...it dispenses with some of the waxenness of its 985-page predecessor and breathes life into its fictional characters, many of whose parents appeared in the first book ... Winter of the World (covering 1933 to 1949) less strenuously views history through the eyes of purely fictional characters, dim though they may be ... But Mr. Follett is best appreciated as a novelist, not a historian. What he knows how to do is put readers’ hearts in throats...best of this book, the latter half, is as gripping as it is manipulative. It makes the biggest tectonic shifts of its era — the struggle between Communism and Fascism, the irreversible march of science toward nuclear weapons, the laying of groundwork for the coming cold war — feel momentous indeed ...it would be surprising if this second installment did not prove to be the most powerful part of Mr. Follett’s trilogy.
Winter of the World, the equally massive second volume of the trilogy, opens in the critical year of 1933. Against the backdrop of a worldwide Depression that has resulted in widespread unemployment, Hitler and his party assume complete control over Germany ...dramatizes the major ideological conflicts that marked the first half of a turbulent century, moving from Germany under the Third Reich to the battlegrounds of the Spanish Civil War to the Russia of Joseph Stalin...the real centerpiece of the narrative, a sustained sequence that occupies fully two-thirds of its considerable length, is Follett’s chronological, highly selective re-creation of World War II ... In several sections of the novel, Follett returns to his roots as a thriller writer, focusing on the role that espionage played in the conduct of the war ... Follett’s real gifts are those of a natural storyteller.
Much like the previous installment, Winter of the World clips along at a brisk pace. The historical novel takes readers inside the political battles and atrocities of Nazi-era Germany, fascists fighting a motley crew of European rebels in the Spanish Civil War, and disillusionment spanning the governments of Stalin’s Russia ...begins in 1933 with the rise of Hitler and ends in the Cold War nuclear age. In between, the families, hailing from Russia, the United States, England, Germany, and Wales mingle with real characters, including FDR and Harry Truman ... At times, Follett falls into the trap of relying too much on dialogue to convey historical context ...Follett keeps his characters interesting – and moving. Despite the length of the book, the author is well-served by his earlier role churning out tidy thrillers ... No matter the ultimate destination, readers can expect to savor the journey – and agonize while waiting for the final book to arrive.
Winter of the World, the eagerly awaited sequel to Ken Follett’s internationally bestselling Fall of Giants, is the second in a trilogy that will chronicle the 20th century, considered by many to be the most violent in history ...brings to life how revolution, a global plague, two world wars separated by a financial depression, holocaust, and the introduction into the atomic age have shaped our turbulent present – a present that, in many respects, may seem to be repeating history’s mistakes ...brings vividly to life the effects of these events on civilians and soldiers alike ... Follett draws us intimately into not just the battles but also into the personal lives of participants in the struggle ... No one is more uniquely qualified than Follett – through his gift for dramatic narrative, nuanced character development, and historical accuracy – to look at the broad picture of the 20th century and its impact on our youthful 21st.
It makes sense that Follett would open with an impending clash, since, after all, it’s Germany in 1933, when people are screaming about why the economy is so bad and why there are so many foreigners on the nation’s streets ... Follett’s big project, it seems, is to reduce the bloody 20th century to a family saga worthy of a James Michener, and, if the writing is less fluent than that master’s, he succeeds. Scrupulous in giving characters major and minor plenty of room to roam on the stage, Follett extends the genealogy of the families introduced in the first volume, taking into account the twists and turns of history...Follett’s storytelling is unobtrusive and workmanlike, and he spins a reasonable and readable yarn that embraces dozens of characters and plenty of Big Picture history, with real historical figures bowing in now and then.
This second installment of Follett’s epic Century trilogy is just as potent, engrossing, and prolix as the opening opus, Fall of Giants ... Rife with plot lines, interpersonal intrigue, sweeping historical flourishes, and an authentic and compelling cast, this is a tale of dynamic characters struggling to survive during one of the world’s darkest periods. While some may find Follett’s verbosity daunting, others will applaud his dedication and ability to keep so many plots spinning while delivering a story that educates, entertains, and will leave fans eagerly awaiting the trilogy’s crowning capstone.