PositiveCleveland Review of BooksRussell is deliberately leaning into her form, but instead of the long-form essay, she uses the tropes of the political manifesto to bring to light narratives of marginalised digital identities ... an internet text, bringing together references and anecdotes from visual art, cultural theory, and popular culture, creating a commonplace of resistance ... At times, it feels as if the idea of the glitch is nothing more than a catch-all for adjacent ideas about digital identity and resistance ... Russell’s manifesto feels most engaging when it is dealing with the digital ephemera of the sort of feminism it describes. Passages analysing the virtual social media influencer Lil Miquela, \'foundational refusal\' within the work of contemporary artist E. Jane, and the \'embodied criticism\' of radical art critics The White Pube, for instance, feel like righteous celebrations of the glitch.
