Eight months since losing her mother in the Spanish flu outbreak of 1919, 21-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death.
Davis builds a whole world that’s rife with secrets and stories. The novel moves at an engaging pace, with questions waiting to be answered at each turn. Davis knows exactly how to structure a story and how to switch between timelines; even if sometimes you aren’t quite ready to make the jump, you must, in order to find out how it all connects ... A captivating story whose characters are richly drawn, The Magnolia Palace pays particular attention to those who might go unnoticed ... We discover their private lives and public exposures, which reveal the daily messiness of human lives, the construction of the self and the truths we try so hard to hide.
Dual timelines seamlessly connect the lives of two women at New York’s Frick Collection ... Davis adeptly interweaves two compelling story lines to shine a light on another NYC landmark (after novels set in the Chelsea Hotel and the New York Public Library). This is historical fiction at its best, with well-developed characters, detail, art history, and mystery.
Captivating ... Davis smoothly combines fact with fiction, and offers beautiful descriptions of the family’s art collection. The colliding narratives and comprehensive descriptions of the historic mansion make for Davis’s best work to date.
