PositiveThe New York TimesThe series has always excelled when Penny takes time to think through the ramifications of human behavior at its best and its worst, as filtered through Three Pines’ idiosyncratic characters. This new novel grapples successfully with the moral weight of its narrative, even if the plotting falters somewhat in the last third. \'All will be well\' never sounded so menacing.
PositiveNew York Times Book ReviewHummel doesn’t flinch from the discomfort of transforming trauma into creative work, detailing who is used up and discarded in the process. Like its prequel, Lesson in Red is a gutting meditation on the relationship between art, life and violence.
RaveThe New York Times... a novel that is immensely satisfying, refreshingly new and gloriously written. Here Moreno-Garcia mashes up Anglocentric genres with midcentury Mexican history, resulting in a brew flavored with love, heartbreak, violence, music and unsettling dread ... the gift of this book, and Moreno-Garcia’s storytelling, is how it imbues this well-worn genre with added strength, grace and even musicality.
Willa C Richards
RaveNew York TimesParticularly impressive ... Richards has flipped the usual narrative, centering not on the crime itself but on the loss that ripples out from it.
Derek B. Miller
RaveThe New York TimesI am convinced that Derek B. Miller’s How to Find Your Way in the Dark was expressly tailored to my tastes and that I am its ideal reader. I suspect others will feel the same way; it’s that kind of book ... In less confident hands the many moving parts would collapse into a jumble. Miller, however, juggles each element effortlessly. His character portraits are indelible, often heartbreaking. At times this novel moved me to tears, the highest possible compliment.
PositiveAir MailIn his entertaining, zippy chronicle of the Whittemores’ lives and crimes, Glenn Stout argues that their story \'is the torrid romance of an entire era\' ... The argument isn’t quite definitive, but making the Whittemores avatars for several seasons of massive change, and an example of early tabloid true-crime coverage, is a compelling narrative through line nonetheless ... To his credit, Stout doesn’t ignore the brutality or merciless nature of the Whittemores’ multi-state crime spree. But there is a trap in recounting old crime stories, where one ends up trying to imitate or emulate an earlier style, and he can’t quite avoid it, partly because of a penchant for ending chapters and sections with excessively snappy sentences ... Underneath the zip and zing, Tiger Girl and the Candy Kid is a story about petty behavior, poor decisions, and tragic mistakes—a story as much rooted in its own time as it is timeless.
RaveAirmailReanimating history is an important skill in the storyteller’s toolbox, but Telfer is equally adroit at reporting out more recent, and more obscure, femmes de confidence ... Telfer has a keen eye for the larger context of those in perpetual pursuit of marks, and right away zeroes in on why con artists—and especially female con artists—continue to fascinate us ... Confident Women exposes the high-wire dance between con artist and mark, between a certain number of women transforming their own combination of inherited trauma for personal gain and those who fall under their spell.
RaveThe Wall Street Journal... takes its time, unspooling the history of the Gun Trace Task Force. Mr. Fenton is after more than the portrait of a few malcontents ... a standout examination of the failures of policing, laid out in context with greater systemic failures ... a sobering and necessary account of one dramatic way that trust was destroyed, but it is as much a damning indictment of how that destruction grew out of a mixture of negligence, incompetence and hubris.
Ausma Zehanat Khan
RaveThe Toronto Globe and MailWith great intelligence and sensitivity, Khan portrays the ease of online radicalization and the ways in which ideological divides cement into far more violent ones ... expands the Canadian crime fiction palette because it presents a world where crime-solving is part of deeper and more substantive global issues. It’s a piece of fiction that manages to tell a truth even non-fiction has had trouble communicating. Khattak and Getty aren’t world savers; sometimes they can barely save themselves. But each step they take to right wrongs and to help people is a step in much need. They, as detectives, have grown and changed a great deal over five books ... Khan has the confidence and authority to reckon with these larger issues. Her broader-scope explorations, however, do not transform A Deadly Divide into a \'message\' novel and do not detract from the primary aim of storytelling. Character remains key, which is why A Deadly Divide rightly devotes plenty of space to Khattak’s struggle to be a good partner and to Getty’s reticence in trusting other people ... Khan portrays the depth of feeling and friendship between her two main characters, and why readers have come to care about them so much ... Still, I can’t help but think Khan has barely scratched the surface of what her series can accomplish. There’s so much room for Khattak and Getty to grow, as detectives, and especially as complicated human beings. No doubt Khan will continue to explore, to paraphrase Inspector Khattak, how the enemy who smiles at you as they plot in the dark are the most dangerous ones of all.
