... meanders through the ways in which people get lost and what happens when the lost get found again. The islands are harsh, but there are plenty of little joys to be found, and readers will enjoy following the story’s winding path.
... a strange meditation on love and death ... This quiet, magical-realist fairy tale written with a delicate melancholy will attract readers who enjoyed G. Willow Wilson’s The Bird King or Amal El-Mohtar and Max Gladstone’s This Is How You Lose the Time War.
The Fourth Island is like a dark tide. It flows in and out of time, history, and myth, creating a picture of the Aran Islands that is deeply enmeshed in Irish culture ... Tolmie’s lyric prose pulls us through, not a riptide, but an undertow through the entire piece. Her command of dialect and description is wonderfully grounded Gaelic experience ... It is perhaps both a strength and a hindrance in The Fourth Island that it spoke of folklore but only in passing, that the narrative makes it more difficult for the audience to explore how Irish it is ... The novella is beautifully written, each word picked carefully, but half-in and half-out of the Gaeltacht Aran Islands, it feels its own distance very keenly ... Exploring the humans of The Fourth Island was exceptionally entertaining, and I enjoyed a lot of the quirks that were added onto each character as we unpacked their histories ... Unfortunately, because of the shortness of the book, and the exceptionally keen focus on the rich interiority of the characters, the plot feels as isolated as the premise ... Tolmie’s romantic voice appears on the page as she parcels out the story in generations and lives, giving strength and vibrancy to the individual, but ignoring the island’s story. The novella often reads like a eulogy to the past
... lovely, mournful ... Drawing on themes of community, redemption, pain, and healing, the story has a lovely slice-of-life feel, but the unresolved ending will leave some readers unsatisfied. Still, the narrative voice is captivating, with the rich, conversational tone of a storyteller sitting at a fireside. The contemplative style, low stakes, and small cast is reminiscent of Ursula K. Le Guin’s Earthsea Cycle and is worthy of the association.
