RaveThe Observer (UK)Keiron Pim’s is the first English-language biography of Roth, and what a superb book it is – impeccably researched, extremely readable and, it must be said, grimly relevant in the wake of Putin’s assault on Ukraine. With rare verve, Pim exalts Roth as a novelist of tragic pan-European yearning ... Unfailingly well-written and informative, Endless Flight is a grand tribute to one of the most discomfiting literary geniuses of the 20th century.
Carlo Rovelli
RaveThe Evening Standard (UK)Beautifully translated by Erica Segre and Simon Carnell, There Are Places in the World Where Rules Are Less Important Than Kindness continues a tradition of jargon-free popular scientific writing from Galileo to Darwin that disappeared in the academic specialization of the last century ... Rovelli writes with razor-sharp clarity of Lemaître’s \'discovery\' that the universe is not fixed, but ever-expanding ... He writes with bracing clarity on the Roman poet Lucretius, Aristotle, Dante, Newton, and muses philosophically on the current pandemic.
Patricia Highsmith, Ed. by Anna von Planta
PositiveThe Evening Standard (UK)... opens a window onto this extraordinary writer’s inner life and working methods. It has been condensed from some 8,000 pages of material contained in fifty-six previously unpublished journals. The book is still, at nearly 1,000 pages, heavy as a house brick and, it must be said, relentlessly self-absorbed in tone...But there is enough here to keep us entertained as well as appalled ... Judiciously edited ... Published to coincide with the 100th centenary of Highsmith’s birth in 1921, Diaries and Notebooks is a welcome addition to the work of a most eccentric genius.
John Le Carré
RaveThe Evening Standard (UK)... superb ... In his trademark lucid prose, le Carré sets the scene for an atmospheric tale of betrayal, deceit and secret service malpractice ... The tension ratchets up as revelation follows revelation ... Fraught as it is with reflections on death and dying, Silverview is tinged with an autumnal sense of loss and the self-examination of an old man looking back on his extraordinary career. John le Carré, one of the great analysts of the contemporary scene, has left us a minor masterpiece of secrets and lies in spy land.
Max Egremont
PositiveFinancial Times (UK)... fascinating ... A restlessly enquiring guide, Egremont interviews Latvian and Estonian businessmen, academics and editors, as well as elderly survivors of Hitler’s war against Riga’s Jewry ... With rare narrative, Egremont offers an elegy for a forgotten land, where east meets west and the winters never end.
Volker Ullrich tr. Jefferson Chase
PositiveThe Spectator (UK)... vivid, fast-paced prose ... Superbly researched, Eight Days in May communicates the pity of Hitler’s war and its aftermath with sympathy and an impressive narrative verve.
Salman Rushdie
MixedEvening Standard (UK)Languages of Truth, mingles jokey allusions to Charlie Brown and Eminem with the pre-Socratic philosopher Heraclitus, Franz Kafka and \'my old pal Marianne Faithfull\' (the name-dropping is a Rushdie trademark). Included are a couple of addresses Rushdie made to north American university students on their graduation day (\'Dear class of 2015\'). These are bin-scrapings but Rushdie is eminent enough to merit their inclusion ... Rushdie’s stance of atheist superiority is no less intolerant or blinkered than that of believers. He calls himself a \'hardline atheist\', but the world is not necessarily as he thinks it is, or wants others to think it is ... Though wide-ranging, many of the essays are marred by a portentous note ... In the closing essay, Pandemic, Rushdie chronicles his recovery from Covid infection last year. It’s the best piece in the collection: engagingly reflective and fear-ridden.
Edmund de Waal
RaveThe Evening Standard (UK)When is a life worth telling? Edmund de Waal’s haunting account of a Parisian collector and the fate of his Jewish family during the German occupation of France combines ghastly drama with domestic detail, in a jewel-like amalgam of history and personal reflection that absorbs from start to finish.Ten years on from The Hare with Amber Eyes, de Waal turns his careful, exacting gaze on the life and times of the Count de Camondo, a scion of a Constantinople banking family known as the \'Rothschilds of the East\' ... With elements of art history, social history, personal experience and quest, a book of this sort could so easily go wrong. In the absence of conventional plot, the challenge is to create a forward momentum, something that Bruce Chatwin, say, was notably skilled at doing. (Chatwin’s novel about a Meissen porcelain collector, Utz, is, I think, a clear influence.) However, de Waal is a writer of grace and restlessly enquiring intelligence, and Letters to Camondo succeeds admirably.
