For all the emphasis on contemporary geopolitics, however, Owuor has ultimately written a novel that is about everything the war on terror cannot register: the vastness, complexity, and richness of East Africa's cultural world. She represents it as a stunning mélange of Islamic and African cultural traditions that are woven together via the motif of the sea. Pate becomes the epicenter of an ethos and a people who move freely, sailing without regard for cultural and national borders. The novel features an enormous cast of vividly drawn characters, from Chinese businessmen to Wahhabi Islamic fundamentalists. Its heart, however, is the quartet of characters who motivate the novel's primary narrative. Rendered in language that is heart-rendingly lyrical (even if it does border on purple at times), Munira, Ayaana, Muhidin, and Ziriyab are unforgettable figures. Owuor's language is so lush, and her vision so vibrant, that by the time Ayaana emulates Muhidin and embarks upon her own sea journey, it doesn't much matter; the reader is likely sunken down into the pleasure of Owuor's sentences. To do so feels like sinking down into the intricacy of East Africa ... A gorgeous novel of Africa's entanglement with the wider world.
Sprawling, beautiful ... Brilliantly capturing Ayaana’s sense of loss of her home and her family, as well as her hope for the future, Owuor’s mesmerizing prose lays bare the swirling global currents that Ayaana is trapped within. With a rollicking narrative and exceptional writing, this epic establishes Owuor as a considerable talent.