...Franqui resurrects the age-old struggle between mother-in-law and daughter-in-law—and topples it with a spot-on exploration of what it means to stand up against other people’s expectations ... Mother Land is unexpected. It’s funny and relatable even if your mother-in-law isn’t anything like Swati. It’s a tender tale of two women who are lost and alone, but who eventually become allies and each other’s biggest champions.

The everyday challenges faced by Rachel, a main character in Leah Franqui’s second novel, Mother Land, may resonate with anyone who has spent considerable time in a new country or even in a new community ... Franqui, herself an American woman living in Mumbai with her Indian husband, takes a risk by alternating between Rachel’s perspective and Swati’s each time she starts a new chapter. This technique allows the author to illustrate the significant gap between Swati’s worldview and Rachel’s, though a reader who shares Swati’s Marwari heritage — and, to be clear, this reader does not — may not find all of Swati’s inner monologues entirely plausible ... The novel is a quick read, driven by a plot that will pique readers’ curiosity about how Rachel and Swati’s disagreements, large and small, will resolve ... Despite the inviting plot, however, some of the passages that describe Rachel’s and Swati’s thoughts and rumination drag, as they do not always serve to impart wisdom or advance the narrative. Still, Mother Land is a pleasant story of self-discovery and friendship with plenty of twists and intrigue to keep the reader engaged.

Franqui doesn’t demonize either Indian customs or American ones ... Franqui’s fictionalized experiences serve as cautionary tales for those hoping that a place or a person will change their lives—as well as for women with mother-in-law issues.

Franqui’s engaging outing...follows Rachel Meyer and husband Dhruv Aggarwal after their quick marriage and move from New York to Mumbai ... While Rachel’s digressive, dishy narration and keen eye for cultural details contrast with her initial bumbling, Franqui smartly shows how Rachel recognizes her limits. The women’s credible learning from each other makes this a worthy tale of bridging a cultural divide.

The chapters alternate between Rachel's and Swati’s close third-person perspectives, but unfortunately, neither of them contain enough complexity to carry the story ... By the time the plot takes off in the novel's final quarter, when a friend of Rachel’s visiting Mumbai forces her to confront hard truths about her choices and Swati finds a love interest, it’s too late. The friction between Rachel and Swati is belabored and the friendship that eventually develops between them, belated ... A slow story that misses the mark.