This resistance is a fine narrative stroke. It allows him to recreate their encounter as an inconvenience rather than a privilege. A callow poet, hungry for guidance, is cluelessly alone with one of the most formidable writers of the 20th century; his task is to open his eyes and discover the blind man’s brilliance. Parini wonderfully describes Borges as he experiences him, free of reverence or awe ... A delightful aspect of this portrait is Borges’s complete lack of snobbishness. He is curious about everyone they meet, offering himself openly ... This reminiscence by Parini, who is now a prolific novelist, biographer and poet, brings Borges more sharply to life than any account I’ve read or heard ... In this sense, the memoir is an important contribution to the biography of a major writer. The bond that Borges and Parini forge during their improbable journey is moving, with its unexpected moments of confession and shared fragility. Some scenes, remembered 50 years after the fact, may read like set pieces, some conversations may seem too neatly composed, but the spirit of Borges rings true. Fans may notice that his conversation is peppered with quotes from his essays and wonder if Parini has placed lifted passages in his subject’s mouth. But this was how Borges talked: There was little separation between what he had read, lived and written himself ... For readers who already admire Borges, this memoir will be a delicious treat. For those who have yet to read him, Parini provides the perfect entry point to a writer who altered the way many think of literature.
These people and events are real, though the book they appear in, ostensibly a memoir, reads much more like a novel, filled with lively characters and satisfying story arcs, but with little of the roughness of real life ... a classic comic-philosophical road story, playfully conscious of its own traditions ... Many of the book’s loveliest passages are pure geography; as he drives, Jay describes to Borges the passing landscapes of Scotland, to which Borges adds literary and historical context. The pressure to capture Scotland in words for the great Jorge Luis Borges forces Jay to think about language in a new way, to 'up his game' as a poet, and this artistic journey, occurring alongside their physical journey, becomes the book’s emotional backbone: Jay’s coming-of-age, caught between a distant war, a seemingly unrequited love, and the liberating spirit of literature ... Mr. Parini’s efforts to meld his autobiographical story with Borgesian themes comes off a bit forced—a sort of 'Greatest Hits of Borges' track layered awkwardly over the palimpsest of his own lived experiences ... Borges’s fictions are like bottomless pits you fall into, where philosophical mysteries of identity and consciousness refuse to resolve themselves. Borges and Me holds no such mysteries, which is no doubt part of why its evocation of the spirit of Borges’s fiction falls flat. Jay is a subtly drawn protagonist, but by the end of his journey, his crisis of self has resolved neatly in a carpe diem-style climax, where a confrontation with death (of his friend in Vietnam) becomes a path to embracing life (going after the girl), all of it made possible through his liberating week with Borges. It is perhaps a reasonable ending for a 'novelistic memoir' but lacks the open-ended complexity of a 'Borgesian ‘fiction’ '; in that sense, readers looking for an 'encounter' with Borges will be disappointed. What they will find instead is a fun, tightly crafted, tenderhearted literary adventure, an improbable tale that, like many improbable tales, happens to be true.
... Parini’s partly fictionalised memoir, Borges and Me, presents a Scotland infected and inflected by Borges as well as a Borges infected and inflected by Scotland ... Parini paints an affectionate portrait of Mackay Brown (though his use of the term ‘Celtic’ sounds odd in the context of an Orkney writer) ... Borges and Me...is a warm, sly and beguiling tribute to both writers [Mackay Brown and Borges], and to [Alastair] Reid. It contains, however, at least two telling misprints which, almost like Freudian slips, are revealing about the way the narrative functions ... If Canongate reused the original typography, this sloppiness can be blamed on Doubleday, the book’s US publisher. It is, however, an indication that even in the city where he lived, wrote and published, Walter Scott, the most globally influential of all Scottish novelists, is largely unread. In celebrating the abiding and metamorphic powers of memory, invention and narrative, Parini’s book shows that there is room for both Borges and Scott.