Kazuo Ishiguro
RaveThe Evening Standard (UK)Narrated in the first person by Klara, the novel is a slow-burner: Ishiguro is in no hurry to get the plot airborne. The plot reveals itself subtly ... Ishiguro’s is a unique voice - careful and understated but with an undertone always of disturbance ... In lesser hands, a fable about robot love and loneliness might verge on the trite. With its hushed intensity of emotion, Klara and the Sun confirms Ishiguro as a master prose stylist. In his signature transparent prose Ishiguro considers weighty themes of social isolation and alienation.
Philippe Sands
RaveEvening Standard (UK)In fast-paced, John le Carré-like pages (spies, Nazi-hunters, dark Vatican forces), Sands charts his own changing relationship with the deluded Horst von Wächter ... With enough twists and turns to keep the reader grimly absorbed, Ratline is an electrifying true crime for the contagion lockdown.
Richard Greene
RaveThe Evening Standard (UK)Thank goodness for Richard Greene, whose splendid one-volume biography offers a succinct counterbalance to Sherry’s inedible trifle and conjures the man Evelyn Waugh nicknamed \'Grisjambon Vert\' (French for \'grey ham green\') in all his perplexing variety. Where Sherry is tactless and indecorous, Richard Greene (no relation) is respectful and considered. Crisply written ... Excellent use is made of the thousands of letters from Graham Greene to his family, friends, publishers, agents and close associates that have come to light since Sherry published his first volume in 1989. Cogently argued and happily free of jargon, The Unquiet Englishman offers a long-needed antidote to \'dirty linen\' biographers who have sought to expose a darker shade of Greene and, in consequence, lost sight of the books. At last Graham Greene has the biographer he deserves.
George Saunders
RaveEvening Standard (UK)Saunders, a former petroleum engineer, likes to disassemble and analyse, yet this is not a dry, technical guide on how to write ... he...communicates in plain prose much of what his students have taught him, as well as his own personal musings on life, art and death. Suffused with a wry humour, the essays are aimed at anyone interested in how fiction works ... His book is what every lover of pre-Revolution Russian literature needs close by: not an academic interpretation, but a reader’s companion. I was pleasurably absorbed from start to finish.
Dan Gretton
PositiveEvening Standard (UK)Gretton’s is manifestly not a conventional history ... Some may weary of Gretton’s reflections on his Suffolk childhood, his Cambridge University years and love of swimming ... It is not always clear how these excursions serve the book’s exploration of \'white collar\' killers and their enormities, though one should applaud the experiment ... The book is powerfully influenced by the Italian Auschwitz survivor Primo Levi’s reflections on human cruelty, and by Claude Lanzmann’s nine-and-a-half-hour film Shoah. It makes significant demands on the reader’s time, patience and, one might add, wrists (the hardback is heavier than a housebrick). It is worth persevering, though, as the writing has the power at times to mesmerise.
Sudhir Hazareesingh
RaveThe Observer (UK)... superb ... not a dry academic work...with rare narrative verve, Hazareesingh conjures his subject’s extraordinary life ... In concisely written pages, Hazareesingh rescues Louverture from the ideological and political aggrandisements that so often misrepresented him in the past ... Hazareesingh is careful to return Louverture to the primary sources.
