It’s easy for an author to get sucked into familiar tropes when writing about families; like venturing into a blind canyon, writers can stumble into cliches and have difficulty finding their way out. But with her latest novel, There’s a Word for That, Sloane Tanen is evidently undaunted by these common pitfalls, as she presents us with not one but two families with serious issues ... There’s a Word for That is often uproariously funny. Tanen’s skill is that you don’t laugh at the characters. Janine and Marty and Hailey and Henry and even Bunny know how messed up they are. All you, and they, can do is laugh at the straits they find themselves in and soldier on.
With equal parts humor and empathy, Tanen’s first novel for adults employs multiple narrators and a skillfully drawn cross-generational family to examine how relatives impact one another.
Lost and profoundly myopic souls abound in Tanen’s tale ... The oft-mined tropes here would have benefited from more original insights and deeper humor, and the novel’s tone never fully settles; still, one wholeheartedly hopes that they all find some measure of future happiness.
Though [Tanen's] delightful sense of humor infuses the plot and dialogue with sparkle, the characters and their predicaments are not played for laughs, or not only for laughs—along with the farcical situations come moments of real emotion and insight ... As the characters weather tough times and deal with hurts old and new, love and humor light the way. Full of intelligence and charm.
Tanen’s memorable wry humor... and sharp dialogue will leave readers fully invested the rebuilding of relationships despite years of distance, trauma, and pain. Tanen’s refreshing tale of a nontraditional family legacy will appeal to fans of tightly plotted dramas in the vein of Maggie Shipstead’s work.
