Told in a clear, powerful prose that grabs the reader from the off, the novel is an unflinching look at a life of a young woman recovering from trauma ... [Beagin] wrote the book after cleaning houses for five years...These details make it into her debut—including one hilarious scene where she stages her own bloody death in a client’s house—and give the book the authenticity and immediacy of a memoir ... Minor characters are brought to life in mere sentences, to the extent that even those introduced in later stages of the novel seem to have earned their place ... Beagin is excellent at physical description, in particular how the body memorises or processes trauma ... These details are given as backstory to a darker history of abuse that is told with great care and tension, leaving the reader as mired in ambiguities as Mona finds herself decades later ... With the clarity and vision of a more established writer, Beagin pieces together Mona’s past and, hopefully, her future. Wiping the floor with other, more hyped debuts this year, Pretend I’m Dead should clean up with readers and awards lists alike.
The 'quirky female outcast' is something of a trend in fiction, and... Beagin’s offbeat debut follows ... the novel shifts into something else, becoming darker and less jokey. Beagin’s larger-than-life cast occasionally distracts from the real pull of the novel, the heartbreaking loneliness of this nihilistic young woman, but the pull of the central character keeps you reading.
Beagin's debut is grungy and ribald, melancholic and funny. Throw in a little wisdom, schmaltz and a few useful housekeeping tips, and Pretend I'm Dead delivers a real bang for the buck.
...laugh-out-loud funny and refreshingly real ... Beagin’s voice is reminiscent of Edward St. Aubyn’s: dark, funny and out of control. She does not hold back, even if it makes readers squirm in their seats ... the book is like a missile that shoots off into a completely different direction ... Pretend I'm Dead has the voice, characters and story that make for an invigorating breakout novel. It doesn’t hold back any punches and is unafraid to explore controversial themes. Even if the story is at times hard to swallow, it’s authentic and original.
Mona, the compelling protagonist in Beagin’s smart and funny debut, makes a living as a cleaning lady in Massachusetts, while volunteering at a clean-needle exchange ... Mona’s internal struggles are thoughtfully realized, and Beagin’s sharply drawn characters share the universal longing for connection.
Mona is cleareyed and funny, not a reliable person exactly but a trustworthy observer. What gives this novel its heart is Beagin’s capacity for seeing ... This is not a new theme, of course, but Beagin makes it fresh with her sly, funny, compassionate voice. This is a terrific debut ... Singularly enjoyable.
The book comes alive ... Her quick wit...and the surprising turns in the narrative...keep this journey of self-discovery from veering into cliché. The result is a funny, touching look at loneliness and the search for belonging.
