Reviewer | Book Marks

Martha S. Jones

Rave The New York Times Jones has written an elegant and expansive history of Black women who sought to build political power where they could ... in a sense Vanguard is a rebuke to our fixation on firsts. Jones is just as interested in everything these women made possible — not just the trails they blazed, but the journeys they took, and what came after.

John Fabian Witt

Positive The New York Times There’s something to be said for a book that takes the bewildering cacophony of American approaches to the pandemic and tries to bring some clarity to how we got here ... Witt, a legal historian at Yale, offers a brisk guide ... Witt constructs his argument carefully, rarely allowing himself a rhetorical flourish, but the conclusion he arrives at is devastating.

Barack Obama

Rave The New York Times ... 700 pages that are as deliberative, measured and methodical as the author himself ... This isn’t to say that “A Promised Land” reads like a dodge; if anything, its length testifies to what seems to be a consistently held faith on the part of the former president — that if he just describes his thinking in sufficient detail, and clearly lays out the constellation of obstacles and constraints he faced, any reasonable American would have to understand why he governed as he did ... At a time of grandiose mythologizing, he marshals his considerable storytelling skills to demythologize himself ... Obama doesn’t force the metaphor, but the events described in A Promised Land suggest that something very old and toxic in American politics had been unleashed too.

Jerald Walker

Rave The New York Times The essays in this collection are restless, brilliant and short; all but one are fewer than 10 pages. The brevity suits not just Walker’s style but his worldview, too. Longer pieces would require the kind of connective tissue that might risk turning the essays into closed systems, sealing off entries and exits. Keeping things quick gives him the freedom to move; he can alight on a truth without pinning it into place.

Celia Paul

Rave The New York Times ... captivating ... Paul writes about her struggle to love someone while dedicating herself to her painting, explaining in her prologue that she hopes her book will \'speak to young women artists — and perhaps to all women — who will no doubt face this challenge in their lives at some time and will have to resolve this conflict in their own ways.\' But this makes her mesmerizing book sound more helpful than it is, or than it needs to be; Self-Portrait is less tidy and more surprising than such a potted purpose would allow ... Paul’s powers of observation are keen and often ruthless, but she never resorts to the language of self-pity — even when a reader might expect her to. Self-Portrait reveals an abjection that declines to announce itself as such ... Pages of this book are given over to notebook entries she kept decades ago, describing her painting practice with a moving, almost painful, immediacy.

Reeves Wiedeman

Positive The New York Times ... steady and restrained ... [Wiedeman] could have easily let loose from the beginning with a sensationalist narrative of exploitation and degradation, but he bides his time, allowing his evidence to accrue...This method gives the reader a chance to understand Neumann’s arc ... Throughout it all, Wiedeman is an appropriately understated guide, aware that his subject is so laden with self-regard that it only takes a deadpan clause to convey the absurdity of it all ... would be absorbing enough were it just about one man’s grandiosity, but Wiedeman has a larger argument to make about what Neumann represents.

Talia Lavin

Rave The New York Times Book Review Culture Warlords isn’t one of those books in which an intrepid author journeys behind enemy lines in order to write plaintively of our shared humanity ... one of the marvels of this furious book is how insolent and funny Lavin is; she refuses to soft-pedal the monstrous views she encounters, and she clearly takes pleasure in cutting them down to size ... Culture Warlords expressly melds reportage with activism.

Andrew Weissmann

Positive The New York Times There’s something refreshing about an author who harbors no illusions about his own book — especially when that book is about the current occupant of the White House, whose chaotic energy has spawned a booming industry of insider accounts and cris de coeur ... I have to imagine that this book will probably strike the famously tight-lipped Mueller as an act of betrayal. Weissmann’s portrait of his boss is admiring, affectionate and utterly devastating ... Unlike the other Trump books that get hyped as \'explosive,\' this one lays out its case so patiently that its conclusions arrive not with a bang but with a snap — the click of an indictment falling into place ... What Weissmann’s book provides is the inside story of how the country’s institutions have so far failed, he says, to hold a \'lawless White House\' to account ... a fascinating document — a candid mea culpa, a riveting true-crime story, that’s nonetheless presented in the measured prose of someone who remains a stalwart institutionalist ... Weissmann’s suggested solutions reflect his own faith in the perfectibility of institutions. He proposes granting the power to appoint a special counsel to the director of national intelligence — a pretty idea that isn’t entirely explicable, considering that the director of national intelligence is a cabinet-level official who reports to the president.

Bob Woodward

Pan The New York Times Readers who pick up Bob Woodward’s new book, Rage, and are tantalized by the promise on its dust jacket of \'an utterly vivid window into Trump’s mind,\' will quickly get schooled in a lesson that apartment hunters in New York often have to learn: A window can be only so vivid if it looks out onto an air shaft ... The Trump that emerges in Rage is impetuous and self-aggrandizing—in other words, immediately recognizable to anyone paying even the minimal amount of attention ... One half of Rage reads like...a typical Woodwardian narrative of very serious men soberly doing their duty, trying their darnedest to keep the president focused and on message ... So far, so tedious. Enter Trump ... Woodward ends Rage by delivering his grave verdict ... It’s an anticlimactic declaration that could surprise no one other than maybe Bob Woodward.

Volker Ullrich, Trans. By Jefferson Chase

Rave The New York Times In Jefferson Chase’s translation, the narrative moves swiftly, and it will absorb even those who are familiar with the vast library of Hitler books. To read Downfall is to see up close how Hitler lashed out — compulsively, destructively — whenever he felt boxed in.

Wolfram Eilenberger

Rave The New York Times ...vibrant ... everything in Time of the Magicians— ideas, narrative and phrasing (translated from the German into seamless English by Shaun Whiteside) — has been fused into a readable, resonant whole ... Eilenberger is a terrific storyteller, unearthing vivid details that show how the philosophies of these men weren’t the arid products of abstract speculation but vitally connected to their temperaments and experiences.

Kate Manne

Positive The New York Times [Manne] is like a pathologist wielding a scalpel, methodically dissecting various specimens of muddled argument to reveal the diseased tissue inside ... There are plenty of privileged men in the book, but Manne is aware of her own privileged position, too ... One of the qualities that makes Manne’s writing bracing and even thrilling to read is her refusal to ingratiate herself by softening the edges of her resolve ... doesn’t feel as surprising or as tightly coiled as that book. In Down Girl, she offered a brilliantly original understanding of misogyny, a term that can sound too extreme to use, by showing the routine and banal forms that its hostility often took. The concepts of entitlement and privilege aren’t nearly as rare or mysterious; swaths of this new book are clarifying but also familiar ... Still, the subject of Entitled is trickier in many ways than the subject of Down Girl. Feelings of entitlement may be essential to misogyny — but Manne argues that they’re essential to defeating misogyny, too.

Jacob Soboroff

Positive The New York Times Separated...will give you a sense of how the United States, a country that prides itself on its constitutional protections, also possesses a body of immigration laws that can be weaponized by an executive branch willing to do it ... Separated is structured chronologically, with the narrative of Soboroff’s own discovery of what was happening presented incrementally, highlighting the secrecy and \'extraordinary confusion\' of the process—and how removed even a journalist like Soboroff was from what was happening on the ground ... The subtitle of Separated is Inside an American Tragedy, but what Soboroff memorably depicts isn’t just tragic but brutal.

Catherine Belton

Rave The New York Times In the years that it took the journalist Catherine Belton to research and write Putin’s People, her voluminous yet elegant account of money and power in the Kremlin, a number of her interview subjects tried various tactics to undermine her work. The dauntless Belton, currently an investigative reporter for Reuters who previously served as the Moscow correspondent for the Financial Times, allowed neither approach to deter her, talking to figures with disparate interests on all sides, tracking down documents, following the money. The result is a meticulously assembled portrait of Putin’s circle, and of the emergence of what she calls \'K.G.B. capitalism” — a form of ruthless wealth accumulation designed to serve the interests of a Russian state that she calls \'relentless in its reach\' ... to read this book is to wonder whether a cynicism has embedded itself so deeply into the Anglo-American political classes that even the incriminating information it documents won’t make an actionable difference.

Margaret Sullivan

Positive The New York Times Book Review ... a brisk and pointed tribute to painstaking, ordinary and valuable work ... [Sullivan] attempts to strike a hopeful note can sound unsatisfying because of how problematic all the solutions are.

Mary L. Trump

Positive The New York Times ... detail—memorably specific, fundamentally human and decidedly weird...gives this book an undeniable power, even if its narrative is bookended by Mary’s strenuous efforts to put her training as a clinical psychologist to use ... The story she describes in Too Much and Never Enough is presented as a cautionary tale ... dysfunction is abundantly chronicled in this book ... Of course, her book is unlikely to change anybody’s mind. One imagines that a number of the president’s supporters may not even consider his upbringing to be that disturbing ... Mary, who was also a graduate student of comparative literature, knows how to tell a story and choose an anecdote ... This is a book that’s been written from pain and is designed to hurt ... it’s when Mary talks about her need \'to take Donald down\' that she starts speaking the only language her family truly understands.

Julian E Zelizer

Positive The New York Times As Julian Zelizer shows in his briskly entertaining (if politically dispiriting) new book, Burning Down the House, an ambitious and impatient Republican from Georgia by the name of Newton Leroy Gingrich long ago figured out that corruption was a useful charge for a young upstart to deploy against establishment politicians — a way of turning their vaunted experience against them ... Zelizer writes about all of this with aplomb, teasing out the ironies and the themes, showing that what made Gingrich exceptional wasn’t so much his talent as his timing. He happened to seize power at a moment when a post-Watergate ecosystem paradoxically selected for politicians like him — legislatively useless, for the most part, but freakishly talented at political warfare and self-promotion, wielding idealism as a cudgel while never deigning to be idealistic themselves. You don’t have to be nostalgic for the old political era of smoke-filled back rooms to wonder if the public was better served by an arsonist bearing a blowtorch and a Cheshire cat grin.

Eddie S. Glaude Jr.

Positive The New York Times Glaude is more explicit about looking to Baldwin not just for perspective and inspiration but for instruction and guidance ... Glaude is up to something bigger than his own summary allowed. Where a number of writers have paid ample tribute to Baldwin’s essays from the late ’50s and early ’60s, during the early years of the civil rights movement, Glaude finds energy and even solace in the later nonfiction that charted Baldwin’s disillusionment ... Even if you don’t agree with Glaude’s interpretations, you’ll find yourself productively arguing with them. He parses, he pronounces, he cajoles. He spurs you to revisit Baldwin’s work yourself ... Glaude’s defense of Baldwin’s trajectory is more cultural than literary. He imputes a political discomfort to critiques like Als’s that isn’t entirely fair, but he writes ardently and protectively ... The idea isn’t to return the country to what it was before President Trump; Glaude wants a wholesale re-envisioning, not a complacent restoration.