RaveMacLean\'sDeraniyagala...writes sentences so stripped down they seem practically flayed. In their declarative tone, they reveal the barely controlled emotion she still feels, even after years of distance ... What makes Wave so remarkable is how Deraniyagala accepts her feelings of guilt and realizes she can move forward only by keeping her lost loved ones even closer to her heart and mind.
Leila Slimani Trans. by Sam Taylor
PanThe Washington PostThe opening is unfortunately a harbinger of what ails the rest of this novel. We are expected to believe that a person like Adèle — outwardly successful, with her marriage to a well-to-do surgeon husband, an ascendant career in journalism, adorable children — has an inward void that can only be slaked, temporarily, by random sexual encounters. This dichotomy is meant to be transgressive, all the more for the lack of explanation for Adèle’s extramarital desires. It’s not ... Adèle glides through the narrative on a numb-inducing wave ... Reading Adèle was like being in the middle of a blocking exercise in a play rehearsal. Move her here, move him there, see what happens, if anything happens at all.
Stephen L. Carter
PositiveThe New York Times Book ReviewCarter’s portrayal of his grandmother is full of love and admiration, though it sometimes tips into overt speculation about her thoughts and emotions ... Mercifully, Invisible escapes hagiography in favor of cleareyed portraiture, even when matters don’t fit comfortably into it. This is especially true when Carter chronicles the fissures in her marriage...and the deep estrangement between Eunice and her brother, which was not fully repaired by the time both died, within 10 days of each other. A keen sense of loss permeates the book, grief for a ruptured family whose members could not be reconciled ... Struggle demands nuance. Truthful narratives demand complexity. Stephen L. Carter has revived his grandmother’s voice when we most need it, and with utmost urgency.
PositiveNew RepublicWilliam Roughead (a Glasgow Lawyer and writer)...attended the trial of Oscar Slater in Glasgow in May 1909, writing it up for the Notable Scottish Trials series. He believed that the guilty verdict, arrived at after barely an hour of deliberation, was wrong ... Roughead broadcast his disbelief in Slater’s guilt from the first, to anyone who would listen, enjoining the most famous detective fiction writer in the world, Sir Arthur Conan Doyle, in his cause. Conan Doyle For the Defense cannot resist structuring itself as a detective novel, though the whodunit is less about who killed Marion Gilchrist and more about who framed Oscar Slater ... The ingredients are too good to pass up: a famous detective novelist actually playing detective, a man serving time for a murder he did not commit, and a criminal justice system slowly, and reluctantly, reckoning with the advent of forensic science—fingerprints were around when Slater was arrested and convicted, but in one of so many missed opportunities to right the wrong, never used ... How the author of the Sherlock Holmes stories fought for—and ultimately turned against—a man wrongfully convicted.
PositiveThe Paris ReviewWhen I first read Helen Weinzweig’s Basic Black with Pearls several years ago, I emerged in the sort of daze that happens when a book seems to ferret out your most secret thoughts and hopes. Since then I’ve described the book to others as an \'interior feminist espionage novel\' ... The interior nature of Basic Black is central to its unfolding ... Basic Black with Pearls contains overt references to Virginia Woolf and covert ones to feminist classics like Kate Chopin’s The Awakening ... These novels describe women not only breaking away from conventions but filled with desire and ambition that are almost too much to bear, a secret from themselves. Weinzweig had to search out these books to counteract decades of reading male-dominated narratives, which she needed to reject to construct her own style ... A novel needs an ending, but Basic Black with Pearls manages to subvert that requirement too.
RaveThe Washington Post\"But derivative works and adaptations can’t fully explain why Christie’s work endures. A splendid biography by Laura Thompson, however, does. Agatha Christie: A Mysterious Life was published in Britain over a decade ago and took an inexplicable amount of time to cross the pond. Yet the timing is perfect because Thompson’s thorough yet readable treatment of Christie’s life, in combination with artful critical context on her work, arrives at the reason for her endurance.\
PositiveThe New Republic...a delightful concoction of well-told vignettes ... Avid Reader errs on the side of congeniality. Gottlieb, for all of his blunt prose, is a smoother-over, chiefly concerned with what needs to be done but careful to manage the feelings and egos of his authors and the agents who represent them ... I took heart, as someone steeped in genre, at Gottlieb’s lack of snobbery about popular fiction ... Gottlieb never forgets it is the reader who matters, since he himself is foremost one of those people.
PositiveThe Barnes & Noble ReviewI cannot think of a more informed, enthusiastic, and knowledgeable tour guide through the historical and contemporary intersection of burglary and architecture than Geoff Manaugh. A Burglar’s Guide to the City makes disparate connections seem obvious in hindsight, and my worldview is altered a little bit more, and far for the better, as a result.