Fernanda Melchor, Trans. by Sophie Hughes
PositiveNew Statesman (UK)For all its unpleasantness, Hurricane Season has the power at times to mesmerise ... Structurally adventurous...Melchor does not make things easy for the reader ... Hurricane Season is a book that makes significant demands on the reader’s willingness to submit to a dyspeptic vision of Mexico today ... With its paraphernalia of scythe-wielding carnival skeletons, grinning skulls and other cactus-prickly delights, the book might have issued from the charnel house of Baudelaire’s imagination ... The book’s incidental digressions on the nature of machismo and misogyny, religious prejudice and police corruption are only rarely tedious. Hurricane Season is, among other things, an apology for a mystery novel without a solution ... Sophie Hughes deserves a medal for her translation, which expertly captures the novel’s lugubrious comedy and propulsive, high-octane scatology ... If Hurricane Season has a fault, it lies in the unrelentingly dark and testy quality of its vision, which allows for little or no hope.
John Le Carre
RaveThe Times Literary SupplementJohn le Carré’s twenty-fifth novel, Agent Running in the Field, reflects on the threadbareness of post-imperial Britain and the \'mirage\' of the country’s importance on the world stage ... When the Berlin Wall came down in 1989, Le Carré was apparently left without a clear subject: the USSR had evaporated, and with it the Cold War antagonisms that informed his spy fiction. Nevertheless he kept a hawk-eye on the new Russian oligarchs and their connections with private arms contractors and international fraudsters of one stripe or another. A bravura performance, Agent Running in the Field continues his exploration of corruption in the City of London and the money being pumped into it from Putin’s Moscow. At the age of eighty-eight, the author has lost little of his gift for creating Big Brother atmospherics and pages of taut dialogue.
Timothy Snyder
RaveThe Telegraph (UK)In this scrupulously researched history, Snyder chronicles atrocities committed by both Hitler and Stalin in central Poland, western Russia, Ukraine, Belarus and the Baltic States ... Snyder does not argue for a supposed moral equivalence between Hitler’s extermination of the Jews and the earlier Stalinist extermination of the kulaks. On the contrary, the industrial exploitation of corpses and their ashes was a uniquely Hitlerian atrocity – a unique instance of human infamy ... As a history of political mass murder, Bloodlands serves to illuminate the political sickness that reduced 14 million people to the status of non-persons.
Tim Parks
MixedThe Evening StandardIn places, this Oliver Sacks-like book had me drifting into unconsciousness. The brain accounts for just two per cent of our body weight yet it burns up a fifth of the calories we eat. Such baffling complexity! ... Parks, who is best-known for his Toujours Provence-like memoirs of life in Italy, succeeds admirably in bringing difficult ideas down a level ... Parks writes well enough to appeal to the layman and the mind boffin alike. Out of My Head is pleasurably nutty, self-regarding and at times quite hilarious. At the end of it all, however, we are left with no clearer idea of how consciousness might work. No matter — it’s in the nature of grey matter to baffle.
Salman Rushdie
PositiveThe Evening Standard (UK)Salman Rushdie’s 14th novel, Quichotte, offers a familiar mish-mish of postmodernist self-reflexive preening and strenuously outlandish literary invention. The surprise is that it’s rather good ... The novel, longlisted for this year’s Booker Prize, crackles with wickedly effective pastiche and pages of broad satire. Both Left and Right are ribbed by Rushdie for their harping on identity politics ... This is very much a Don Quixote for our times, made up of a dizzying multiplicity of half-finished fictions ... The novel flaunts its own cleverness, as one might expect from the author of The Satanic Verses, but it’s a wild, enjoyable ride.
Yukio Mishima
RaveThe Evening Standard... a sexy, camp delight. Beneath the hard- boiled dialogue and the gangster high jinks is a familiar indictment of consumerist Japan and a romantic yearning for the past ... As mass-market fiction, Life for Sale works a treat; Hanno, dreaming of the \'sweet bath of death\', is clearly a veiled self-portrait of Mishima ... replete with Tarantino-like scenes of smuggling and murder, as well as philosophical musings on Japanese attitudes to the sword, the warrior and honour.