John Bolton

Pan The New York Times Known as a fastidious note taker, Bolton has filled this book’s nearly 500 pages with minute and often extraneous details, including the time and length of routine meetings and even, at one point, a nap. Underneath it all courses a festering obsession with his enemies ... The book is bloated with self-importance, even though what it mostly recounts is Bolton not being able to accomplish very much. It toggles between two discordant registers: exceedingly tedious and slightly unhinged ... His one shrewd storytelling choice was to leave the chapter on Ukraine for the end, as incentive for exhausted readers to stay the course ... In another book by another writer, such anecdotes might land with a stunning force, but Bolton fails to present them that way, leaving them to swim in a stew of superfluous detail ... his chapter on Ukraine is weird, circuitous and generally confounding. It’s full of his usual small-bore detail, but on the bigger, more pointed questions, the sentences get windy and conspicuously opaque ... When it comes to Bolton’s comments on impeachment, the clotted prose, the garbled argument and the sanctimonious defensiveness would seem to indicate some sort of ambivalence on his part—a feeling that he doesn’t seem to have very often.

Masha Gessen

Positive The New York Times When Gessen speaks about autocracy, you listen ... Gessen isn’t part of the typical #Resist crowd, fixated on the Mueller report ... Gessen’s writing style is methodical and direct, relying on pointed observations instead of baroque hyperbole ... Surviving Autocracy faces the problem that most anti-Trump books do: How to conclude in a way that strikes the right balance between realism and hope. Gessen ends with an excerpt from \'Let America Be America Again,\' by Langston Hughes—an appropriately rousing choice, though it also happens to be the same poem with which Amy Chua chose to end her book Political Tribes, published two years ago. Still, to obsess over endings would be to miss the larger point of this trenchant book.

Zachary D Carter

Rave The New York Times \"The Price of Peace, Zachary D. Carter’s outstanding new intellectual biography of John Maynard Keynes, offers a resonant guide to our current moment ... It’s rare for a 600-page economic history to move swiftly along currents of lucidity and wit, and this happens to be one of them ... Carter begins with a love story, and ends with an elegant explanation of a credit default swap; even readers without a background in high finance will learn how to appreciate the drama of both ... Carter’s explications of macroeconomic theory are so seamlessly woven into his narrative that they’re almost imperceptible; you only notice how substantive they are once you get to his chapter on Keynes’s notoriously dense 1936 book, The General Theory of Employment, Interest and Money, and realize that you’re riveted by a passage on fluctuations in liquidity preference because you somehow know exactly what it is that Carter is talking about ... As this brilliantly incisive book shows, being fair and judicious doesn’t necessarily mean trying to reconcile all sides. \

Merlin Sheldrake

Rave The New York Times ... ebullient and ambitious ... Sheldrake’s book is full of striking examples like these, prying open our cramped perspectives. He offers motley quotations, all of them enigmatic yet pertinent, from figures as varied as Tom Waits and the French feminist Hélène Cixous ... This book may not be a psychedelic — and unlike Sheldrake, I haven’t dared to consume my copy (yet) — but reading it left me not just moved but altered, eager to disseminate its message of what fungi can do.

Barton Gellman

Rave The New York Times ... engrossing ... His wariness makes Gellman a thorough, exacting reporter; it also makes him a marvelous narrator for this particular story, as he nimbly guides us through complex technical arcana and some stubborn ethical questions. Instead of rushing toward a conclusion, he hangs back. He’s clear about what he knows and what he doesn’t. He deploys plenty of metaphors, not to adorn the stakes but to clarify them. He shows how discussions of medieval ramparts and Six Degrees of Kevin Bacon are surprisingly pertinent to the architecture of mass surveillance ... His voice is laconic and appealingly wry ... would be simply pleasurable to read if the story it told didn’t also happen to be frighteningly real.

Walter Johnson

Positive The New York Times Johnson is a spirited and skillful rhetorician, juggling a profusion of historical facts while never allowing the flame of his anger to dim. Sometimes his metaphors can get a little overheated ... He also errs on the side of rolling, multiclausal explications where a sharper indictment might sometimes do. But the story he’s telling has so many elements that it makes sense he would immerse himself in the intricacies of tax increment financing and municipal bond debt. As he ably shows, so much exploitation lies in the details.

Robert Kolker

Rave The New York Times Book Review ...a...feat of empathy and narrative journalism ... Kolker recounts the Galvins’ home life with such vivid specificity that it can seem as if he’s working up to a suggestion that their upbringing determined the course of their mental health. But family turmoil is inherently more amenable to narrative drama than the slow, painstaking crawl of medical research, and Kolker — who skillfully corrals the disparate strands of his story and gives all of his many characters their due — knows better than to settle for pat truths.

Claudio Saunt

Positive The New York Times ... a powerful and lucid account, weaving together events with the people who experienced them up close ... Saunt doesn’t try to smooth over the knottier parts of his narrative...He’s also aware that the documentary record overrepresents the voices of those who left a paper trail. His account acknowledges the diverse experiences within and across Indigenous communities.

Alex Halberstadt

Rave The New York Times More than a retelling of Vassily’s story, Young Heroes is a memoir of Halberstadt’s family and the country where he was born — a loving and mournful account that’s also skeptical, surprising and often very funny ... confident, precisely drawn imagery that will make you remember what Halberstadt describes in his own unforgettable terms ... A thread that runs through Halberstadt’s book is the inheritance of trauma...another version of the historical record that gets inscribed into our genetic code. Those parts of the book are elegantly delineated, but it’s the unexpected specificity of Halberstadt’s observations that ultimately make this memoir as lush and moving as it is.

Adam Hochschild

Rave The New York Times Hochschild writes movingly about an unlikely pair who also served as a potent symbol ... Hochschild is a superb writer who makes light work of heavy subjects ... Where information is scant or nonexistent, he deploys elegant workarounds that evoke a vivid sense of time and place ... Hochschild’s book shows us what a radical movement looked like from the inside, with all of its high-flown idealism and personal intrigues. Whatever protections we take for granted once seemed unfathomable before they became real.

Peter Fritzsche

Mixed The New York Times Fritzsche describes an era that has been covered by other books—not least his own—many times over. As an esteemed historian of how ordinary Germans accommodated themselves to the Nazi regime, Fritzsche is neither revising his scholarship nor breaking new ground here. But there’s something particularly clarifying about the hundred-days framing, especially as it’s presented in this elegant and sobering book, which shows how an unimaginable political transformation can happen astonishingly quickly.

Katie Roiphe

Mixed The New York Times Despite her reputation for controversy, Roiphe has never been that formidable a polemicist; her perspective is too blinkered, her blind spots too obvious. At the level of the sentence, though, she’s a skillful writer. Even in this book, without the ballast of a sustained argument, there’s a deliberation in her pacing that keeps everything moving ... The best parts of the book are the ones in which Roiphe reconsiders her old positions, admitting how much they left out ... Her newfound openness only goes so far. While Roiphe’s empathetic imagination extends to men and to women like Beauvoir, who were tormented by the men they loved, other women in this book aren’t afforded the same depth of understanding ... I began to wonder if this book is Roiphe’s attempt to be \'relatable\' — to jump on the bandwagon of fragmented, diaristic writing by women that confesses to vulnerability and doubt. In 2020, ingratiating oneself to a shrinking cadre of male gatekeepers is no longer the shrewd strategy it once was. The Power Notebooks can be read as a power move ... But Roiphe doesn’t seem quite ready to let the old ways go.

Patrick Boucheron

Positive The New York Times Book Review This energetic little book started out as a series of talks for French public radio in 2016, and it offers a knowing guide to Machiavelli’s life and work. The tone, in Willard Wood’s translation, is playfully conspiratorial. Boucheron invites us to think through how Machiavelli became synonymous with unscrupulous despotism when the real man suffered for his republican allegiances ... Boucheron’s breezy use of the first-person plural keeps his argument humming amiably along, though some English-language readers might feel buffeted by the occasional gusts of cultural presumption ... Boucheron thinks the United States is currently grappling with what the historian J.G.A. Pocock called the \'Machiavellian moment,\' when instability puts the future of a republic at stake. A resurgence of Machiavelli suggests something has gone awfully awry. \'If we’re reading him today,\' Boucheron writes, \'it means we should be worried.\' ... But just as his subject had a \'taste for paradox,\' Boucheron refuses to leave it at that. If we’re reading Machiavelli today, we might also learn something from his \'lucidity, the weapon of the despairing.\' In other words, there’s still some hope.

Barbara Ehrenreich

Positive The New York Times ... is billed as a collection of essays from the past four decades, but the Ehrenreich in these pages will be mostly familiar to the million-plus readers of Nickel and Dimed, which began as an article for Harper’s Magazine that is reprinted here ... shows how Ehrenreich’s sincere activist efforts have always contained a vein of dark wit ... There’s a consistent tone to all of the essays: tough and acerbic, crusty to the point of imperturbable ... the Ehrenreich of this collection is Ehrenreich the activist, the author of startlingly prescient essays and scabrous op-eds. She was writing about the splintering middle class during the self-congratulatory Reagan years, and about problems of trickle-down feminism long before well-heeled women were exhorted to lean in. These pieces weren’t the place for her to parse any ambivalence. After all, she had a job to do.

Jessica Stern

Pan The New York Times What happens when an author tries so strenuously to empathize with her subject that she loses control of her own book? ... It’s a question that kept coming to mind as I read My War Criminal ... mystifying ... The problem with My War Criminal is that Karadzic — a psychiatrist who wrote bad poetry before becoming the president of Bosnia’s hard-line Serbian nationalist party — apparently knows enough about her determination to write a book about him to turn her own method against her. Karadzic gets fashioned here into the charismatic character Stern so clearly wants him to be ... During the conversations, she deliberately avoided challenging Karadzic in any way ... Stern inflates the drama of her narrative ... More disconcerting than the awkward literary affectations is how Stern writes about the actual history of the war. Stern says she isn’t trying to deny a genocide, nor is she trying to redeem Karadzic. But in her attempts to \'follow his moral logic,\' she entertains his tortured excuses and grotesque fantasies ... It’s exasperating to watch a smart woman play possum like this — not just in the interviews but in the writing, especially when her conclusions don’t tell us anything we didn’t know before.

