depiction of Brunetti’s humanity, nor our enjoyment of this latest installment. Perhaps it simply emphasizes how fatigued we have all become. The cost we have all paid.
Lee Kravetz
Positive Boston Globe An intricately plotted literary thriller ... It’s a great premise, but the poetic structure — three voices and three timelines echoing the three notebooks — can at times get in its own way. The auction, for example, is spread out over so many pages that it loses some of its drama, while Rhodes’s self-cannibalizing jealousy infuses so many of her chapters that she teeters on becoming tiresome and shrill. But while the mystery is at times too tricky for its own good, the book is lifted by Kravetz’s supple writing. Plain but beautiful, he turns the ordinary poetic ... Throughout, this graceful prose is put to good use, framing meaty questions about the commodification of art — and the artist ... [A] deft debut.
Mark Prins
Positive The Boston Globe When it comes to Tessa’s actual research, Prins digs in, delving into what can be abstruse and picky stuff, reliant on meter and structure ... It’s meaty material, but the author’s lively prose manages not only to clarify but also to convey its import to Tessa. It helps that, throughout, Prins uses humor, often at Tessa’s expense, to leaven the academic gravitas ... These intellectual pursuits play out against a vivid contemporary struggle between strong and distinctive personalities ... The inevitable crisis, when it comes, is worthy of its heroine, even if Prins has to push credibility to match Ovid. That leaves the final pages feeling a tad rushed, especially after the loving, painful detail ... In its symmetry, if not its poetry, the conclusion satisfies, however, marking this academic mystery as a contemporary classic.
Olga Tokarczuk, Tr. Jennifer Croft
Positive The Boston Globe Tokarczuk’s writing, translated from the Polish...is both earthy and ethereal. Colloquial about bodily functions and desires...it can be gorgeous in its detail ... Dense and rich, at times the book can be overwhelming. As the narrative zigzags between places and perspectives, especially as Jacob’s followers convert and assume gentile names, it is easy to get lost. Perhaps the best way to appreciate this doorstop is to follow one of the many themes that weave through its pages ... It is...women...who drive The Books of Jacob. Together, they imbue this sprawling work with \'the eternal mysteries of light\'—that is, the profoundly moving, cumulative force of life.
Gary Shteyngart
Pan The Boston Globe ... the stage is set for the kind of satire the Russian-born Shteyngart usually excels at ... Except that nothing much happens ... One of the group’s interminable, if amusing, conversations shifts the balance slightly when the Actor tries out Karen’s app, falling hard for Dee ... However, this catalyst, when it comes, feels as artificial as that romance, as if Shteyngart were desperate to break through his own pandemic ennui. It’s not as if Shteyngart hasn’t been having fun with his characters. In fact, much of the timely humor comes in his mixing of their external and internal realities ... But it is flip and wearying ... The book comes most alive when it delves deeper, touching on the fear beneath the laughs ... The paralysis is broken, as are we all, by death. While that makes life more precious in retrospect, it also shows up the hollowness of so much of that earlier humor, as witty as it may have been.
Hilma Wolitzer
Positive The Boston Globe Along with their shared plights and appetites, there is a certain sameness to Wolitzer’s straight, married, and presumably white protagonists. But while there may be a uniformity to her characters, the details give them a specificity that makes them recognizable as individuals, giving their fears and desires flesh ... Even as the pandemic rages, Wolitzer finds humor ... Wolitzer, who survived COVID but lost her own husband to it, once again wields the salient particulars to conjure a time, an illness, and life’s inevitable heartaches. That she does so while keeping us engaged with these very ordinary characters speaks to her skill and her humanity.
Mona Awad
Positive The Boston Globe A stealthily captivating new novel by Mona Awad that, like its namesake, skews more dark than light as it casts its spell ... All’s Well revels in its protagonist’s unlikability ... Even this deft exploration of female suffering gets tiresome ... The Bard is all over this book, salted with Awad’s sharp, dark humor ... In Awad’s assured if trippy tale, everything serves to strengthen the spell.
