PositiveThe New York Times Book ReviewA feeling of unease pervades Mrs. March, alerting the reader that something much darker lurks beneath the monotony of its protagonist’s daily life, which revolves around domestic chores and dinner parties ... Although there is an economy to the writing and a spareness to the description, Feito nonetheless manages to capture this world entirely, while simultaneously ratcheting up the tension caused by Mrs. March’s increasingly fractured psyche, in a way that recalls novels by Patricia Highsmith and Margaret Millar. And like these predecessors, Feito explores issues of autonomy, insecurity and madness, all wrapped up in the domestic life of a housewife whose whole being has been shaped and molded by how she believes others view her ... Feito works hard to make sure readers know that there is something amiss in this character’s fragile mind, inviting us to question which of Mrs. March’s experiences are real and which the product of psychosis ... By the time we approach the end, there is little doubt as to the fate of Mrs. March. And yet the final pages are shocking nonetheless, and readers may find themselves tempted to return to the beginning in order to understand just what Feito has so convincingly managed to achieve within her accomplished debut.