Marcia Chatelain

Rave The New York Times Book Review Say the name McDonald’s, and what comes to mind? Tasty hamburgers or hardened arteries? Entry-level jobs or dead-end McJobs? Responsive community outreach or mercenary corporate power?...Chatelain has written a smart and capacious history suggesting that McDonald’s should summon all of those thoughts, and then some ... Chatelain is less accusatory and more circumspect. Throughout this impressively judicious book, she is attuned to the circumstances that encouraged increasingly intricate ties between McDonald’s and black communities across the country. This isn’t just a story of exploitation or, conversely, empowerment; it’s a cautionary tale about relying on the private sector to provide what the public needs, and how promises of real economic development invariably come up short ... a serious work of history, and Chatelain has taken care to interview the surviving principals involved, but she also includes some lighter details to round out her picture ... Chatelain writes very little about the food itself, but when she does, she’s resolutely nonjudgmental about why people eat it...Her sense of perspective gives this important book an empathetic core as well as analytical breadth, as she draws a crucial distinction between individuals actors, who often get subjected to so much scrutiny and second-guessing, and larger systems, which rarely get subjected to enough.

Anna Wiener

Positive The New York Times ... extraordinary ... Wiener’s storytelling mode is keen and dry, her sentences spare — perfectly suited to let a steady thrum of dread emerge ... Early on in the book, she refers to \'an online superstore\' and \'a social network everyone said they hated,\' later swapping out the indefinite articles for definite ones, effectively showing how the internet behemoths have eliminated their competition.

Kyle Chayka

Positive The New York Times ... those two kinds of minimalism — sleek lifestyle branding and enforced austerity — don’t quite convey the enormousness of the subject Chayka explores in this slender book ... The book itself is like an exercise in decluttering, as Chayka cycles through different ideas in order to find those he wants to keep ... generates more questions than it answers — which is only appropriate, considering that the \'deeper minimalism\' Chayka pursues is more about vulnerability than control ... Reading Chayka’s book put me in mind of a longing for less stuff, and a longing for more support.

Mark O'Connell

Positive The New York Times Some of the stops on this travelogue are so spectacularly scenic that I found myself envious, and not a little bit suspicious: Here was someone who had figured out a way to tour the world by writing about the end of it ... a funny, self-deprecating inquiry into [O\'Connell\'s] own complicity.

Cathy Park Hong

Rave The New York Times The essays wander a variegated terrain of memoir, criticism and polemic, oscillating between smooth proclamations of certainty and twitches of self-doubt ... [Hong\'s] tone can sound petulant and aggrieved, sly and comic, sometimes all at once ... studded with moments like this — candor and dark humor shot through with glittering self-awareness ... The polemical Hong is earnest and righteous...The lyrical Hong is no less furious, but she’s wryer and sharper, less blunt and more subversive. She sees how she benefits from the model-minority myth even as it traps her, absorbing her accomplishments to fuel a system she doesn’t believe in. American culture might thrive on noise and bombast, but Hong knows that power can accumulate elsewhere.

Glenn Simpson

Positive The New York Times Simpson and Fritsch try to tell the story as clearly as they can, but more money means more convolutions ... [they] are able guides to a byzantine world; their presentation is methodical, almost lawyerly, which isn’t as bad as it sounds. When reading a story full of weird financial transactions, narratives and counternarratives, it’s helpful to have everything laid out as plainly as possible — even if the layers of chicanery are sometimes so densely packed that their syntax gets squeezed into ugly shapes ... For a couple of guys who spent their careers investigating how money can shape incentives, or at least appear to, they seemed for a while either defensive or naïve when it came to the murkier aspects of their own business model ... Fusion’s conservative critics doubtless won’t be placated by this book, even though the authors say that those critics were ultimately what made the book possible ... reads like a morality tale about unintended consequences.

Thant Myint-U

Positive The New York Times Book Review ... reflective and illuminating ... [Myint-U] writes briskly about Burma’s history as part of the British Raj ... The book’s focus is on the convulsions of the last 15 years, from a seemingly unshakable military dictatorship to the beginnings of democratic rule, but examining the legacy of Burma’s colonial past is crucial to grasping what’s happened more recently ... a learned yet also intimate book ... an urgent book about a heavy subject, but Thant Myint-U is a writer with a humane sensibility and a delicate yet pointed touch.

Anonymous

Pan The New York Times Book Review I realize that writing this while the president is still in office is an extraordinary step,\' Anonymous says. In light of three years’ worth of resignations, tell-all books, reports about emoluments and sworn testimony about quid pro quos, this is a decidedly minimalist definition of \'extraordinary.\' How can a book that has been denuded of anything too specific do anything more than pale against a formal whistle-blower complaint? ... It’s hard to look like a heroic truth teller by comparison, but Anonymous tries very hard, presenting anonymity as not just convenient but an ultimately selfless act, designed to force everyone to pay more attention to what this book says by deflecting attention away from the person who’s saying it ... You, the reader, will already recognize most of what Anonymous has seen and heard as revealed in this book if you have been paying any attention to the news ... to judge by the parade of bland, methodical arguments, the ideal reader would seem to be an undecided voter who has lived in a cave for the past three years, and is irresistibly moved by quotations from Teddy Roosevelt and solemn invocations of Cicero ... suggests a dyed-in-the-wool establishment Republican ... A big tell comes early on, when Anonymous reveals what \'the last straw\' was. It wasn’t Mr. Trump’s response to the right-wing rally in Charlottesville, Va., in 2017, when a white supremacist killed a woman and the president talked about \'the violence on many sides.\' It wasn’t even the administration’s separation of migrant families at the border. These examples might have left Anonymous appalled, but the truly unforgivable act was when Senator John McCain died last year and Mr. Trump tried to hoist the flag on the White House above half-staff.

Kerri K. Greenidge

Positive The New York Times The Guardian editor, Du Bois wrote, was \'a clean-hearted, utterly unselfish man whom I admired despite his dogged and unreasoning prejudices.\' That man comes through in Black Radical, Kerri K. Greenidge’s spirited biography, an ardent and mostly approving account of Trotter’s life that nevertheless conveys the more vexing elements of his personality ... Black Radical opens up a rich seam of inquiry that persists to this day, about the tug-of-war between reformers and radicals, and whether victories that seem purely symbolic at first can ripple out into real-world effects later on.

Fintan O'Toole

Rave The New York Times ... slyly brilliant ... searching and elegantly argued. O’Toole isn’t unsympathetic to those who voted in favor of Brexit, but makes abundantly clear that he believes they were suckered into a raw deal ... His tone is charmingly wry but never gleeful. He reserves his most withering indictments for elite politicians like Nigel Farage and Boris Johnson — the \'Brexit ultras\' who successfully deployed the language of autonomy and wounded pride to cast Brexit \'simultaneously as a reconstitution of Empire and as an anti-imperial national liberation movement\' ... This toggling between grandiosity and self-pity is a neat trick, and O’Toole says the absurd rhetoric has been so successful because England has never grappled properly with its experience of winning a world war while also losing an empire.

Susan Hennessey

Positive The New York Times ... isn’t just another compendium of insider gossip and bumbling treachery. The authors offer something more sobering, more analytical and, at this point, more revealing ... The book isn’t the work of bleeding-heart insurgents; the authors are national security pundits, and Wittes is famously a friend and confidant to the former F.B.I. director James Comey ... the authors are earnest and methodical — and the case they make is scarier for it .

Susannah Cahalan

Positive The New York Times ... absorbing ... the kind of story that has levels to it, only instead of a townhouse it’s more like an Escher print ... reads like a detective story, with Cahalan revealing tantalizing clues at opportune moments so we can experience the thrills of discovery alongside her. Her voice is warm and often charming, though she has a weakness for whimsical asides ... But such amiability was probably what got some reluctant sources to talk ... Without Cahalan’s intrepid reporting, the truth of Rosenhan and his paper might have been lost ... Instead of arrogance, her book counsels humility.

Nancy Princenthal

Positive The New York Times Princenthal takes a tangled history and weaves it into an elegant account ... She delves into central questions of marginalization and race, discussing a persistent cultural bias toward the experience of white, relatively well-off victims, who receive a disproportionate amount of attention from both the media and the criminal justice system .. it’s the irresolvable tensions that give Princenthal’s book, like the art she writes about, its pull.

Brittany Kaiser

Pan The New York Times ... aggrieved and self-pitying ... after reading Kaiser’s [memoir], you’ll wonder whether she herself has learned much of anything at all ... she so strenuously insists how fundamentally decent she is that her awkward remonstrations have a perverse effect on her credibility. [Kaiser] is frequently \'humbled.\' She is forever a \'human rights activist.\' She is worldly and smart and spectacularly connected while nevertheless \'vulnerable\' and helplessly \'naïve.\' All of this makes for a bizarre book: Targeted has the slightly sweaty smell of someone trying to launder her reputation ... When it comes to personal revelations, the book is opaque and exceedingly repetitive, as if the prose had been pushed through the messaging mill of a P.R. firm. Kaiser concedes she did everything for the money — but even as she admits her actions might look \'selfish,\' she maintains she was ultimately selfless.

Heather Christle

Positive The New York Times ... peculiar and indelible ... [Christle] conveys her beliefs and suspicions in discrete paragraphs of text, quoting lines of poetry, personal correspondence, psychological studies. (Writers like Maggie Nelson and Sarah Manguso are distinguished practitioners of the form.) Some sections are as short as a sentence; almost all open up new possibilities for inquiry ... \'Tears are a sign of powerlessness,\' Christle writes, \'a ‘woman’s weapon.’\' Another writer might have left it at that, but Christle keeps the sentence wriggling without letting it off the hook.

Ronan Farrow

Positive The New York Times ... absorbing ... is mainly about these women’s stories, and the dueling efforts to suppress them and to bring them to light, though Farrow knows how to leaven the narrative, slipping in scenes of the occasional domestic squabble between him and his partner, the former Obama speechwriter Jon Lovett, as well as offering some necessary comic relief. Farrow can be disarmingly wry, even when writing about another shadowy psyops firm spying on him and other journalists ... there are some hopeful threads, too.

Christopher Wylie

Positive The New York Times ...freewheeling and profane ... After reading Wylie’s memoir, you’ll have learned something ... Some of Wylie’s pronouncements sound schematic and jarring, especially when he talks about \'the rise of jihadism and the popularity of Crocs\' as analogous \'products of information flows,\' but there’s often insight in the unexpected connections he draws, and it’s not hard to see why he and Bannon initially bonded over their shared obsession with culture ... Wylie covers plenty of ground, explaining in illuminating and often scary detail how Cambridge Analytica exploited the data to create Facebook pages that would needle \'neurotic, conspiratorial citizens,\' propagating an outraged solidarity.

