RaveThe Los Angeles Review of BooksThe account’s necessarily fragmented nature may be jarring, but its juxtaposition of case facts with personal notes and reflection is also one of its greatest strengths. Had Michelle McNamara merely completed a comprehensive look at the Golden State Killer’s crimes in order to generate more investigative leads, the book would have been rendered obsolete the instant that DeAngelo was arrested. Instead, I’ll Be Gone in the Dark is a timeless, personal memoir about a woman’s obsessive hunt for justice as well as a moving, fully realized portrait of the killer’s victims, their families, and the army of heroic detectives who tirelessly pursued a predator for many decades. Michelle McNamara steers clear of the lurid sensationalism that can prevail in the true crime genre. Other crime narratives can sometimes elevate killers, lending them an almost mythic status. McNamara’s depth of empathy for the Golden State Killer’s victims puts them at the center of the story instead. Moreover, the intimacy of her narrative voice combined with her well-chosen details never allow us a safe, voyeuristic vantage point from which to observe the horrors she describes ... McNamara’s prose is striking yet unfussy ... The book is replete with...efficient yet evocative descriptions. McNamara is especially adept at infusing the narrative with the specific atmosphere of 1970s and ’80s California, evoking disco clubs, muscle cars, and hot summer days at the beach along with the hopeful promise of the residents of tract homes in impeccably planned subdivisions ... Far from being a liability, the patchwork structure of I’ll Be Gone in the Dark transforms it into a fascinating metanarrative that explores the nature of true crime obsession itself ... it is McNamara, brimming with heart and relentless in her quest for her justice, who is far more compelling than her sad-sack subject could ever be.