Ambitious ... The novel works best as a bildungsroman, with Nkrumah elevating a young girl’s struggles with intense colorism, the traumas of abuse and betrayal and her eventual ability to love herself. However, as an exploration of racial strife in the American South, the novel has its shortcomings. There is a heavy-handed epistolary subplot detailing a young white girl’s induction into white supremacy, and issues that require a modicum of closure for the reader...aren’t adequately addressed by the denouement or accounted for by Ella’s personal growth ... While this book does touch on important topics, like colorism in the Black community, as well as the parasitic nature of white supremacy, the novel doesn’t quite carry the load of the heavier elements in the story.
Nkrumah has woven together a tragic tale — yet one not lacking humor or hope — about two people seeking to triumph over circumstances beyond their control ... Where is the humor and hope in this world bubbling with mistreatment and injustice? That would be Ella. She’s a ray of sunshine determined to bust through the murkiness that surrounds her, a fighter who clings to God’s promises and refuses to accept she’s invaluable. She is a marvel and an inspiration.
With expert character development, Nkrumah gives memorable voice to a young woman struggling to overcome familial abuse and find her way in the world. A strength of this novel is how sharply different Katherine’s portrayal is compared with white characters in novels like Kathryn Stockett’s The Help.
The novel comes dangerously close to melodrama at times, and there are some inconsistencies in characterization. Otherwise, though, it effectively dramatizes the realities of Black life in the South in the 1980s and the uneasy relationship that existed then between the races.
Stunning ... The author is supremely gifted at bringing both her characters and their close-knit rural town to life. Readers will eagerly await more from this writer.