Andrew Marantz

Positive The New York Times The book weaves together profiles of online extremists that first appeared in The New Yorker with Marantz’s memorable and often surreal reporting experiences ... The narrative is trenchant and intelligent; wry but not glib; humane but never indulgent. Most of Marantz’s subjects are enraged, resentful and — when it comes to the non-internet parts of their lives — profoundly mediocre. Their appetite for attention is so desperate that it’s both repugnant and poignant ... As disturbing as these specific stories are, what filled me with a creeping sense of dread were the parts of Antisocial that incisively describe how a Darwinian information environment has degraded to the point where it now selects for people who can command the most attention with the fewest scruples.

Jack Goldsmith

Positive The New York Times So much has been written about Jimmy Hoffa, the former Teamster boss who vanished from a Detroit suburb in 1975, but a new book about him still contains surprises — not least because of who wrote it ... In Hoffa’s Shadow is several books in one — an attempt to piece together the enduring mystery of Hoffa’s disappearance, a glancing history of the labor movement, a reflection on the government’s surveillance powers and, underpinning it all, a memoir of Goldsmith’s relationship with his stepfather ... The book’s pacing is steady and unrelenting, as Goldsmith toggles between his own careful narrative voice and Chuckie’s off-the-cuff wiseguy vernacular. Goldsmith is sober, strait-laced, punctilious; Chuckie sounds like he’s telling it like it is, except when he’s not, which is often — a trick he learned out of professional necessity ... In Hoffa’s Shadow covers a lot of ground, but I was most struck by the frankness with which a buttoned-up Goldsmith writes about his stepfather, and how Goldsmith’s firsthand experiences have apparently encouraged him to question some of the surveillance powers that other law-and-order conservatives have traditionally taken for granted.

Edward Snowden

Positive The New York Times ... a riveting account and a curious artifact. The book is unlikely to change anyone’s mind about Snowden, but when it comes to privacy and speech and the Constitution, his story clarifies the stakes ... The second half of Permanent Record reads like a literary thriller ... weaves together personal intel and spycraft info, much of it technologically elaborate yet clearly explained.

Malcolm Gladwell

Pan The New York Times Gladwell has never shied away from incendiary material, and his newest book is no exception ... Gladwell has a well-honed method for handling live wires, which involves encasing them in psychological and sociological theory and then proceeding to bend them to his will...every anecdote, every story, gets folded into a Big Idea ... his italicized conclusions are designed to hit us with the force of revelation when it finally dawns on us how everything fits together ... Amping up the drama like this doesn’t have to feel cheap; there’s a fine tradition of storytelling as benign manipulation, and in his articles for The New Yorker, Gladwell often gets the balance right. But not here. In Talking With Strangers, he uses theory like a cudgel on sensitive material ... Gladwell’s insistence on theory can be distorting, rather than clarifying. Theory can provide a handy framework, transforming the messy welter of experience into something more legible, but it can also impose a narrative that’s awkward, warped or even damaging ... this anodyne sentiment is too vague and banal to explain anything, much less carry a book, and Gladwell knows it.

Anne Boyer

Rave The New York Times The pink ribbon, that ubiquitous emblem of breast cancer awareness, has long been an object of controversy and derision, but the poet and essayist Anne Boyer doesn’t just pull it loose, unfastening its dainty loop; she feeds it through a shredder and lights it on fire, incinerating its remains ... extraordinary and furious ... [Boyer\'s] story, told with searing specificity, is just one narrative thread in a book that reflects on the possibility—or necessity—of finding common cause in individual suffering.

Corey Robin

Rave The New York Times It’s a provocative thesis, but one of the marvels of Robin’s razor-sharp book is how carefully he marshals his evidence. He doesn’t have to resort to elaborate speculation or armchair psychologizing, relying instead on Thomas’s speeches, interviews and Supreme Court opinions. Just as jurists make ample use of the written record, Robin does the same ... rigorous yet readable, frequently startling yet eminently persuasive ... I’m not sure I wholly agree with this diagnosis, but it isn’t every day that reading about ideas can be both so gratifying and unsettling, and Robin’s incisive and superbly argued book has made me think again.

Christopher Leonard

Positive The New York Times Kochland is a corporate history, lucidly told. Telling this story as well as Kochland does is harder than it looks, and not just for the obvious reasons ... Leonard doesn’t have much by way of rich narrative material to work with. Memorable stories are usually buoyed by memorable characters, but with few exceptions the Koch employees who talked to Leonard have imbibed the company culture and sound remarkably alike ... Even Charles Koch doesn’t make much of an impression; he seems less charismatic in Kochland than methodical and deliberate — like the engineer he was trained to be ... it’s Leonard’s depictions of Market-Based Management in action that are most illuminating here, and the light they give off is chilling ... Charles Koch calls Market-Based Management \'a way for business to create a harmony of interest with society.\' The question Kochland raises is whether this \'harmony of interest\' results in a place where anyone without a few billion to spare would actually want to live.

Tim Alberta

Positive The New York Times ... isn’t just another drop in the deluge of Trump books; in fact, it isn’t really a Trump book at all. Instead it’s a fascinating look at a Republican Party that initially scoffed at the incursion of a philandering reality-TV star with zero political experience and now readily accommodates him ... generally strikes a tone of measured fairness throughout.

Charles King

Positive The New York Times [An] elegant and kaleidoscopic book ... King includes some of the more vexed aspects of this history, including Boas’s involvement in a sham funeral for an indigenous Greenlander whose cadaver had been secretly harvested in the name of scientific research ... This looks to be the perfect moment for King’s resolutely humane book, even if the United States of the early 20th century isn’t quite the perfect mirror. Boas and his circle confronted a bigotry that was scientifically endorsed at the time, and they dismantled it by showing it wasn’t scientific at all.

Gretchen McCulloch

Positive The New York Times With Because Internet, [McCullough] has written an incisive and entertaining guidebook of her own ... McCulloch is remarkably good at showing how internet speech has been evolving \'to restore our bodies to our writing,\' as certain online conventions have changed over time ... McCulloch is such a disarming writer — lucid, friendly, unequivocally excited about her subject — that I began to marvel at the flexibility of the online language she describes, with its numerous shades of subtlety ... Reflecting on these changes in \'expressive typography,\' McCulloch is fully celebratory ... She’s immersed in online life, where she sees the future looking emancipatory and bright. \'There’s space, in this glorious linguistic web, for you,\' she insists. I hope she’s right lol.

Darcey Steinke

Mixed The New York Times Steinke wants her book to do more. She finds the literature about menopause to be dispiritingly sparse; at one point, she resorts to providing a close reading of a self-help book by the actor and ThighMaster purveyor Suzanne Somers ... Sometimes she seems aware of the glaring discrepancy between her lofty wisdom and the knottier reality ... Too often, though, the insights in Flash Count Diary feel forced, the analogies strained ... The unevenness extends to the writing, which reads well enough when Steinke is recalling moments that left an indelible mark on her memory, her perspective widened by the distance of time. Her current perspective, though, can occasionally narrow to a pinpoint ... But the book still left me wanting more: more voices, more works about this transformation. The subject feels truly fresh.

Emily Nussbaum

Positive The New York Times What Nussbaum does is thrillingly different; she treats television as art in its own right — not the kind of rarefied, fragile museum piece that requires you to handle it with a hushed reverence and kid gloves, but a robust, roiling form that can take whatever you throw its way ... though I Like to Watch is mostly a selection of Nussbaum’s reviews and profiles over the years, you can see how the residue of that \'drunken cultural brawl\' still seems to animate her ... confident, dauntless criticism — smart and spiky, brilliantly sure of itself and the medium it depicts. But as appealing and seductive as it is, it lugs some of its own baggage too. Nussbaum reacts to a gendered cultural hierarchy by deploying the weapons of that hierarchy against it: a certain combativeness, a bold swagger. It’s a feminism steeped in the toughen-up language of cultural libertarianism ... As ardent as Nussbaum’s critical responses are, she also knows that art and our judgments of it aren’t necessarily chiseled in stone; there’s a contingency that can be inevitable and even potent, should we choose to accept it.

Aleksandar Hemon

Rave The New York Times Of the two halves, My Parents is the more conventionally straightforward ... Like Hemon’s fiction, the real-life stories in My Parents are so exquisitely constructed that their scaffolding is invisible. You get the sense that he is trying to understand his parents in a way that his younger self did not ... My Parents is warm, wry and loving — but because this is Hemon, he shows his affection not through sentimental declarations but by paying close attention to specifics ... This Does Not Belong to You is rawer and stranger, focused more on Hemon than his parents, though the two halves of the book work in tandem ... In My Parents, Hemon depicts himself as a gentle boy ... In This Does Not Belong to You he is a junior sadist ... There’s a fatalism that suffuses This Does Not Belong to You, an overwhelming sense of mortality and the suspicion that storytelling might never be enough. This despair is leavened by what Hemon so beautifully and concretely conveys in My Parents, with Hemon as a middle-aged son who is carefully and movingly trying to make sense of it all.

Linda Hirshman

Mixed The New York Times The history recounted in Reckoning is buoyed along by a sense of righteous inevitability ... Hirshman has written a timely and readable volume on an urgent subject, but her disdain for anyone she deems to be the wrong kind of feminist can be so potent that it’s corrosive ... Hirshman gestures at some of these complexities, including the trade-offs liberal women have had to confront, especially when it comes to the piggishness of certain male Democrats ... The strongest parts of Reckoning are where Hirshman gives credit to the black women in addition to Hill who were central to the movement ... Reckoning glosses over an expansive definition of physical assault without peering too closely at its expansive law-and-order implications ... anyone seeking a deeper understanding of why the current moment has been such a long time coming may wish that she had done a little more reckoning of her own.

Tim Bouverie

Rave The New York Times Bouverie, a young British journalist, is aware that he’s entering well-worn ground. Unlike other books about the prelude to World War II, Appeasement avoids narrowing in on a single event (Munich) or individual (Chamberlain) in favor of a more comprehensive and immersive account ... This is well-paced narrative history: intelligent, lucid, riveting — even while possessing the terrible knowledge of what happened next.

Michael Wolff

Mixed The New York Times It’s a mordant, readable tell-all designed to show how Trump, simply by being Trump, has made himself the perfect wrecking ball, blasting holes through an array of institutions. There are salacious details in this book—many of which Trump’s critics will want to eat up—though with so many unnamed sources, Trump’s compulsion for hyperbole and Wolff’s own journalistic record, it’s hard to know which tidbits to trust. It makes more sense to read Siege less as a news report and more as a rhetorical gambit—a twisted bid to burnish Bannon’s anti-establishment legacy ... For anyone eager to relive the last year, Wolff tracks the scandals (or the major ones, at least—who can count?) in all their bewildering abasement ... [Jared] Kushner comes across in this account as perhaps the saddest figure of all: a hapless schemer ... Wolff...make[s] what is either a deeply ironic or inadvertently hilarious comparison of Bannon to Tolstoy. The political analysis in this book is close to nil, but that’s by design ... Siege reads like a 300-page taunt of the president—from Wolff or from Bannon, though they seem to have arrived at the kind of collaboration in which the distinction doesn’t really matter.

