“The ordinariness of the world that Zumas imagines is perhaps the most unsettling aspect of Red Clocks … As much as Red Clocks is about the repressive legal proposals that threaten women’s lives in America, the novel is equally astute on the cultural constraints that women contend with—and enforce on each other. They’re all subjected to grinding, fruitless competition over their careers and their sexuality … Her prose sports a kind of rawness that’s really the fruit of subtle artfulness. She’s flexible enough to reflect each woman’s differing concerns and personality, from the high schooler’s fear and earnestness, to the mother’s conflicted depression and the hermit’s earthy insight. Her phrasing stays exquisitely close to these minds, not quite stream of consciousness, but shadowing the confluence of anxiety and rationality they all harbor.”
–Ron Charles, The Washington Post, January 16, 2018
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