RaveNew York Journal of BooksJulie Des Jardins brings impressive research skills in her biography of Missy Meloney, the most important feminist nobody has heard of ... this one small sickly woman packs more into her life than any ordinary human being. Reading this biography is like reading the lives of several people. Des Jardins rightly stresses Meloney’s role as facilitator and cheerleader, showing how important this kind of support can be for scientists, writers, and politicians. Meloney’s life serves as a kind of blueprint for how women can help each other ... Des Jardins’ writing inspires all of us in the way Missy clearly inspired others. It’s an incredible feat for a biography to serve its subject so well.
RaveThe New York Journal of BooksParkin weaves together several stories in this one well-crafted book ...Parkin is a gripping writer, describing the living and fighting conditions aboard the claustrophobic submarines. He presents vivid characters in the commander of the U-boat fleet, Karl Doenitz, and his most effective captains ... Parkin creates clear characters and evokes a world ... Parkin doesa masterful job of evoking the sweep of this vital piece of naval history in both broad strokes and the telling detail. Every war buff will want to read this book. And anyone interested in strategy would be wise to read it as well.
Margarita Khemlin, Trans. by Lisa Hayden
RaveNew York Journal of BooksMaya isn\'t an appealing character. She\'s far too vain and self-absorbed for that, but her voice draws the reader in, introducing us to a Jewish culture that is wounded, trying desperately to recover and maintain some dignity in a country that despises it ... Klotsvog isn\'t an easy story, but Maya is a brilliant character. Not just an unreliable narrator, she\'s an unreliable person, someone raised in hunger and fear who is desperate to find a comfortable place in the world. Khemlin has created an unforgettable character and opened a window onto a world more people should know about.
RaveNew York Journal of BooksProviding the historical and scientific context gives this book a heft and depth ... The use of art, the unique capabilities of the graphic format, are deployed to their best advantages here. Even the most scientifically averse will find these pages compelling, the drama of the storytelling carrying the reader through the scientific and philosophical details. The drawings of Galileo\'s moons are especially lovely ... In this wide-ranging story of exploration, Fetter-Vorm captures both the mystical pull of the moon and the many men and women who worked hard to understand and reach it. This is a complex story, many strands woven together into a brilliantly compelling blend of words and pictures, taking the reader into their own voyage of exploration.
George Takei, Justin Eisinger, Steven Scott, Illus. by Harmony Becker
RaveThe New York Journal of Books... a stunning example of how the graphic novel format can make tough subjects accessible ... Takei and his co-authors do a brilliant job of telling this story from several perspectives ... The official reasons and the ugly laws responsible for the internment camps are carefully portrayed, evoking echoes with current forms of demonizing \'others\' as national security risks ... The text walks a careful balance, giving enough bureaucratic language to evoke the full cruelty of the new law without burdening the reader in too much information ... There\'s justifiable anger and outrage in this book, but the writers let the facts speak for themselves ... The art by Harmony Becker serves the story well. It\'s spare, evocative, and emotionally powerful, just as the text is. Together, this book presents a riveting story of a horrible injustice enacted with careful, logical cruelty in the name of national security ... A riveting story of a horrible injustice enacted with careful, logical cruelty in the name of national security. In the wake of similar stories happening now, the publication of They Called Us Enemy could not be more timely ... A copy should be sent to every member of Congress and the Justice Department.
RaveNew York Journal of BooksIn this time when immigration is such a hot topic, Malaka Gharib puts an engaging human face on the issue ... The push and pull first generation kids feel is portrayed with humor and love, especially humor ... Gharib pokes fun of all of the cultures she lives in, able to see each of them with an outsider\'s wry eye, while appreciating them with an insider\'s close experience ... The question of \'What are you?\' has never been answered with so much charm.
Josh Frank, Tim Heidecker, & Manuela Pertega
PositiveNew York Journal of Books\"Josh Frank has done an enormous amount of research, tracking down the elusive scenario ... Frank\'s work pays off ... The magic of two very different temperaments, Dali\'s and Harpo\'s, is both jarring and delightful, surrealism delivered with a broad wink and a tip of the cigar, Groucho Marx style. The creative team behind this book have risen to the challenge and created something completely unique: a graphic novel based on a surreal/slapstick film that was never made. That in itself is quite an accomplishment. Dali and Harpo would applaud their efforts.\
RaveNew York Journal of Books\"... masterly ... Fies uses vivid language and dramatic art to put us inside his shoes ... This is beautiful writing, visceral and deep. The deceptively simple drawings make the horror accessible and clear. The way the story unrolls, from fleeing danger to recognizing the depth of the loss, is dramatic and natural at the same time ... Just the story of the fire and its aftermath would make for a stunning book, but Fies adds layers of depth to the memoir by including other people\'s stories.\
Paul Buhle, Steve Max, Noah Van Sciver, and Dave Nance
MixedNew York Journal of Books\"Eugene Debs was certainly the most important figure in the movement and Eugene V. Debs: A Graphic Biography does an excellent job of describing Debs’ life and work, his passion and purpose ... The text makes [it esier to cover so much material] by introducing each section with an overview written like a standard history, followed by details made evocative and accessible by the graphic format. Granted, some of the prose tends to be purple ... The one major drawback is the academic backmatter one expects from a subject that was so well-researched. Though there\'s a \'further reading\' page, there is no bibliography. There is a timeline, but no quotations. Are the words put in Debs\' mouth actual quotes or invented dialog? Many readers won\'t care, but teachers and librarians who might use this book in high school classes will miss that layer of academic assurance.\
PositiveNew York Review of Books...a compelling weaving of stories ... The words are brilliant, but the art is oddly unsatisfying, which is surprising since so much of this graphic memoir is about drawing and the creative process ... The pacing, the visual narrative are all strong despite the weakness of the actual line, which shows how powerful the work is and how much more powerful it could have been ... Finck has written a fascinatingly deep look into our shadow selves, into what makes us complete, what defines us ... The metaphor of the shadow self, part soul, part gut instinct, part core self, is beautifully evoked in each person\'s story. The pages with the shadows are also some of the best rendered. Still, there is an unsettling lack of definition to all the faces in the book ... some readers may be fine with the scribbly minimalism of Passing for Human. But it is also a missed opportunity for visual richness.
RaveNew York Journal of BooksFor readers used to his oddball sense of humor and arcane references, he\'s created his most mainstream book yet in All the Answers, the kind of book his own parents would read ... The writing is clear, direct, and poignant—powerful ... Kupperman does a superb job of showing how intrusive fame can be, especially for a child. He paints his own relationship (or lack thereof) with his father equally well.