RaveThe New Republic... rather than dissect the much-analyzed power dynamics of Silicon Valley corporations, Wang capitalizes on the thrill factor. She reimagines the predicament of women in tech as a more gripping problem altogether, one in which the little ways in which women are either rewarded or disregarded are magnified by a plot with geopolitical stakes ... It’s such failures of soft skills that can destroy careers, these days, and can also make them, and it’s exactly the right place for Wang to locate her horror ... This is one of the many satisfying things about Impostor Syndrome, alongside Wang’s willingness to pit women against each other and the book’s blend of Hollywood plot values with unusually intelligent humor. For while it shares certain features with dystopian workplace books, Wang’s novel better recalls the fish-out-of-water mixed-genre screen comedy...all of which allow their female leads to be funny and likable while competent. Wang uses that flexibility to explore the power tensions inherent to the digitized world, both at the interpersonal level and at the level of international diplomacy, while never straying into didacticism. She restyles Silicon Valley’s famed \'toxicity\' around gender and race into actual poison and translates workplace politics into a caper of geopolitical consequence. Impostor Syndrome, like its two heroines, wears its greatness lightly.
PositiveThe New RepublicSuch a life, such a career, and such a death seem almost beyond explanation. But Kanigel shows that, curiously, Parry’s research tackled a comparable problem. In telling the story of his life—and his atrocious marriage, hitherto not much discussed—Kanigel unites it with Parry’s work to frame a single, massive question: What’s the relationship between tradition and inspiration? ... Kanigel’s biography shows that those definitions have led historical lives of their own, through a portrait of a man who best embodied Hippocrates’ old axiom: \'Life is short, and art long\'.
PositiveThe New RepublicAs if unsure how to control the pitch of all this emotion, Cusk has borrowed the novel’s rough conceit from Mabel Dodge Luhan’s novel about D.H. Lawrence, Lorenzo in Taos ... But we learn nothing at all about this second Jeffers, and so the form of address reads like a send-up of the epistolary novel more than an epistolary novel, with the ridiculous name of her confidant evoking a chauffeur or some other aristocrat’s professional acquaintance ... Instead of turning away from criticism, Cusk leans into the idea of protagonist as a property owner in Second Place, as if Cusk is daring the people who called her \'petty and irritable\'...for writing about being unhappy in her remodeled London house, to hate her now for being unhappy in her coastal compound. This way, the narrator becomes a little cartoonish and self-pitying, and therefore fit for the horrible burlesque that cranks into being ... This erring into the freakiness of tradition, into stories about snakes and divine revelations of knowledge, gives Second Place a looser feel than Cusk’s previous works about gender and domesticity ... she finds the limits of detachment, and the possibilities opened up by occasionally allowing oneself to be provoked.
PositiveThe New Republic... a vague sense of magical destiny and a dose of inexplicable charm ... scenes of disintegration are what lift Beautiful Things from an even-toned press release line-edited by somebody from the Democratic Party into a pretty interesting minor thriller about homelessness and drug addiction ... the best of Beautiful Things lies in the pages Biden spends with Rhea (a pseudonym), an older woman from Washington, D.C. ... Hunter (or whatever combination of ghostwriters and editors composed this book) manages to establish himself as a real human being. The advantages of his background, education as a lawyer, and clear contempt for responsibility should count against him, but the thing about addiction is that it levels people with no regard to social status, and that makes a difference to his story. Unlike the celestial owl, Hunter’s crack years do have a moral to them: the innate equivalence of all people’s worth ... Beautiful Things reminds you how powerful a force tragedy is in American electoral politics, how difficult it is to analyze, and how successfully Joe Biden has wielded its invocation in his rhetoric.
RaveThe New Republic... an unusually readable Hollywood memoir ... It’s the stuff of promotional profiles to observe that there’s more than meets the eye when it comes to a famous person, but Stone is a celebrity so classic that all the clichés seem fascinating in her case ... Insightful first-person writing about the experience of being commodified is rare; there aren’t exactly a lot of her peers around, let alone ones who can write. But Stone does seem to have written the book herself ... She’s a good storyteller ... The gossipy moments in this book are juicy...Her occasional lapses into divahood, meanwhile are frankly more entertaining to read than the more virtuous edit of the same event would have been. There’s a touch of Eve Babitz to her style ... She depicts childhood abuse with exquisite control ... Stone is a strong portraitist of the instant in time, and aware that stardom, like identity, is mostly a phenomenon of the memory—the true movie star is the one you remember compulsively, long after seeing her on screen. That person is now a memory to herself.
RaveBookforumPeters simplifies nothing, explains nothing to the outsider, which is why she is treasured by readers who are also protective of her and her work ... Detransition, Baby embraces the reality that relationships, especially romantic or familial ones, place people with different styles of gender into conflicts of interest. By forcing this idea into narrative form, Peters fashions ordinary conversations out of what is often either screamed online or left unsaid ... Writing through the particular confusions facing trans characters seeking love, however, lets Peters show that fiction as an art form has a relationship to fiction as a misrepresentation ... Provocation, in her hands, becomes a method for inviting such misrepresentations into the work. The word detransition performs just this function ... A nonsensical exhortation embedded in a vaguely sexualizing form of address, somewhere between a catcall and B-movie dialogue, the title Detransition, Baby turns out to be a flash-bang strategy for confusing the oncoming reader ... Detransition, Baby has a conventional plot, as far as novels go, and its satirical bite invites comparison to novels of marriage and self-sabotage like Mary McCarthy’s A Charmed Life or John Updike’s Couples. Like those writers, Peters takes swipes at the bad ideas in her way, but only in order to formulate different ones ... This is an artful book, and in it, Peters creates a literary style out of the particulars of gendered misunderstanding ... The white-hot and scandalizing effect of Detransition, Baby burns all whose fascination compels them to reach out and touch.
Maria Dahvana Headley
PositivePoetry FoundationIt’s worth asking: what does it mean to call a version of Beowulf feminist? It’s a difficult question because the poem is arguably feminist all on its own—no assistance needed ... Headley certainly deserves credit for bringing those gender-conscious analyses to the mainstream ... Headley’s Beowulf is kindred in spirit to The Mere Wife—highly conscious of gender and modernized to the hilt—but totally different in form. Instead of changing names or places, Headley sticks closely to the original Old English text while updating the vocabulary with flourishes of internet humor ... The feminism in Headley’s translation is embedded in the texture and language of the poem itself rather than in its individual events or characters ... Her Beowulf is a tragicomic epic about the things men do to impress one another. It’s as fierce an examination of masculine weakness as The Mere Wife was of feminine strength.
RaveThe New Republic\"The novel shifts from one surreal adventure to another … [The] subplot develops the theme of true madness so that it can be understood in the main plot, which is otherwise simply full of stupidity, or folly … The stories of Alice and Amar hang, of course, in asymmetrical tension. One is born lucky, one not so much. Both are American, but one was once Iraqi, and so is subject to a total recategorization by ethnicity. Crucially, Alice’s world is an unreal adventure, while Amar’s is totally concrete. Asymmetry is a debut burnished to a maximum shine by technical prowess, but it offers readers more than just a clever structure: a familiar world gone familiarly mad.\