Ash Davidson
Rave The Boston Globe ... powerful ... depicted with gorgeous specificity ... [Davidson] lays out the conflict with heart-rending clarity ... This confrontation sets up a showdown as inevitable as a mudslide ... It’s a path Davidson portrays in exquisite detail, from the beauties of the forest to neighbors turning on each other with predictable, if tragic, results. If at times the author veers into melodrama—those hillside hairpin curves can be sharp—it’s in service of the larger tal
Robert Harris
Mixed ArtsFuse While Kay’s story supposedly has the urgency of a people under attack — real casualties are listed for emphasis — her tale is a bit wooden. There’s the privileged background, the memories of Cambridge, and the inevitable winning over of her skeptical colleagues. It’s fun, in a clockwork kind of way, and long before the two meet, the outcome is obvious ... It’s not that Harris downplays history. His work is clearly meticulously researched, with everything from the new rocket’s specs to the atrocities committed to create it in an underground factory. When he’s writing about the new hardware, he’s at his most poetic ... there’s a softness in V2, a sentimentality. This is history from a distance. His characters feel more real when they’re working out the equations that will make a missile fly or fall than when they’re fleeing a double agent or a misfiring rocket. Maybe that makes this an ideal read for the times, but it also makes Harris’s latest novel a bit of a disappointment, its expected explosion a squib.
David Hajdu
Mixed The Boston Globe Although this novel is a purported oral history of the title character, a mysterious avant-garde musician, hers is the one voice we never hear. Instead, as we seemingly learn about this fictional pianist-composer we are treated to a revealing — and at times hilarious — satire of the music business, fame, and the cult of personality ... Much of the humor in this short comic novel is broad ... Inside jokes abound, particularly in the testimony of experts who can supposedly offer insight into Geffel or her exceedingly odd compositions, which apparently emanate directly from her emotions ... Other jokes are a little more welcoming to a wider readership ... At times the humor wears thin. The one-note recitals, particularly by the hypercerebral musicologist and self-important critic, become repetitive, even in this relatively short work. By the time Hajdu wields the critical doubletalk to tackle another issue — whether if great art can be created by someone who is happy — it is too little too late. A perennial debate among critics and fans of a certain sort, this question is left largely unresolved, though Hajdu does use it to hint at Geffel’s fate. What we learn, instead, is how all of us view each other as extensions of ourselves, for our own dreams and purposes, and, ultimately, how mysterious art and the act of creation really are.
Ursula Hegi
Rave The Boston Globe ...a lyrical meditation on motherhood and mourning ... Cast largely as a series of intimate vignettes, these everyday interactions are depicted with a sensitivity that gives these most human of relationships their proper weight. Narrated by a succession of characters, they are beautiful in their specificity ... In Hegi’s precise, almost imagistic prose, such quotidian scenes come to seem as magical as the miracle Sister Hildegunde is constantly attempting to paint.
John Garth
Mixed The Arts Fuse Clearly a painstaking scholar, the author of the much more comprehensive Tolkien and the Great War ignores the poetry and creativity underpinning Tolkien’s classic, dissecting it in an over-thought (and, at times, overwrought) search for connections to the author’s real-life ... Too often, Garth assumes causality. While many of Tolkien’s influences appear obvious, Garth’s certainty is, at best, galling ... This is a beautifully produced book, replete with illustrations. Full-page photos of evocative landscapes are supplemented by both maps and smaller shots detailing architectural features, while many of Tolkien’s own paintings...make this a lovely keepsake for fans. Less lovely are the multiple illustrations by lesser artists, which undercut the author’s own imaginings ... even within its brief main text, Garth repeats himself ... As a series of speculative essays—outtakes, perhaps, from Garth’s earlier work—The Worlds of J.R.R. Tolkien could have made an enjoyable browse, especially illustrated with the site-specific photos and Tolkien’s own work. Packaging it as a definitive work does Tolkien no harm, but it does the underlying scholarship, as well as Garth, a disservice.
