In Chia-Chia Lin’s debut novel, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. When ten-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
The novel is full of parallel moments ... The looming possibility — and eventual reality — of teetering over the edge is increased with the lawsuit against Gavin’s father, creating a sense of slow dread that permeates the book ... Lin’s attention to detail is startling, and though she keeps close to Gavin’s childhood experience, she also allows us to read between the lines and intuit the depth of the family’s grief ... Anyone who has ever grieved — be it the loss of a person, home, country or security — will feel a sense of recognition. The Unpassing is a remarkable, unflinching debut.
For all of its pathos, its themes of cross-cultural intermingling, its stories of immigrant arrival, marginalization and eventual accommodation, The Unpassing is a singularly vast and captivating novel, beautifully written in free-flowing prose that quietly disarms with its intermittent moments of poetic idiosyncrasy. But what makes Lin’s novel such an important book is the extent to which it probes America’s mythmaking about itself, which can just as easily unmake as it can uplift ... If the United States is merely an idea that it forms of itself, then let the nostalgic among us be warned: We may be longing to return to a time that no longer exists — or perhaps never did.
A deep melancholy persists in the grim, breathtakingly beautiful debut novel by Chia-Chia Lin ... riveting ... Lin excels when she gets small, with finely observed renderings of the family’s surroundings ... The way this chilling, captivating book concludes will delight as much as it challenges, offering as it does a blend of escape, tragedy, triumph, loss and what we’ve expected all along.