We find out what is happening as Ford connects the dots—and he is very good at connecting the dots. I’m not giving away the ending here at all, but on the last page there is a sweet nod to author John D. MacDonald and his beloved character Travis McGee, without whom an entire generation of modern suspense novelists would have had no archetype.
... a dandy yarn whose pages turn at a Michael Connelly-esque clip ... Parker goes a little heavy on the outsized sexual appeal of his hero but his fast-paced novel contains just enough real-world stuff — domestic terrorism, election chicanery — to make it as unsettling as it is gripping.
Fans of detective stories are likely to prefer the first Roland novel, The Room of White Fire (2017), over the fourth and latest installment, but apocalyptic conspiracies involving powerful forces fit the current national mood, and Parker certainly has the writing chops to pull this sort of thing off ... Although the story drags a bit at times, the plot is suspenseful and Parker’s writing is first rate, as is to be expected from a writer with 25 mostly excellent crime novels and a remarkable three Edgar Awards in his resume.
... guaranteed to challenge the reader to keep up ... The atmospheric SoCal setting provides a brilliant contrast to what Ford calls a 'republic of violence,' rife with grievances and a gun in every hand to address them.