Curtis Sittenfeld
Positive The Boston Globe Smart, engaging, and heartbreakingly plausible ... Like Sittenfeld’s 2008 novel, American Wife,Rodham is told as a first-person reminiscence. But “Rodham,” like its namesake narrator, is the sharper book by far, depicting the realities of American politics as well as an astute portrait of the candidate who, we should remember, did win the popular vote ... So credible that it’s almost agonizing, this first section gives us the smart but insecure woman swept off her feet by the charismatic womanizer ... When Hillary breaks up with Bill, following a series of traumatic revelations, the book shifts into speculative territory — envisaging a career track for Hillary that involves both advocacy work and her own first ventures into the political arena. While these are logical and fully fleshed, playing out the inevitable conflicts between her early idealism and her ambitions and drawing on interviews and Clinton’s own writings, this makes for the driest part of the book. Hillary always was a policy wonk, and Sittenfeld evokes her smart, detailed voice for good and ill ... In the longing and loneliness, the anger as well as ambition, this Hillary makes Rodham a compelling portrait of a future that might have been.
Megha Majumdar
Positive The Boston Globe These are up-to-the-minute issues, and, while engaging, the book occasionally reads more like straightforward social commentary than a fully realized fictional world. What rescues it from polemicism are the detailed and personal voices of its narrators, particularly the women at its heart. Told primarily in three voices, all either students or teachers, the novel relies heavily on dialect and colloquial phrasings. This approach, seemingly naïve, camouflages some beautiful and subtle imagery, as when Lovely, the least educated of the three main narrators, first appears ... small decisions by Lovely and PT Sir that collectively loom large, propel the book, and the novel’s breakneck pace stumbles when these narrators are absent ... When it focuses on the struggles of Lovely and her peers, fellow underdogs, fighting for their own small piece of success, A Burning is heartbreaking, a damning indictment of a society depicted as utterly corrupt and racist. Even with its flaws, the book is an engaging and fast read.
Daniel Kehlmann, Trans. by Ross Benjamin
Rave The Boston Globe ... darkly brilliant ... In Kehlmann’s hands, Tyll, based on the German folk hero better known here as Till Eulenspiegel, also has a compelling personal story, one he alternately reveals in jest and dances away from ... merciless, following its protagonist through a war torn continent terrorized by lawless mercenaries and equally bloodthirsty religious zealots ... Like one of Tyll’s japes, the core story takes some unraveling ... an episodic and nonlinear approach, and Ross Benjamin’s translation gives a clarity to the individual voices that render their stories — tragedies, for the most part — profoundly humane.
Rita Woods
Rave The Boston Globe ... breathtaking ... Woods weaves her magic into realistic descriptions seamlessly, almost as if they were emotional projections made real ... That the supernatural is plausibly presented as quotidian, a part of nature, speaks to the author’s skill ... None of this deft syncretism would matter were it not in the service of a grand tale. With a few striking exceptions, Woods does not dwell on the greater atrocities of slavery — the increasing lightness of each generation’s skin says enough — focusing instead on the everyday trials that bring these strong female characters to life. By the time of the book’s climax, when a young mother faces the loss of her babies, all the preceding centuries of grief and rage come through, as do the love and commitment these newfound families have forged. That’s a kind of magic that merits rereading, summoning realities that still have repercussions today.
Tana French
Mixed The Boston Globe In French’s latest, The Secret Place, the telling detail is a note—and that epitomizes both the promise and the failure of this uneven fifth outing ... French often writes beautifully, capturing the teen appeal of a boy’s \'hard-cut mouth electric with maybe kisses.\' When she lets the girls speak for themselves, however, this evocative prose disappears ... The author’s goal may be realism, but the result is the opposite: flattening out these characters to the point where several minor players become nearly indistinguishable. In a novel of character, the reliance on these texts—and the resulting lack of clarity—is a serious flaw. It doesn’t kill the magic but it does slow the pace of what could have been another French triumph.
