PositiveThe Washington PostFor all its brio, Trio hits some serious notes. It has a whiff of the ambivalent Graham Greene about it, waffling between the worldly gravity of The Quiet American and the sober farce of Our Man in Havana — as in fact the whole of Boyd’s celebrated oeuvre does, with its admixture of social, comic and recent-historical drama ranging light-footed all over the world ... They all think and act like characters in a screenplay (Anny: \'It was crazy — stop! She admonished herself. Get a grip. . . . She hated herself for thinking this but she wanted to see him again — just once more.\') But they are in a screenplay, in a sense, and the movie Boyd has made of them may not be Bergman or even Capra, but it is, as I began by saying, diverting.
