Contemplative, impressionistic and suffused with aspects of the mythic, these pieces operate at times like prose poems, and they return to a key setting of The Old Ways: the secret spaces of southern England, the flashpoints and the hidden paths ... they offer not a guide so much as a set of glimpses, enhanced by Donwood’s vivid sketches, which resemble etchings in a fairy tale ... At heart here is a sense of inference, or influence; the way the present is imbued with the past ... a strangely lovely book, more complement than extension of Macfarlane’s work. But in their modesty, their open-endedness, these peregrinations recall to us that even the newest ground is also ancient.
Our intense and often fraught relationship with the natural world is an abiding theme in Robert Macfarlane’s books. Perhaps the most gifted naturalist working today, he is an intrepid explorer and poetic observer of lofty heights and everything in between ... This friction between nature’s vitality and humanity’s hubris is fascinating, but Ness is often disorienting...the story’s dramatic power is undercut by its strange mix of obscurity and unsubtlety. Mr. Donwood’s ink drawings are charming, but it is hard to evoke emotion with cross-hatching ... Holloway, written with Dan Richards, is more engaging ... this story demonstrates a keen ear for lilt and syllable, but its diction can verge on precious ... Anyone unfamiliar with Mr. Macfarlane’s work should probably not start with this book. Still, these stories convey his talent for elevating even modest wonders with sincere attention. Like the Apache an ocean away, Mr. Macfarlane approaches the natural world with humility and a deep appreciation for the spirits that haunt a landscape.
... an almost-too-fitting natural history for this year ... Donwood's illustrations, crosshatched like a century of scratching, are particularly suited to this half, with glimpses of suitably ominous nature and abandoned architecture ... Unlike some of Macfarlane's other works (many of which deal with nature as a factor of both people and time), this is not a history; you might well be spurred to further research, but Ghostways is designed to evoke more than inform, and often echoes what you bring to it ... an examination of just that; grief as a landscape that moves on without us, and the fragility of the green world we're longing to go back to.
The authors’ voices meld wonderfully, and readers may come to feel that 'paths run through people as surely as they run through places' ... Complete with instructions for reading, this book showcases some of Macfarlane’s most genre-defying work.
The writing is idiosyncratic and elegant, the story inviting enough that, for all its eldritch elements, one might wish to wake up covered in dew and join Macfarlane, Richards, and Donwood in a meal of damson gin and tea-bread—and maybe see a few ghosts along the way ... A lovely evocation of some 'spectral and unreal' elements of the British landscape.
... uneven but ultimately pleasing ... Macfarlane conveys the site’s haunting beauty, but his prose-poem style tends toward the gnomic and obscure ... Throughout, Macfarlane delights in archaic terminology...while Donwood provides fitting visual accompaniment with his beautiful pen and ink illustrations. Readers who can get past Ness should thoroughly enjoy Holloway.