Sarah Braunstein
Mixed The Boston Globe Catharsis, unfortunately, is what is missing from Sarah Braunstein’s accomplished debut, The Sweet Relief of Missing Children ... These lives are depicted in well-chosen details, like the smell of a leaky house or the awkwardness of an adolescent girl ... Occasionally, Braunstein gets a little too writerly ... Ultimately, all of these stories only wind down to grim despair. More than discomfiting, Sweet Relief is unrelenting, showing Braunstein to be a skilled writer who uses her deft pen to depict a joyless view of life in which the best that can be aspired to is anesthetized survival ... Empty artistry, an exercise in showy manipulation...
André Aciman
Mixed The Boston Globe As always, Aciman writes about desire with blunt honesty, describing erotic and emotional interactions with equal clarity. Sex can be tender or not, the connection lasting or ephemeral, but it is almost always multilayered and complex ... Aciman tends to pile on the descriptives, urging us to accept his characters’ points of view. When these are supported, the beauty of the language – Aciman’s careful specificity – adds up to emotion. At other times, he makes sweeping pronouncements in language that may be read as either Proustian or pompous ... the cross-generational sex at times pushes credibility ... The book is also marred by a slight whiff of misogyny. The homosexual love stories, by their nature, focus on men. But while all these men experience desire at all ages, even as they worry about their failing bodies and fading abilities, any woman they encounter is either young and beautiful ... Such complaints may be dismissed by the novel’s primary audience, those who fell in love with the central romance of Call Me By Your Name. However, for other readers who prize Aciman’s rapturous prose, they give reason to pause, breaking at least for a moment the beautiful dream.
Stephen King
Rave The Boston Globe The Institute, is another winner: creepy and touching and horrifyingly believable ... casual description of the looming unknown is emblematic of what makes King’s writing, and this book, so effective ... In some ways, The Institute reads like a re-working of Firestarter for our times ... It is also a tad long-winded. It’s always lovely to have more of a King novel to read, but this one could have lost some pages ... That’s a minor complaint for a major work, however. The vast bulk of The Institute is essential—plot and characterization working hand-in-hand to create an intimate picture of horror.
Howard Norman
Mixed The Boston Globe ...[a] rambling, at times beautiful, at times annoyingly precious novel ... Norman’s observations of life’s joys—as voiced by Simon—are often beautifully specific, intimate, and detailed ... This is lovely writing. However, when the descriptions begin to pile up, they lose their impact, becoming as bloodless as that ghost ... Although Simon’s close observations are interrupted by small attempts at humor—that cat—and lots of implied, life-affirming sex, they are too often as mawkish and didactic as advice from any well-meaning elder. This tendency is emphasized by Norman’s infatuation with certain words—like \'ongoingness\' and \'crepuscular\'—which recur a bit too often ... When Muriel quotes Faulkner—\'the past isn’t even past\'—her husband notes, \'That’s all a little too literary.\' Perhaps not to the newly minted academic or to Simon, her spectral predecessor in the house. Norman however, should have listened to his own characters and rooted them a bit more forcefully in the present.
Sarah Elaine Smith
Rave The Boston Globe ... stunningly evocative ... In Smith’s hands, Cindy’s acute observations capture the classism and casual racism of their poor town ... At times, the narrative veers into more sophisticated territory, stretching the credibility of Cindy as a narrator ... This is more the vocabulary of Smith, a poet as well as a novelist, than that of the then still self-educating Cindy. However, such poetic phrasings work, perhaps because sound as well as meaning contribute so much to a depiction of poverty and insularity that wouldn’t be out of place in the books of Laurel Groff or Tim Gautreaux. Or perhaps the author is hinting at a broader future for Cindy.
Emma Donoghue
Positive The Boston Globe ...[an] odd little social experiment of a novel ... Grief can make people prickly, and neither of these characters [Noah and Michael] comes across at first as sympathetic. In Donoghue’s sure hands, both Noah and his snarky charge are immediately distinctive, their voices clear. Neither, however, are much fun ... It would be a stretch to say these two loners redeem each other, but cast together, they do at least learn to reach out. By their flight back to their new, shared home, they’ve touched the reader as well.
