Decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation. Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.
Well equipped for such a task ... Easily his most personal book ... Tobar uses his biography sparingly to illustrate larger aspects of Latino experience. He is as likely to quote historians and cultural theorists as he is to cite students, store clerks or an undocumented Trump supporter randomly encountered on the street ... Tobar takes care to depict Latino life in a universal light, as something easily comprehensible to anyone who has ever felt the pull of a far-off person or place ... There is power in the refrain of Tobar’s direct address, which gives his writing the feel of warm advice dispensed to youngsters grappling with a sense of self.
Tobar uses the details of his own life and the broader past of Latinos in America to situate himself within the long sweep of Latino history ... The latest attempt to pin down an inherently slippery concept. More than these other works, though, it engages in contemporary debates and issues, such as how Latinos have related to Blackness and indigeneity, the question of why some Latinos choose to identify as white, and the political conservatism of certain Latino communities. It is also the most lyrical and literary of the genre, harnessing Tobar’s deep talents as a writer and his fluency in pop culture.
