RaveZYZZYVAAnyone who has ever questioned the capacity of poetry to do something needs to read Carmen Giménez Smith’s newest collection ... refuses to pretend it lives elsewhere, in some untouchable world of the lyric. Rather, each poem is undeniably here, in the now .... sees everything, even what it has yet to witness ... It is this impulse –– to witness and uncover, while also pointing toward the unknown –– that makes this collection and its politics so compelling. You don’t even have to open the book to hear its first demand, conveyed through the well-chosen title ... operates as both a mirror and an imagination. We are rallied by it, called to attention, to action, to sight.
RaveZYZZYVAA uniquely comprehensive and necessarily tangled understanding of what it means to live under normalizing forces and rapid climate degradation is present throughout Stay and Fight, though the plot pays these matters little explicit concern, and for good reason: it doesn’t have to. Told from four distinct perspectives, each character’s understanding of one another and themselves is fundamentally mediated by their conditions; ffitch doesn’t need a manifesto to demonstrate Anthropocenic stakes ... Stay and Fight is built on...moments of unlikely and nearly coincidental intimacies ... Stay and Fight is smart and self-aware enough to refuse any confident solution toward forging intimacy and independence under our current sociopolitical circumstances. It knows that such a solution does not exist. Rather, there is staying, there is fighting, and there is fighting to stay. There is trying to protect your child from harm, and there is producing unforeseen harm as a result ... Stay and Fight touches upon the most central, tender, and violent conflicts of our time without opting for simplicity, allowing the sadness and humor of family to guide its reader toward a more generative understanding of all the ways there are to stick around for something you believe in.
Xuan Juliana Wang
RaveZYZZYVAThere are no broad strokes or homogenizing glances in Wang’s work. These stories, concerned with Chinese young people and their engagements with culture, curiosity, and identity are complicated and specific, personal and detailed, messy and absurd. Each story Wang creates is so perfectly and wholly its own world; the only moment of disappointment they offer is in their brevity. It’s hard not to feel a sense of loss at the close of each universe, so vivid, full, and necessarily affecting ... It feels rare for a single book to do so many things, and to do each of them so well: an unrequited queer Olympic love story, a woman transformed by the designer clothes of a dead model, an aging machine, teenage violence, sexual yearning, unwanted marriages. Each vignette is magical, and critically real. It’s a gift to read something so attentive, able to traipse across time and space with the utmost care for each life brought into focus.