Brenda Wineapple

Rave The New York Times Wineapple started to research her history of the country’s first impeachment trial six years ago; she briefly mentions Presidents Nixon and Clinton but not the current occupant of the White House. She doesn’t have to. The relevance of this riveting and absorbing book is clear enough, even if Wineapple’s approach is too literary and incisive to offer anything so obvious as a lesson ... Wineapple’s depiction of Johnson is so vivid and perceptive that his standoff with Congress arrives with a doomed inevitability ... Wineapple dips into the intrigue and the whiffs of corruption that surrounded the vote, including a cloak-and-dagger narrative that features incriminating telegrams. She brings the same feel for drama to the trial itself...

George Packer

Positive The New York Times Book Review \"This isn’t a book you’re supposed to dip into piecemeal, searching for information; it’s best appreciated like a novel, consumed whole. Much like Holbrooke himself, who died in 2010 at 69, Packer’s book is charming, brilliant, cocksure and exasperating ... Our Man makes some high-minded noises about how Holbrooke’s death marked the definitive \'end of the American century,\' but the reason to read this book is less for Packer’s wistful tributes to American exceptionalism than for his consummate skills as a storyteller.\

Grace Talusan

Positive The New York Times ... doesn’t track a one-way march to triumph from adversity; Talusan’s essays loop in on themselves, as she retrieves old memories and finds unexpected points of connection ... Talusan describes such experiences with unadorned prose that conveys a startling specificity ... Talusan has the instincts of a storyteller, teasing out her narrative through images and allusion. She writes about her father with tenderness and empathy.

Robert A. Caro

Positive The New York Times ...this assemblage of personal reflections and interviews may give the true Caro completist a creeping sense of déjà vu ... the book reads as if it were designed to divert as little of his time as possible ... Small and charming at about 200 pages, a quick spritz instead of a deep dive, Working is like the antithesis of Caro’s labor-intensive oeuvre, making it strangely reassuring proof that he is, well, working ... There are a number of anecdotes in Working that Caro has shared before — after all, his books are so comprehensive that it only makes sense ... For someone so interested in the power of others, Caro seems coy about his own power to shape legacies. The writer who emerges from these pages is so humble.

Megan K. Stack

Positive The New York Times \"Memoirs about motherhood are exceedingly common, but Women’s Work dares to explore the labor arrangements that often make such books possible ... Stack writes sharp, pointed sentences that flash with dark insight ... Women’s Work is so full of keen insights and shrewd observations that by the time Stack arrived at her What Needs to Be Done moment, a mere six pages from the end, she had already won me over so fully that I was only mildly exasperated when she landed on this: \'The answer is the men\' ... [Stack\'s] wan conclusion to an otherwise fearless book feels like a bit of a put-on and a bit of a cop-out.\

Carolyn Forché

Positive The New York Times Forché’s memoir starts off slowly, as she describes in minute detail how she made the fateful and seemingly inexplicable decision to follow a mysterious stranger’s directive to take such a perilous trip. But once Forché’s story gathers momentum, it’s hard to let the narrative go ... [a] riveting book ... the memoir I read was more intricate and surprising than such an earnest descriptor lets on ... Forché alludes to the political context in the book, but the shape of her memoir hews closely to what she herself saw and heard — and how, out of the horror, she began to discern what she needed to do.

Andrea Dworkin, Ed. by Joanna Fateman and Amy Scholder

Positive The New York Times The hallmarks of Dworkin’s writing are all there: the confident strut; the incantatory repetition; the startling, belligerent language; the ruthless whittling down of options to a single, irrevocable point (\'my only chance\'). This was someone who thought deeply and read widely and was preoccupied with questions not only of justice but also of style. Last Days at Hot Slit, a new anthology of Dworkin’s work, shows that the caricature of her as a simplistic man-hater, a termagant in overalls, could only be sustained by not reading what she actually wrote ... Dworkin composed her work from a personal place, but she didn’t contain her experience in anecdote; she extrapolated, she deduced, she pronounced ... The women’s movement in Dworkin’s unyielding universe was no mere lifestyle choice; it was a matter of life and death.

William Davies

Rave The New York Times \"... wide-ranging yet brilliantly astute ... Davies is a wild and surprising thinker who also happens to be an elegant writer — a wonderful and eminently readable combination. Nervous States covers 400 years of intellectual history, technological innovation and economic development, seamlessly weaving in such disparate intellects as Carl von Clausewitz, Friedrich von Hayek and Hannah Arendt. The unexpected affinities proposed in this book bring to mind the roving approach of Marshall McLuhan or Bruno Latour.\

David Wallace-Wells

Positive The New York Times \"Wallace-Wells avoids the \'eerily banal language of climatology\' in favor of lush, rolling prose. The sentences in this book are potent and evocative, though after a while of envisioning such unremitting destruction—page upon page of toddlers dying, plagues released by melting permafrost and wildfires incinerating tourists at seaside resorts—I began to feel like a voyeur at an atrocity exhibition ... I found this lurching between sweet hopefulness on the one hand and lurid pessimism on the other to be bewildering, like a heat wave followed by a blizzard. But then Wallace-Wells has resolved to offer something other than the standard narrative of climate change and collective action, which \'is, dramatically, a snore.\'\

Daniel Immerwahr

Rave The New York Times \"To call this standout book a corrective would make it sound earnest and dutiful, when in fact it is wry, readable and often astonishing. Immerwahr knows that the material he presents is serious, laden with exploitation and violence, but he also knows how to tell a story, highlighting the often absurd space that opened up between expansionist ambitions and ingenuous self-regard ... Seen through Immerwahr’s lens, even the most familiar historical events can take on a startling cast ... It’s a testament to Immerwahr’s considerable storytelling skills that I found myself riveted by his sections on Hoover’s quest for standardized screw threads, wondering what might happen next. But beyond its collection of anecdotes and arcana, this humane book offers something bigger and more profound. How to Hide an Empire nimbly combines breadth and sweep with fine-grained attention to detail. The result is a provocative and absorbing history of the United States — \'not as it appears in its fantasies, but as it actually is.\'\

Hanif Abdurraqib

Rave The New York Times Book Review Pays attention to the larger changes in the culture, but its overall tenor is warm, immediate and intensely personal ... Readers looking for a biography of the group will find some of the basics here, but it’s how Abdurraqib filters the information—absorbing it, refracting it through his own distinctive lens—that gives this compact book its power ... This lush and generous book is a call to pay proper respects—not just to a sound but to a feeling.

Bridgett M, Davis

Positive The New York Times The World According to Fannie Davis is daughter’s gesture of loving defiance, an act of reclamation, an absorbing portrait of her mother in full ... Blending memoir and social history, she recounts her mother’s extraordinary story alongside the larger context of Motor City’s rise and fall ... the novelist in Davis knows that Fannie’s whole story was more complicated than a daughter’s protectiveness will allow.

Adam Higginbotham

Rave The New York Times Book Review \"... chilling ... Interviewing eyewitnesses and consulting declassified archives — an official record that was frustratingly meager when it came to certain details and, Higginbotham says, couldn’t always be trusted — he reconstructs the disaster from the ground up, recounting the prelude to it as well as its aftermath. The result is superb, enthralling and necessarily terrifying ... Amid so much rich reporting and scrupulous analysis, some major themes emerge ... Higginbotham’s extraordinary book is another advance in the long struggle to fill in some of the gaps, bringing much of what was hidden into the light.\

Shoshana Zuboff

Positive The New York Times \"It’s a testament to how extraordinarily intelligent her book is that by the time I was compared to an elephant carcass, I resisted the urge to toss it across the room ... Zuboff... has a dramatic streak that could come off as simply grandiose if she didn’t so painstakingly make her case ... Zuboff can get overheated with her metaphors; an extended passage with tech executives as Spanish conquistadors and the rest of us as indigenous peoples is frankly ridiculous, even if I can understand how Zuboff thought the phrase \'rivers of blood\' would get her urgency across ... Absorbing Zuboff’s methodical determination, the way she pieces together sundry examples into this comprehensive work of scholarship and synthesis, requires patience, but the rewards are considerable — a heightened sense of awareness, and a deeper appreciation of what’s at stake.\

Cailin O'Connor and James Owen Weatherall

Positive The New York Times ...methodical and earnest ... The book contains useful summaries of the debates in the 1980s around the ozone layer and acid rain ... The one thing you begin to notice in this book is that propagating a reflexive skepticism and sowing discord aren’t terribly difficult, especially when there’s a vested interest willing to pay for it; \'merely creating the appearance of controversy\' is often all that needs to be done.

A.S. Hamrah

Positive The New York Times As the resident movie critic of the journal n+1, Hamrah is committed to his ambivalence, conveying it with a mixture of precision and conviction that will remind you how much more there is to be gleaned from a review than whether a movie is \'good\' or \'bad\' (even if it’s a movie you happen to deem very good or very bad indeed) ... A political awareness imbues Hamrah’s criticism without weighing it down. He doesn’t succumb to a leaden moralizing because he pays close attention to the medium he’s writing about, alert to what he sees and hears ... Hamrah is suspicious of anything that dulls the senses, lulling audiences into a false sense of security and therefore complacency. Part of his vigilance extends to being attuned to the circumstances under which he watches movies.

Jennifer Traig

Mixed The New York Times Jennifer Traig apparently...takes solace in how useless, contradictory and downright harmful so much advice has historically been. \'The things we take for granted as normal and natural strike parents in other parts of the world as absurd and dangerous,\' she writes, in this brisk survey of child-rearing tips through the ages ... The history recounted in this book is studded with violence and death ... Traig’s book is filled with tales of men telling women what to do, and she’s candid about how furious it makes her ... She isn’t wrong, but the nonstop vaudeville can get wearying. Some of her punch lines are so broad that they should be accompanied by a sad trombone ... Parenting is a subject that generates so much piety that you can’t fault Traig for having a sense of gallows humor, though the calibration is off. Part of this has to do with how skillful and fluid a writer she is otherwise—the facts seem to tumble forth, in a way that makes her jokes feel superfluous (when they aren’t awful) and strenuous (when they are). Much of the story she tells is pieced together from other books ... Still, it’s a fascinating narrative, tracing the long history of mistakes and reversals and cultural presuppositions that have structured our most intimate relationships.

