For a few weeks seventeen years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up and unloads new residents and old secrets.
... winning and amiable ... The end of the story does seem a bit rushed, and one might wish that the townspeople weren’t so relentlessly good and that the villains weren’t so cartoonishly villainous, but then one might feel waspish and small-hearted. The full and simple pleasures of Frankel’s luscious prose lull the reader into rooting for the good people of Bourne and these plucky heroines. After all, doesn’t rooting for uncomplicated integrity feel good these days?
... heartbreaking yet heartwarming ... The story unfolds in alternating chapters, told by One, Two and Three, emphasizing the whip-smart girls' distinctive voices, sharp humor and mutual (yet never sappy) affection. Frankel adds a quirky but credible supporting cast of Bourne citizens. All the way to a fast-paced and heroic climax, readers will be rooting for them.
It’s rare when a book is decidedly grim—dire, even—yet still manages to be as full of comfort, humor and hope as One Two Three, a thought-provoking allegory about corporate greed, environmental activism, parent-child relationships and the bonds and betrayals of sisterly love ... Frankel reveals their stories in artful prose laced with humor, much of it dark ... The town is filled with wonderful characters ... The result is a warm, funny tour de force that has much to say about big business, the ways that tragedies unfold, the power of citizens to effect change and the passing of civic responsibility from one generation to the next ... a very different story indeed—one that is delightfully memorable and wildly empowering.