Laura Lippman
Positive The Artsfuse ... an improbably well-timed release that, while fictional, may do a better job of illuminating the multifaceted Maryland metropolis’s story than either the angry outbursts or the reactions they provoke.
Yuko Tsushima Trans. by Geraldine Harcourt
Positive The Boston Globe \"... this short novel has a timelessness to it. The denial and dislocation are portrayed in a straightforward fashion, and the translation, by Geraldine Harcourt, is spare and unsentimental ... [Sexism\'s] blatant nature — and the fact that the young mother accepts it as normal — is jarring. Much more compelling are the internal conflicts that make up the bulk of this novel. There is a sense of inevitability as the year ends, and the woman takes a new apartment. Only walking distance from her light-filled sanctuary, the new space represents a new life, another understated step along the journey she has made.\
Naomi Novik
Rave The Arts Fuse These tales – the artful gleanings of survival-conscious Jews and other minorities – have remained relevant to generations removed from the shtetl. In the hands of fantasy author Naomi Novik, they acquire another dimension still ... The roots of this work are apparent in its language, its metaphors speaking of an older, primarily rural world ... Not only did Novik know her military history (she owns to being a fan of Patrick O’Brian), she created fully realized and distinctive dragon characters and kept scrupulously to her own imagined rules ... the book was an endearing, funny, sexy, and smart revelation. It reads like a fairy tale for adults, the kind of book that constantly surprises, even as it leaves you with the feeling that you’ve known this story all your life.
Karen Thompson Walker
Positive The Boston Globe \"... a dream-like, sleepy, and somewhat surreal tale, but one that is also often beautiful and disturbing ... Weaving together the stories of several of the residents, The Dreamers initially appears straightforward and chronological ... However, when a sleeper wakes with horrible visions of another catastrophe, one that has not yet happened, the straightforward nature of the book and of time itself comes into question.\
Jordy Rosenberg
Positive The Boston Globe ...a challenging philosophical work that’s also just great fun ... On one level this debut novel is a swashbuckling adventure about a notorious outlaw and his forbidden love in 18th century London—the kind of off-kilter picaresque destined to become a film starring Johnny Depp ... Much of his story is familiar: Sheppard is based on an English folk hero who was the centerpiece of John Gay’s The Beggar’s Opera, which became Bertolt Brecht’s The Threepenny Opera ... A bibliography closes this novel, for anyone who wants to explore further. For readers simply seeking a ripping yarn, this volume alone will suffice.
Sarah Waters
Rave The Boston Globe \"...a marvelous and truly spooky historical novel … Something larger than life seems to be at work, and the spooky happenings at Hundreds are only set off by Faraday\'s scientific cynicism. As a strange spot on an old and mouldering ceiling takes on a sinister appearance and bodies begin to accumulate, Waters\'s precise and chilling prose lets Dr. Faraday have his way with the story. As he slowly lets us in on his disappointments and dreams, we become more aware of the old prejudices and disappointments that have made him the man — and the narrator — he is. Determined to unravel the mystery of Hundreds Hall, and perhaps to better understand his own past, Dr. Faraday comes alive in The Little Stranger, ably serving as a guide between two worlds, or maybe more.\
Amor Towles
Rave The Boston Globe As this brilliantly realized book unfolds, each of the three hurtles toward a particular destiny … Told in Kate’s wry voice, this is a coming-of-age story in which all three characters suffer through a loss of innocence. Kate is a keen observer and while her language reflects the slang of her time – she actually says, ‘Great Caesar’s ghost’ – it is also timeless, as when she labels a romantic rival ‘as sharp as a harpoon and twice as barbed.’ Like this narration, the period details that the author – through Kate – notes are precise and evocative, from the grim secretarial pool to the fireworks over a mansion’s lawn. But they never detract from the characters. Their issues are the eternal ones of identity and self-worth, set in stark relief in a troubled world.