Patrick Radden Keefe

Rave The New York Times \"... an outsider’s perspective is what gives Say Nothing its exacting and terrifying lucidity ... Keefe follows the McConville story, interviewing more than a hundred sources and digging deeper and deeper, to the point where he comes to his own conclusion about who murdered her. But the culpability of any one individual is only part of this meticulously reported book ... Keefe’s narrative is an architectural feat, expertly constructed out of complex and contentious material, arranged and balanced just so ... Keefe’s depiction of Price is so rounded and intimate you’ll be surprised to learn that he never spoke to her ... This sensitive and judicious book raises some troubling, and perhaps unanswerable, questions.\

Ronen Bergman

Rave The New York Times ...from the looks of Rise and Kill First, he knows more than he’s supposed to ... What follows is an exceptional work, a humane book about an incendiary subject. Blending history and investigative reporting, Bergman never loses sight of the ethical questions ... far from an apologia. If anything, Bergman suggests that Israel’s honed aptitude for clandestine assassinations led the country to rely on them to a fault, approaching some complex strategic and political concerns as problems that an extrajudicial killing could fix ... This book is full of shocking moments, surprising disturbances in a narrative full of fateful twists and unintended consequences.

Tim Wu

Rave The New York Times \"... Wu’s The Curse of Bigness: Antitrust in the New Gilded Age is a surprisingly rousing treatment of another presumably boring subject: mergers and acquisitions ... The Curse of Bigness is skinny, more of a dip with a snorkel than a deep dive. But the pithiness of this new volume is ideally suited to its subject. Wu doesn’t want to get into all the intricacies of antitrust law; if anything, an enormous book on the problem of enormity would only fool us into believing that the subject is more impenetrable than it really is — and stoke the confusion and apathy that have allowed decades of corporate consolidation to flourish in the first place ... Wu is an able guide through the history — from Theodore Roosevelt’s campaign against \'bad trusts\' all the way to the expansive bloat of AT&T and Microsoft’s competition-crushing ambitions of more recent memory — but it’s on the level of ideas that his book comes into its own ... Wu knows how to keep everything concise and contained. The Curse of Bigness moves nimbly through the thicket, embracing the boons of being small.\

Patricia Miller

Positive The New York Times \"Miller follows the twists and turns of the case, giving a blow-by-blow account of the trial that initially has the pace of a TV procedural before crawling through a thicket of detail. Mostly, though, her book is a lucid guide to a story that became far more consequential than the titillation supplied by its salacious bits ... What Miller depicts so well are the larger cultural changes that bore down on the case, even if whatever emancipation was set in motion remains unfinished still.\

Michelle Obama

Positive The New York Times \"Obama emphasizes how important role models are, especially for young women of color in a culture that isn’t changing fast enough. But this book isn’t all unicorns and rainbows. By the end of it, she ultimately champions endurance and incremental change; she will probably be lauded and lambasted accordingly ... it’s the moments when Obama tries to make sense of what she’s seeing now, in the country, that are among the most moving—if only because she’s so clearly struggling to reconcile the cleareyed realism of her upbringing, brought about by necessity, with the glamorous, previously unthinkable life she has today ... For all the attempts by conservatives a decade ago to paint her as a radical, Obama seems to be a measured, methodical centrist at heart. But hers isn’t a wan faith in expanding the pie and crossing the aisle. Her pragmatism is tougher than that, even if it will come across as especially frustrating to those who believe that centrism and civility are no longer enough. As she writes in Becoming, she long ago learned to recognize the \'universal challenge of squaring who you are with where you come from and where you want to go.\' \

Sarah Churchwell

Mixed The New York Times This is a timely book. It’s also a provocative one ... Churchwell has a tendency to corral the unruliness of her material by overstating her case. Still, she’s an elegant writer, and when \'America First\' and \'the American dream\' come head-to-head in her book during the run-up to World War II, the unexpected (and alarming) historical coincidences begin to resonate like demented wind chimes ... Churchwell strenuously resists any implication \'that the American dream was invented as a fig leaf to protect white privilege, to obscure the racist foundations of the capitalist system in institutional slavery.\' But the phrase didn’t have to be \'invented\' for that purpose in order to serve as such. Her entire book argues against categorical defenses like hers. Behold, America illuminates how much history takes place in the gap between what people say and what they do.

Andrew Delbanco

Positive The New York Times \"Delbanco highlights the especially tortured syntax of the fugitive slave clause (Article 4, Section 2, Clause 3) to show how the founding document, \'so filled with euphemism and circumlocution,\' was littered with bombshells ... Delbanco traces how the compromises of the Constitution, along with the long history of compromise in the century that followed, tried to paper over a violent reality, disguising a moral issue as a technical one. But the slaves who ran away repudiated that fantasy. They were persistent reminders of the truth ... Delbanco is a close reader of literature and primary documents, often to revealing effect ... The War Before the War makes a few pointed comparisons to our current moment, though Delbanco emphasizes that, by the truly bloody standards of antebellum lawmaking, which included the vicious beating of the abolitionist senator Charles Sumner on the Senate floor, our politics are a veritable “\'model of decorum.\'”

Mark Dery

Rave The New York Times Writers are supposed to have a hard time killing their darlings, but there are a few who apparently thrill to the task. In Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey, the cultural critic Mark Dery explains how Gorey was always looking to pare things down ... faced with so much ordinariness, Dery does his best, which proves to be more than enough. Born to Be Posthumous is an entertaining account of an artist who liked to be coy with anybody who dared to write about him.

David W. Blight

Positive The New York Times Blight’s is the first major biography of Douglass in nearly three decades, making ample use of materials in the private collection of a retired doctor named Walter O. Evans to illuminate Douglass’s later years, after the Civil War ... On the stuff that’s known, Blight is an attentive if sometimes fastidious guide, poring over speeches and texts with the critical equivalent of a magnifying glass ... Blight’s book really comes into its own in the later chapters, as it conveys Douglass’s trajectory through Reconstruction, his support for (and split from) the women’s suffrage movement, and beyond ... Blight isn’t looking to overturn our understanding of Douglass, whose courage and achievements were unequivocal, but to complicate it — a measure by which this ambitious and empathetic biography resoundingly succeeds.

Michael Lewis

Positive The New York Times \"Lewis is a supple and seductive storyteller, so you’ll be turning the pages as he recounts the (often surprising) experiences of amiable civil servants and enumerating risks one through four (an attack by North Korea, war with Iran, etc.) before you learn that the scary-sounding \'fifth risk\' of the title is — brace yourself — \'project management.\' Lewis has a reputation for taking fairly arcane subjects — high finance, sovereign debt, baseball statistics, behavioral economics — and making them not just accessible but entertaining. He does the same here with government bureaucracy, though The Fifth Risk feels a little underdone compared to some of his previous books ... For the most part, though, he keeps the narrative moving, rendering even the most abstruse details of government risk assessment in the clearest (and therefore most terrifying) terms.\

Mary Gabriel

Rave The New York Times Ninth Street Women is supremely gratifying, generous and lush but also tough and precise—in other words, as complicated and capacious as the lives it depicts. The story of New York’s postwar art world has been told many times over, but by wresting the perspective from the boozy, macho brawlers who tended to fixate on themselves and one another, Gabriel has found a way to newly illuminate the milieu and upend its clichés ... There’s so much material roiling in Ninth Street Women, from exalted art criticism to the seamiest, most delicious gossip, that it’s hard to convey even a sliver of its surprises ... \'The stories told in this book might be a reminder that where there is art there is hope,\' Gabriel writes in her introduction, but that wan, anodyne sentiment doesn’t do justice to the gorgeous and unsettling narrative that follows; it’s as if once Gabriel got started, the canvas before her opened up new vistas. We should be grateful she yielded to its possibilities.

Jose Antonio Vargas

Mixed The New York Times The moments when Vargas describes how profoundly alienated he feels from his own family are the most candid and crushing parts of the book ... Dear America covers some of the same ground as Vargas’s essay for The Times Magazine, as well as his 2013 film, Documented. The weakest parts of the book have him proclaiming a humble altruism that simply doesn’t jibe with the more complicated (and, frankly, more interesting) person he otherwise reveals himself to be ... It was brave for him to come forward as he did, but the motivations for putting one’s name to such an attention-getting, incendiary article are rarely so selfless and pristine. For one thing, by making himself so visible he was not only notifying the authorities of his existence; he was also gaining a form of protection by making himself known. This isn’t to begrudge him any of it. Dear America is a potent rejoinder to those who tell Vargas he’s supposed to \'get in line\' for citizenship, as if there were a line instead of a confounding jumble of vague statutes and executive orders—not to mention the life-upending prospect of getting deported to a country he barely remembers.

Jill Lepore

Rave The New York Times Her one-volume history is elegant, readable, sobering; it extends a steadying hand when a breakneck news cycle lurches from one event to another, confounding minds and churning stomachs ... The size of the project is liberating and constraining at once ... But in Lepore’s hands, the history gets some room to breathe ... her book is less about a struggle between heroes and villains than it is about the country’s often tortured approach to political equality and natural rights—truths that were supposed to be self-evident but have been treated as if they were anything but ... Few, if any, politicians come out of Lepore’s account looking pristine, though she casts some as more calculating and opportunistic than others ... Lepore is at her most formidable when she’s marshaling historical evidence. Some of her more literary flourishes read like good intentions gone awry ... This cleareyed history had done its civic duty: It primed me to miss the Lepore who tells it like it is.

Carol Anderson

Positive The New York Times One Person, No Vote reads like a speedy sequel of sorts to her previous book ... Her new book seems to have been written from a state of emergency, in an adrenaline-fueled sprint. Anderson is a stinging polemicist ... this trenchant little book will push you to think not just about the vote count but about who counts, too.

Susan Orlean

Rave The New York Times Orlean’s work in general has that elusive quality to it: exquisitely written, consistently entertaining and irreducible to anything so obvious and pedestrian as a theme ... a loving tribute not just to a place or an institution but to an idea ... Her depiction of the Central Library fire on April 29, 1986, is so rich with specifics that it’s like a blast of heat erupting from the page ... What makes The Library Book so enjoyable is the sense of discovery that propels it, the buoyancy when Orlean is surprised or moved by what she finds.

Louis Hyman

Rave The New York Times [An] illuminating and often surprising new book ... A number of books have been published in recent years about the brave new gig economy, but Temp examines the underlying cultural shift that made it all possible ... I prefer Hyman when he gets out of wonk-mode and tells us what is really at stake ... Here, finally, is a book that encourages us to imagine a future that is inclusive and humane rather than sentimentalize a past that never truly was.