Edoardo Albinati, Trans. by Antony Shugaar
PositiveThe Times Literary Supplement (UK)The book makes significant demands on the reader’s time, patience and, one might add, wrists (the hardback is heavier than a housebrick). It is worth persevering, though, as the writing has the power at times to mesmerize; in pages of sinuously allusive prose ... A restlessly inquisitive presence on the page, Albinati fathoms the twisted logic of his schoolboy contemporaries with the aid of theories culled rather haphazardly from Sigmund Freud, Michel Foucault, Melanie Klein and, especially, the Italian psychiatrist Franco Basaglia ... Along the way, the author indulges in a giddying range of cultural interests, from regional Italian accents to the films of Sam Peckinpah and the fabular fiction of Italo Calvino ... Ingenious use is made throughout of police reports, courtroom video testimonies and wiretaps relating to the 1976–7 Circeo trials ... Though hard going in parts, The Catholic School is an important work that opens a window onto a piece of notorious horror in mid-1970s Italy.
Svetlana Alexievich, Trans. by Richard Pevear and Larissa Volokhonsky
PositiveThe Evening Standard (UK)... an important historical document, that builds a detailed picture of juvenile life in the wartime bloodlands of Russia and the mass destruction of childhood innocence.
Vasily Grossman, Trans. by Robert Chandler and Elizabeth Chandler
PositiveEvening StandardOne needs time and patience to read Stalingrad, but it is worth it. Moving majestically from Berlin to Moscow to the boundless Kazakh steppe, the novel attempts to replicate for the USSR what War and Peace had done for 19th-century Russian society and Napoleon’s retreat from Moscow in 1812. A multitude of lives and fates are played out against a vast panoramic history ... Grossman accords a proper humanity to his subsidiary cast of steelworkers, factory chemists and Red Army soldiers, who battle against the odds from their ice-bound dugouts and foxholes ... Stalingrad has now been restored to the version that Grossman himself might have wanted.
Roberto Saviano, Trans. by Antony Shugaar
MixedFinancial Times\"Throughout, Saviano displays a profound knowledge of organised crime in Naples today ... At one point [Saviano] alludes to the Neapolitan director Francesco Rosi’s 1963 film Hands over the City, which chronicles the rise of the Camorra from loan-sharking to the construction business, and eventually to involvement in drugs. The film radiates a dark, gritty beauty that is absent from The Piranhas.
Although absorbing at times, the novel lacks convincing characterisation and, it must be said, lends itself poorly to translation.\
Carlos Rovelli, Trans. by Erica Segre and Simon Carnell
RaveThe GuardianIs time real or simply a useful measurement of change? Rovelli’s book opens with a discussion of Newton’s idea of absolute \'true time\', ticking relentlessly across the universe. This is how most of us still imagine time, though Einstein showed that there is no single \'now\' but rather a multitude of \'nows\'. Rovelli goes on to consider Aristotle’s belief that what we call \'time\' is simply the measurement of change: if nothing changed, time would not exist. Newton chose to disagree. If the universe was to be frozen, time would tick on regardless...Impishly, Einstein asserted that both Aristotle and Newton were right. Aristotle correctly explained that time flows in relation to a before and after; and Newton’s absolute time does indeed exist – but as a special case in Einstein’s \'spacetime\' theory of gravity, which treated space and time as one and the same. The riddle of time may ultimately be beyond our \'blurred\', Earth-bound comprehension, says Rovelli. All the same, in lucid pages, he manages to bring difficult ideas down a level. Not since the late Stephen Hawking’s A Brief History of Time has there been so genial an integration of physics and philosophy.
Per Petterson, Trans. by Anne Born
RaveThe GuardianTrond, a 67-year-old man, has retired to a remote corner of eastern Norway, where the barren landscape comforts him after the death of his wife. The countryside idyll is destroyed, however, by the unexpected arrival of a man who knows something Trond would rather forget … Out Stealing Horses is tinged with an autumnal sense of loss and the self-examination of an old man looking back on his life. Beckett's Malone Dies is a clear influence, but Petterson is triumphantly his own man. This book is a minor masterpiece of death and delusion in a Nordic land.
Vladimir Nabokov, Olga Voronina, Brian Boyd
RaveThe GuardianSuperbly edited by Olga Voronina and Brian Boyd, these letters reveal Nabokov as a considerable wit, with a gift for terse put-downs and fascination with what remained outside his class and culture.