PositiveThe New Republic\"Louis offers damning realism in the service of structural critique ... At first glance, coming in at just over a hundred pages, Who Killed My Father seems slighter, less momentous than [Louis’s] previous work... It quickly becomes clear, however, that the new book has a force and immediacy all its own ... If The End of Eddy gave the French literary public a window onto the social world of people they didn’t know existed (or whose existence they had gladly ignored), Who Killed My Father is a crucial text for a moment when those people are refusing to die quietly ... Perhaps the son, improbably, has been able to resuscitate his father.\