Joan Morgan

Positive The New York Times With She Begat This: 20 Years of ‘The Miseducation of Lauryn Hill, Morgan takes an album that was a cultural touchstone—the kind of work that elicits ardent devotion and ardent backlash—and holds it up to the light, showcasing its brilliance and its shadows ... Morgan insists that loving something isn’t the same as giving it a pass. She Begat This makes a full-throated case for Hill’s artistic and historical importance, but this appreciation doesn’t translate into gauzy praise for some of the stickier parts of Hill’s career—including legal tussles over writing and production credits on Miseducation ... Morgan straightforwardly engages with Hill’s critics, making a point to talk to those whose opinions don’t jibe with her own ... She Begat This is thick with competing opinions, as well as chunks of dialogue. Morgan is such a fluid and candid writer that I often wanted to hear more from her. But ... It feels like the right approach to an artist like Hill; her iconic album might be 20 years old, but our understanding of it is still a work in progress.

Merve Emre

Rave The New York Times It takes a while to realize that Emre has gotten you hooked under arguably false pretenses, but what she finally pulls off is so inventive and beguiling you can hardly begrudge her for it ... The Personality Brokers is history that reads like biography that reads like a novel — a fluid narrative that defies expectations and plays against type ... The Personality Brokers contains a judicious amount of historical context ... it’s Katharine and Isabel who are at the core of this story, and Emre depicts these two women — long dead and largely unknown — with the acuity they deserve. Isabel, in particular, is drawn with precise, confident strokes.

Adam Tooze

Rave The New York Times \"He connects the mortgage crisis to the American banking crisis to the European debt crisis to the crisis of liberalism. Brexit, Trump, Russia’s annexation of Crimea in 2014 and China’s ever-escalating role in the financial system: Tooze covers them all and much more, in a volume that’s as lively as it is long — which is to say very, on both counts ... On the apparent Democratic distaste for conflict, Tooze is quietly scathing...Democratic centrism won the (financial) war but lost the (political) peace. To judge from Trump’s ascendancy, along with the historical evidence so scrupulously marshaled in Crash, Tooze is right ... One of the great virtues of this bravura work of economic history is how much attention it devotes to issues of power.\

Allie Rowbottom

Rave The New York Times In Jell-O Girls, she weaves together her family history and the story of the classic American dessert to produce a book that alternately surprises and mesmerizes. Despite its title, this isn’t a bland tale that goes down easy; Jell-O Girls is dark and astringent, a cutting rebuke to its delicate, candy-colored namesake. It’s also the kind of project that could turn unwieldy and even unbearable in the wrong hands. But Rowbottom has the literary skills and the analytical cunning to pull it off. Like a novelist, she can imagine herself into the emotional lives of others, while connecting her story and theirs to a larger narrative of cultural upheaval ... Rowbottom traces all of this with a sure hand, drawing details from her mother’s unfinished memoir and shaping them so that they make sense in her own. Much of the writing is lush yet alert to specifics ... As sharp as her insights often are, this is a book in which Everything Signifies. Even a digression about the catacombs in an Italian monastery includes some Jell-O symbolism. You occasionally want to tell Rowbottom to ease up: Sometimes a Jell-O mold is just a Jell-O mold. The product history is mostly illuminating, though, as Rowbottom shows how the brand tried to keep up with the times ... Rowbottom’s book is too rich and too singular to reduce to a tidy argument.

Beth Macy

Positive The New York Times Dopesick touches on these political developments, but its emphasis lies elsewhere. Macy’s strengths as a reporter are on full display when she talks to people, gaining the trust of chastened users, grieving families, exhausted medical workers and even a convicted heroin dealer ... There’s a great deal in Dopesick that’s incredibly bleak ... Macy suggests [ending America\'s opioid crisis] will require a profound transformation of how we understand who we are in relation to one another.

Dan Kaufman

Positive The New York Times The Fall of Wisconsin: The Conservative Conquest of a Progressive Bastion and the Future of American Politics the Brooklyn-based journalist and Wisconsin native Dan Kaufman shows how the state became a conservative test case. As the head of the right-wing, Milwaukee-based Bradley Foundation told him, \'Wisconsin is a laboratory for the rest of the country\' ... As Kaufman makes clear, though, the notion that Wisconsin in 2016 was some sort of Democratic stronghold showed just how complacent Clinton and the liberal establishment had become. Trump, sensing an opportunity, made an aggressive play for the state. Clinton, in stark contrast, sent surrogates instead of showing up herself. Kaufman describes her as not just out of touch but quite literally not there ... You can sense Kaufman’s mounting outrage, even if he’s quiet about it. His prose is somber and subdued. The most incensed he gets is in an earnest paragraph about Hillary Clinton and her \'negligence of Wisconsin,\' in which any bile could pass as indigestion.

Martha C. Nussbaum

Mixed The New York Times \"...one of the virtues of this slender volume is how gradually and scrupulously it moves, as Nussbaum pushes you to slow down, think harder and revisit your knee-jerk assumptions ... The book starts out strong, as she breaks fear down into first principles in order to show how feelings of insecurity and powerlessness can render an otherwise useful emotion like anger, or a desire for fairness, into something more vengeful and poisonous. She’s a skillful rhetorician, gracefully navigating her way around partisan land mines by talking about babies and ancient Greece ... Her cool approach to incendiary topics is part of what makes her work so brilliant and so frustrating. To counter the \'toxic brew\' of fearful anger, envy and misogyny, she proposes...\'strategies.\' She’s not necessarily wrong, but does she have to sound so bloodless and Apollonian about it? ... When it comes to seeing the small, scared child in everyone, though, Nussbaum can be illuminating.\

Alissa Quart

Positive The New York Times It wasn’t long ago that the term \'middle class\' suggested security, conformity and often complacency...Squeezed: Why Our Families Can’t Afford America, arrives at a moment when members of the middle class are no longer a robust demographic but an embattled and shrinking population, struggling to hold on to their delicate perch in an unforgiving economic order ... \'They are people on the brink who did everything right,\' Quart writes, \'and yet the math of their family lives is simply not adding up.\'

Steven Brill

Positive The New York Times The eagle has crash-landed, or it’s about to, leaving a trail of red stuff on the cover of Steven Brill’s new book...\'Is the world’s greatest democracy and economy broken?\' Brill asks at the outset of Tailspin ... The country may not be in utter shambles, Brill argues, but it’s getting there. President Trump is just the latest manifestation of rampaging anger and resentment. Declining social mobility, a shrinking middle class, widening income inequality, crumbling infrastructure — there’s plenty to be mad about, and plenty of blame to go around.

Nell Irvin Painter

Positive The New York Times ...candid and cheerfully irreverent ... bringing new energy and insight to questions that have long preoccupied the art world. As Painter puts it: \'What counts as art? Who is an artist? Who decides?\' Painter gets more playful with these questions than she initially lets on. One of the most enjoyable aspects of Old in Art School is seeing her relax her historian’s grip on social meaning and open up to new ways of seeing.

Alex Wagner

Mixed The New York Times \"Futureface raises urgent questions having to do with history and complicity. Wagner is determined to look at her family with the coldest eye, making excuses for no one ... Such ungenerous assessments aren’t necessarily inaccurate; Wagner knows her family better than I do. But in her push to dismantle some cherished myths, her book starts to feel bloodless, so shorn of sentiment that Wagner’s project loses the profoundly personal feelings that animated it in the first place. It would be one thing if she uncovered definitive evidence of a real whopper, an astounding family secret; what she discovers instead are the kinds of skeletons — illegitimacy, hypocrisy, selective memory, callous prejudice — that are distressing, but also distressingly common. These ordinary cruelties might not make for riveting journalism, but they make for a rich and revealing memoir ... Wagner’s skepticism and irreverence are so polished that you want to get a better sense of what motivates them. But the harsh light she shines on those around her can be so blinding that we lose sight of who she is.\

Christopher Bonanos

Rave The New York Times \"Christopher Bonanos has finally supplied us with the biography Weegee deserves: sympathetic and comprehensive, a scrupulous account with just the right touch of irreverence ... He had played the outsize role of Weegee the Famous so long he confessed he had a hard time knowing who he really was. His biographer knows, though. Flash gives us Weegee in full, offering a measure of protection against the oblivion he feared the most.\

John McCain and Mark Salter

Mixed The New York Times The tough-guy titles of their previous books...exhibited an adamant righteousness that The Restless Wave, with its rolling title, occasionally strives for but fails to convey. You can see McCain in this book struggling to reconcile himself to what his Republican Party has largely become, even if he declines to come right out and say so ... One of the striking aspects of this new book is how often McCain — who says his dire medical prognosis leaves him “freer” to speak his mind and vote his conscience “without worry” — insists on playing it safe. The six-term senator from Arizona slips in a few careful mentions of Donald J. Trump, and expresses concern about the rancor that has overtaken the country, but he generally stops short of calling out the president or his cabinet ... Blink and you might miss his critique ... The Restless Wave is a wistful book; McCain wants to rally Americans around helping an imperiled world, rather than accept that the call might be coming from inside the house.

Gilbert King

Mixed The New York Times Reese got ensnared in a tangled web of promising leads and dead ends — as does King’s book, which can get bogged down in the morass of Lake County’s unrelenting racism and squalid corruption ... This isn’t to say that King’s digressions are uninteresting, or even irrelevant. It’s just that combined with the baroque twists of the Daniels case, the book begins to get unwieldy. King, an amateur historian, has an appreciation for the startling detail and the circuitous connection. He’s clearly done his research, unearthing transcripts and talking to survivors ... Beneath a Ruthless Sun tracks the noble efforts of Reese, who is mainly presented here through her earnest editorials. No doubt Reese was not as one-dimensional as the upstanding figure in this book (in the Groveland case, King mentions, she had initially called for the execution of the defendants). But without a more riveting linchpin to anchor the narrative, Beneath a Ruthless Sun grows as sprawling as the conspiracy it depicts.

Patricia O'Toole

Mixed The New York Times ...O’Toole is a lucid and elegant writer (her book about Adams was a finalist for the Pulitzer Prize), and The Moralist is a fluid account that feels shorter than its 600-plus pages. Despite its length, there isn’t a passage that drags or feels superfluous. She gives each of her many characters their due, rendering them vivid and also memorable — an effect not to be taken for granted in a serious history book covering an intricate subject ... Still, about the persistent racism — including Wilson’s flouting of his own democratic ideals in the Caribbean — O’Toole says some, but not enough ... On Wilson’s tortured entrance into World War I, she is truly superb ... As a study of Wilson’s relationship with Europe, and the intrigues of his foreign policy administration, the book is exemplary. But like her subject, O’Toole occasionally gets trapped by her own noble intentions: A biography called The Moralist, which takes Wilson’s \'great sense of moral responsibility\' as its starting point, surely sets up expectations for a deeper exploration of just where he drew that line.

