Literature has a dark sorority of bad, creepy, and cruel girls, which now includes seven-year-old Hanna Hansen ... Debut novelist Stage has convincingly created one of the youngest villains ever, and readers who appreciate such creepy tykes as Shriver’s Kevin and Doris Lessing’s Ben (in The Fifth Child, 1988) will be unable to resist the urge to meet Hanna.
Baby Teeth is a cross between a thriller and a horror novel. I’m not normally a horror fan, but the synopsis for this caught my eye, and I decided to take a chance on the book. Unfortunately, the story leaned a bit too heavily toward the horror side of things, and I found myself pretty dissatisfied ... This novel was incredibly hard for me to get through, and I found the subject matter quite disturbing. In fact, I had the take several breaks from the book, something I rarely have to do. I read a ton of thrillers, so violence isn’t normally a problem for me, but Baby Teeth takes things to the extreme. However, the violence wasn’t the biggest problem. Instead, it was Hannah’s manipulative nature that made me the most uncomfortable. There was something about a child plotting to kill her own mother that set my teeth on edge, and I was quite relieved when I turned the final page ... Her prose is lush without being overly descriptive and she brings her characters to life in a way that is almost startling, and I was able to identify with the difficulties they faced with no problem. But good writing doesn’t necessarily lead to a great book, and I can’t in good conscience recommend Baby Teeth.
Stage does a fantastic job of steadily increasing the tension to a fever pitch, and Suzette is completely self-aware of her situation. She knows that their lives are the perfect setup for a horror movie. She even mentions to a doctor that she’s afraid no one will believe her and that Hanna will eventually drive her insane. Readers won’t have trouble believing in that possibility. This super creepy kid and her tormented mom will keep you up way past your bedtime.
With early buzz calling this book a cross between The Other,Gone Girl, and The Omen, we can’t wait to sink our teeth into it. Your sympathies for the two characters will erode with each page as you uncover what’s really going on, and Stage keeps you guessing until the very end.
Stage’s deviously fun debut takes child-rearing anxiety to demented new heights ... Stage expertly crafts this creepy, can’t-put-it-down thriller into a fearless exploration of parenting and marriage that finds the cracks in unconditional love.
This tightly plotted, expertly choreographed tale unfolds in alternating chapters from the perspectives of Hanna and Suzette. Author Stage palpably conveys Suzette’s fear, anger, frustration, and desperation while exploring the deleterious effects that motherhood can have on one’s marriage and self-worth. Hanna’s chapters are calm and upbeat by comparison, but they offer no respite from the book’s mounting tension; naïve observations and whimsical fantasies share the page with twisted musings and nefarious schemes, the jarring juxtaposition only compounding the reader's sense of unease. Stage fuses horror with domestic suspense to paint an unflinching portrait of childhood psychopathy and maternal regret.
