The much-decorated writer again displays a flair for plot and an uncanny ability to get under the skin of characters in the dysfunctional family drama ... Nugent builds her narrative skilfully, with the ellipses in each brother’s account gradually filled in by the ensuing tales. All their psychologies are incisively laid out, consistent and layered across all sections ... nobody is a mere cliché in Nugent’s clear, propulsive writing, and the author masterfully unveils the damage and hurt behind every motivation, and the petty resentments, delusions and carelessness that lie behind every nick and cut the family members inflict upon one another over the four decades of her tale ... Nugent has won four Irish Book Awards for her previous three novels; it would be a cruelty to deny her further honours for her fourth.
The awful thing in life is, everyone has their reasons,' Jean Renoir’s great line from The Rules of the Game, could serve as an epigraph to the book. Vulnerable, unstable Luke’s rise to stardom via early gigs at the Baggot Inn and the Olympia is superbly done; Will’s drive and charm are as persuasive as his reflexive sexism and predatory behaviour are disturbing; Brian’s middle-child victimhood breeds a meanness that mutates into blithely entitled extortion. It all adds up to a bleak domestic saga studded with set-piece events that mark social history milestones of the last 50 years ... Exploring eating disorders, #MeToo moments and gender identity issues, the novel speaks very much to the contemporary moment; the eponymous cruelties, while often melodramatic, sometimes luridly so, are securely rooted, tragically but all too credibly, in the family plot ... What a terrific storyteller Liz Nugent is! Brilliantly structured, fluently told, rich in unsettling incident and pulsing with dark, tumultuous energy...her best book yet.
A clever psychological thriller, this is a whodunnit and a Greek tragedy all in one ... McDermid's conclusion is perfect. The storyline plays out like a Greek tragedy, where internecine conflicts evoke both pity and fear in the reader ... a carefully nuanced dark exploration of the old adage 'blood is thicker than water'. Absolutely riveting, the book proves once again that Nugent deserves her fellow authors' opinions of her as a truly outstanding writer.
Each brother takes a turn at narration to justify his perspective, but their voices aren’t distinct in any way, and the flat similarity of the characters makes it hard to stay invested in who survives and who doesn’t. The book doesn’t raise enough tension to be a thriller, and its lack of depth prevents it from becoming an absorbing family drama. Instead it occupies an awkward middle ground that turns out to be less satisfying than it should be ... A story of three brothers and a murder that lacks tension and well-defined characters.