Lawrence Wright

Rave The New York Times \"[Wright\'s] omnivorous sensibility suits his latest subject, helping him to capture the full range of Texas in all its shame and glory. His new book is both an apologia and an indictment: an illuminating primer for outsiders who may not live there but have a surfeit of opinions about those who do ... The book rambles far and wide, and it’s a testament to Wright’s formidable storytelling skills that a reader will encounter plenty of information without ever feeling lost ... Certain readers might crave more righteous anger from someone writing about Texas, especially now, when there’s little room for agreement and plenty at stake. But Wright’s project is perspective, not conquest. In a chapter on Texas culture, he praises the work of contemporary artists who have returned to their Texas roots \'with knowledge, self-confidence, and occasionally, forgiveness.\' God Save Texas is his vivid bid to do the same.\

Yunte Huang

Positive The New York Times \"That they would eventually identify as part of the white oppressor class that dehumanized others is one of many paradoxes explored by Huang in this contemplative yet engrossing volume ... Chang and Eng became an immediate national sensation, giving Huang a bounty of sources from which to choose when tracing the contours of their story ... he twins did seem determined to be identified as Southern gentry. In addition to owning slaves, they supported the Whigs and became ardent supporters of the Confederacy, sending two of their sons to fight in the Civil War. Huang is right to point out the cruel irony in all of this, but when he characterizes his subjects as \'two brothers formerly sold into indentured servitude and treated no better than slaves,\' he inadvertently downplays the incomparable brutality of the slaveholding system in order to heighten the contradictions ... Huang writes movingly about the twins’ painful end in 1874, when Chang, a heavy drinker, died and the teetotaling Eng perished soon after.\

Lauren Hilgers

Rave The New York Times \"It’s a testament to Lauren Hilgers’s rich and absorbing Patriot Number One: American Dreams in Chinatown that the patriot of her title, a Chinese activist and immigrant named Zhuang Liehong, comes across as frustrating and, at times, downright infuriating. But Zhuang is also determined and dreamy, suspicious and generous — he becomes real to us, in other words, an inextricable combination of noble and naïve ... Hilgers has written a penetrating profile of a man and much more besides: an indelible portrait of his wife and their marriage; a canny depiction of Flushing, Queens; a lucid anatomy of Chinese politics and America’s immigration system. Such a comprehensive project could have easily sprawled across a book twice as long, but Patriot Number One stays close to the people it follows, in a narrative as evocative and engrossing as a novel.\

Geoff Dyer, Garry Winogrand

Positive The New York Times There’s a certain tenuousness to Winogrand’s photos; the compositions hold together, but just barely. He was conveying not the coherent myth of the American century, but its unruly shadow. Dyer’s accompanying texts wear their erudition lightly ... For the most part, though, Dyer’s gifts as a noticer and a writer become fully apparent when he lets himself get deeply, comically weird ... Winogrand might not have been thinking about where anything was going or where it had been, but he did one better than that: He showed us what it all looked like.

Yascha Mounk

Positive The New York Times Mounk is a clear and often forceful writer, if not an especially stylish one; he favors the step-by-step explication and the tidy formulation. His prose seems to reflect his preferred mode of politics: earnest, respectful and pragmatic.

Joshua B. Freeman

Positive The New York Times Joshua B. Freeman’s rich and ambitious Behemoth: A History of the Factory and the Making of the Modern World depicts a world in retreat that still looms large in the national imagination. Behemoth is more than an economic history, or a chronicle of architectural feats and labor movements. Freeman...traces the rise of the factory and how it became entwined with Enlightenment ideas of progress ... Behemoth doesn’t romanticize the earlier incarnations of gigantic factories, but Freeman understands why some people did — and still do.

Amy Chua

Pan The New York Times Chua sprints through her international material in a little over 100 pages before returning to the United States — which is where she gets stuck in a quagmire of her own making. What started out in her introduction as a shrewd assessment of our fractured political situation turns into a muddled argument about what Americans, mainly liberals, need to do next … Considering how much she’s thought about tone-deaf cosmopolitan elites seeming hopelessly out of touch, she would have done well to heed the moral of her own book: When changing lanes, check your blind spot first.

Patrisse Khan-Cullors and Asha Bandele

Positive The New York Times Book Review The book is subtitled 'A Black Lives Matter Memoir,' but only the last quarter is devoted to the genesis of the movement in 2013... Most of this ruminative volume is instead about Khan-Cullors’s life as a child and a teenager, when the heavy pull of shame and sadness kept her tethered to a more private world of confusion and pain ... Khan-Cullors gives us the personal background, located in her life ... There’s a persistent longing that threads through this book — not so much for the consumerist dream represented by Sherman Oaks, but for the secure relationships she saw her wealthy, white classmates taking for granted ... As a black, queer woman, Khan-Cullors is the kind of activist conservative politicians get panicky about, though they ostensibly share with her an overlapping area of concern.

David Frum

Mixed The New York Times Book Review ...Frum purports to offer more than a rushed assessment of the last year. After all, he says, President Trump is not a cause but a symptom. Like another new book, Steven Levitsky and Daniel Ziblatt’s How Democracies Die, Trumpocracy is, in part, an exploration of the reasons for the president’s electoral upset and the roots of his rule ... Among Frum’s fellow Republicans who read this book, all but the most determined Trump enthusiasts should feel pin pricks of recognition and, depending on how much hypocrisy they can live with, a queasy discomfort ... The book seems to have been written in haste, a patchwork of bits and pieces from his Atlantic columns, additional examples of Trumpian malfeasance, and new ways of expressing old outrage ... Frum has the pamphleteer’s flair for the scathing epithet, which can be energizing or enervating, depending on your tolerance for hyperbole. Even sympathetic readers may feel besieged when he works himself up to full throttle.

Steven Levitsky and Daniel Ziblatt

Rave The New York Times Book Review How Democracies Die is a lucid and essential guide to what can happen here. Levitsky and Ziblatt show how democracies have collapsed elsewhere — not just through violent coups, but more commonly (and insidiously) through a gradual slide into authoritarianism ... When presenting the most distressing historical analogies, the authors’ understatement is so subdued it verges on deadpan. But our current moment is so fraught that How Democracies Die is never dull, even if the writing can be ... Levitsky and Ziblatt are drier and more circumspect. There is no democratic paradise, no easy way out. Democracy, when it functions properly, is hard, grinding work. This message may not be as loud and as lurid as what passes for politics these days, but it might be the one we need to hear.

Ellen Pao

Mixed The New York Times Book Review Reset contains a fair amount of repetition — which doesn’t make it a bad book, though it can sometimes come across as disjointed. It is a tricky thing to write a memoir that’s also supposed to function as self-help and tell-all and activist’s manifesto, as well as indictment. Hammer your points too hard, and you don’t reveal enough of yourself as an ambivalent, fallible human being; reveal too much of yourself as an ambivalent, fallible human being, and you risk opening seams in the armor of your case ... It’s only when the memoir arrives at her tenure as a chief of staff at Kleiner Perkins that she fully sheds the voice of the innocent babe in the woods and allows some welcome cynicism and anger to come through. Her sentences get sharper; her jokes more cutting ... Pao, like Sheryl Sandberg, implies that having more women in positions of power will eventually benefit all women, and Reset ends with her having found sisterhood and solidarity in the tech world, helping found Project Include to fix a system that has 'exclusion built into its design.' This sounds like a promising development for Silicon Valley. For her book, though, it puts Pao back in safety mode, as she abandons the scabrous energy of her middle chapters and reverts to the kind of upbeat language she used when describing her childhood.

Ben Sasse

Pan The New York Times Book Review a strange hybrid of a book, part how-to manual, part jeremiad, filled with rambling disquisitions ... All of this makes The Vanishing American Adult both voluble and evasive at once, as Sasse layers tale upon tale, repeats modifiers and metaphors, and serves up bland platitudes without venturing much by way of political specifics. In other words, this is a consummate politician’s book ... To read The Vanishing American Adult is to reside in a parallel universe where older Americans stoically uphold standards of decency and responsibility, instead of electing to the country’s highest office a reality-TV star with six business bankruptcies to his name who brazenly flouts both ... It must be nice to be Ben Sasse, in a position to pick and choose the hardships one will adopt in order to learn some life lessons — and to feel morally superior for having triumphed over phony adversity. But to anyone who buys into the notion, especially now, that the country’s political future can be rescued by getting our toddlers to bring us our socks, one can only say: Good luck with that.

Mariana Enriquez

Rave The New York Times Book Review Enriquez’s stories are historically aware and class-conscious, but her characters never avail themselves of sentimentalism or comfort. She’s after a truth more profound, and more disturbing, than whatever the strict dictates of realism will allow ... There is something almost biblical about the evil that threads through this collection, only the evil here is more vicious and unyielding, without the consolations of God or rescue. This isn’t to say the stories are unreadable — far from it. They are propulsive and mesmerizing, laced with vivid descriptions of the grotesque (another skillful translation by McDowell) and the darkest humor ... I will be haunted for some time by the indelible images in this book.

Samanta Schweblin, Trans. by Megan McDowell

Rave The New York Times Book Review \"To call Schweblin’s novella eerie and hallucinatory is only to gesture at its compact power; the fantastical here simply dilates a reality we begin to accept as terrifying and true ... The tale that follows is a swift descent into phantasmagoria, as the dialogue between Amanda and David — translated into lucid English by McDowell — turns into a cleareyed reminiscence of horror and a struggle for narrative control ... Damaged children, a degraded earth, souls that move between bodies but never find rest: Schweblin’s book is suffused with haunting images and big questions, and in Amanda she places a mother’s all-consuming love and fear for her child.\

Tom Vanderbilt

Mixed The New York Times Book Review [Vanderbilt] is a generally amiable and thorough guide to a subject that can get either fussy or murky fairly quickly, and he has an obsessive determination to get to the bottom of something we exercise so often and unthinkingly we tend to take it for granted ... [The] lukewarm vagueness, whether deliberate or not, makes for a book that has a lot of interesting bits and pieces but seems to be missing a larger animating principle.

Maggie Nelson

Rave The New York Times Book Review At 143 pages, The Argonauts contains much more than its unassuming size would suggest, a discrepancy befitting an exploration of what may and may not be contained by our physical selves ... So much writing about motherhood makes the world seem smaller after the child arrives, more circumscribed, as if in tacit fealty to the larger cultural assumptions about moms and domesticity; Nelson’s book does the opposite. Like the Argo, her ship’s been renewed, and her voyage continues.

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November 23, 2020