“Where My Struggle was blunt and rangy and plagued by scandal Autumn is sweet and slender and very circumspect … This is the opposite of escapist reading. Knausgaard plunges you into the material world, not just with his choice of subjects — apples, adders, tin cans, faces — but in the telling … This becomes the central preoccupation of the book: to restore our sense of awe, to render the world again strange and full of magic, from loose teeth to rubber boots to hardened pieces of chewing gum. There are misfires but fewer than you’d expect. Simone Weil wrote that ‘attention, taken to its highest degree, is the same thing as prayer’ — and so it is here. Loose teeth, chewing gum, it all becomes noble, almost holy, under Knausgaard’s patient, admiring gaze. The world feels repainted … It’s strange to see Knausgaard play it so safe. The book reeks of good taste and appropriate boundaries (save a few enthusiastic sentences about oral sex). He refuses to stray into the shadows. Whatever portraits we get of his family are Instagram-worthy. I longed for the fearlessness of My Struggle, its unwillingness to tame ‘the ugly and unpleasant,’ its oceanic sense of life’s dangers and unpredictability. But in Autumn, Knausgaard keeps us on the shore. The shells he gives us to admire are intricate, absorbing and beautiful; this book is full of wonders. But it isn’t, just yet, the whole story.”
–Parul Sehgal, The New York Times, August 22, 2017
Read more of Parul’s reviews here
Image by Gerd Altmann from Pixabay[/caption]
