Many a reader might feel no more than modest enthusiasm for the reams of period pastiche on offer in J. S. Barnes’s new novel. But that would be a pity, because this boldly inventive sequel to Dracula rips along with a sustained energy and verve, twisting and turning all the way to the supposed editor’s epilogue ... several new and memorable characters ... The far-right can be a rather hackneyed and convenient bogey, as in some anti-fascist productions of Shakespeare, but it fits here with a villain who is nothing if not feudal, while the malign populism and rapid normalization of the bizarre has something eerily contemporary about it.
In Dracula’s Child, Barnes portrays vampires at their most sinister. They do not sparkle, nor do they enjoy shopping; rather, they hunger, and only the eldest and most disciplined among them can control the urge to feed. The gothic, almost oppressively macabre atmosphere is enhanced by Barnes’ revival of Stoker’s epistolary form. Not only is it an effective allusion to the original material, but telling this new story through diary entries, letters and newspaper clippings also forces the reader to experience the events almost in real time. There are no hints of omniscience; instead, Barnes is downright miserly with foreshadowing, offering only hints of what is to come. The result is both an admirable blend of horror and dark fantasy and an accurate reconstruction of the original’s mood.
Told in the epistolary form of diaries, correspondence, and newspaper articles, the novel closely follows the format set in the original by Bram Stoker. The language, style, and use of characters, as well as references from the previous novel meld together to create a story that could have possibly come from the pen of Stoker himself ... With strong descriptions and plot, J. B. Barnes has written a story that deserves a spot on the bookshelf next to the original. In style, story content, and characterization, Dracula’s Child is truly the sequel to Bram Stoker’s Dracula, succeeding where other, more famous attempts failed.
This epic tale of madness, temptation, and political scandal set in early-twentieth-century England strikes a resonant chord with today’s political climate.
Barnes (Cannonbridge) styles a fitting tribute to Bram Stoker’s Dracula, matching the original’s tone and epistolary form with this choice sequel set slightly over a decade after the original’s conclusion ... Though fastidious fans of the original will notice moments when Barnes’s modern sensibilities shine through, the action and intrigue delight. This adventurous and dread-inducing tale will have readers hooked.