Wally Lamb
Positive The Boston Globe The signifiers start early in We Are Water, which is told in a series of alternating first-person narratives. Annie, an experimental artist, is at the center of them all, however, and her history, as well as her purported gift, drives the plot … We Are Water has all the touchstones of a potboiler: multigenerational family saga, high finance, abuse, creativity, sex, and even love.
Celeste Ng
Positive The Boston Globe What this novel concerns itself with is both the back story, showing us how this tragedy came about, and the aftermath, as Lydia’s parents, brother, and sister try to move on ...Ng starts with the family’s history, laying the groundwork for Lydia’s death. She then moves seamlessly into the weeks beyond, excelling in her sensitive and detailed portraits of grief... From the beginning, we are made to feel the tension in the Lee household, and the triggering crisis arrives with a kind of enervating inevitability ... What we don’t see, until it is too late, is the toll this sacrifice demanded ...a beautifully crafted study of dysfunction and grief. Yes, it may miss a few notes, but the ones it does play will resonate with anyone who has ever had a family drama, never mind a gift.
Doree Shafrir
Mixed The Boston Globe Smart, amusing, and light as an emoji feather, Startup is a coming-of-age novel for these digital times ... It is an easy world to poke fun at, with its insider references and silly-sounding catchphrases and, most of all, its ridiculous amounts of money ... But this is no Bright Lights Big City. It’s not even as deep as 2013’s coming-of-age breakthrough, The Love Affairs of Nathaniel P. While it may be coincidence that those books dealt with young people finding themselves in New York’s literary society, what they shared was a more complex worldview — a dawning awareness that the world was larger than the characters’ own social milieu ... Like her heroines, the author came of age in digital media, and the book reads that way: fast, witty, and fun. But, sadly, after turning the last page the story lacks the kind of thoughtful resonance that takes hold and lingers.
Chris Bohjalian
Positive The Boston Globe Calm and slow-paced, it is the kind of mystery that builds to a startling climax, the kind that makes the reader wonder how such a trick was pulled off ... The characters are compelling as well ... Bohjalian often centers his novels on social and psychological issues, and this is one behavioral problem he has clearly researched thoroughly. But very little is what it seems in this mystery, and even the most casual observation is worth keeping in mind. While Bohjalian skillfully crafts his puzzle, The Sleepwalker isn’t perfect. The first half moves quite slowly, as Lianna — who is often stoned — goes through the motions of caring for her sister and father, while dodging her own emotions ... But these are quibbles. Without giving anything away, it is safe to say that Bohjalian does a masterful job of planting false clues.
Derek Palacio
Positive The Boston Globe As a family saga, The Mortifications has more than enough to sustain it. Palacio writes vividly, conjuring smells and tastes of life both in the frozen north and the tropical Caribbean ... A bit too often, however, Palacio veers into a kind of magical realism that seems more interested in ideas than characters, particularly when the family once again lands in Cuba ... Only when Soledad returns to Cuba does the story regain its focus.
Kaitlyn Greenidge
Positive The Boston Globe ...a lot to pack into a novel, but Greenidge succeeds in large part because her voices are so dead-on. Whether it is Charlotte, swooning and conflicted over Adria or her sister, or Nymphadora trying to be clear-eyed about Gardner, these narratives are convincing and utterly engaging. Even little sister Callie’s chapters follow their own crazy logic, all of which lead up to a perhaps inevitable present in which so much is still left unsaid.
Mary Rakow
Positive The Boston Globe Imagine not a vengeful God, but a scared one, hiding away. Picture that same divinity capable of avenging the smallest slights by lashing out with unimaginable wrath. Pair that with a rational, caring cast of humans, subject to the whims of their creator but also, in some ways, responsible for him — and all the while wrestling with the slippery mystery of faith. That’s what Mary Rakow has done, with intriguing results.
Noy Holland
Positive The Boston Globe A short, bittersweet tale about how the longing for passion lives on, unsustainable in all but the persistence of memory.