PositiveThe New York Times Book ReviewWith sometimes dizzying effect, Collinsworth vaults between granular detail and grand context. What the Ermine Saw bolts through wars and empires, art-making and state-making across the continent in the last 500 years ... The scale and subsequent restitution of the Nazi art thefts make for an enthralling story, and Collinsworth widens her focus to tell absorbing tales of heroic curators and art historians who painstakingly reassembled Europe’s cultural patrimony after the war.
