Positive4ColumnsA Dantean account of a young Marxist visiting Stalinist Russia, it is, like his previous novels, surreal and quasi-journalistic ... Malaparte’s acerbic worldview, captured in his dark observations about the Soviet elite, make any claim to optimism seem suspect. There are Goncourt-style accounts of embassy balls and rides with grotesque dignitaries in decrepit carriages. When he is not documenting the anemic characters that populate this world, our hero walks the streets of the city ... There is certainly less shock value in The Kremlin Ball than in Malaparte’s other works (no cannibalism, pedophilia, or orgies). Instead, the novel invokes Dostoevsky in its attention to the fatalism at the heart of Russian society. In communism, Malaparte sees a system that obliges Russians to suffer for others while disempowering the people. This turns the populace into something like zombies, and makes Moscow society \'the mirror image of European society but dominated by fear.\'
Norman Ohler
PositiveThe New RepublicThe hipster-as-historian persona occasionally feels forced—Ohler characterizes Hitler as a junkie and his doctors as dealers a few too many times—but the book is an impressive work of scholarship, with more than two dozen pages of footnotes and the blessing of esteemed World War Two historians ... Ohler offers a compelling explanation for Hitler’s erratic behavior in the final years of the war, and how the biomedical landscape of the time affected the way history unfolded ... A number of books have covered the same material as Ohler, but none have focused as strongly on how pharmaceuticals ran in the blood of the Third Reich ... Ohler’s book makes a powerful case for the centrality of drugs to the Nazi war effort, and had he wanted to, he could have easily made it two or three times as long. He only briefly touches on drug experimentation in concentration camps.
Olivia Laing
PositiveThe New RepublicLaing has a gift for sifting through art and archival materials and finding sympathetic windows into her subjects, many of whom don’t typically benefit from such generous treatment. In her hands, close readings of works tend to illuminate biography, rather than the other way around.
