What ultimately recommends Foster’s novel are its most terrestrial elements—the characters ... Tanner and Miguel’s romance is rendered much more delicately and humanely than many near-future dystopian novels might have handled it. Such care in characterization keeps Circular Motion grounded, so that its more daring narrative leaps have something anchoring them and don’t fly off into the sky ... Lived-in and tenderly wrought ... Foster has a knack for delicately balancing the emotional stakes for these deeply drawn characters with the dispensing, at a breakneck pace, of a great deal of information, exposition and global developments ... All developments are skillfully constructed, evolve organically from where they start and grow more interesting than those starting points ... Foster doesn’t rest on his fun and original ideas; he nurtures them, cultivates them with thoughtful challenges and unexpected turns, until out of them emerge new ideas, complicated and earned ... A writer capable of two things often misconstrued as counter to each other: deep, rich characters and elaborate, challenging ideas. The people give credence to the imaginative story, and the story creates stakes for the people.
An intense character study, Circular Motion‘s moody prose is entrenched in bottomless loneliness and emotional disrepair ... Early on, Tanner wallows in quiet anguish and self-pity; his desire to escape his abusive, ultrareligious survivalist father is sympathetic. And self-conscious Winnie struggles with depression, which is described with a searing, graphic poignancy ... Pessimistic but thoughtful.
Through nuanced characters and sharp observation, Foster’s debut creates a vision of our future that feels wildly inventive, yet terrifyingly within reach.
Equal parts ambitious and intimate, with enough humanity and empathy to keep weighty themes from swallowing it whole ... Foster artfully weav[es]...stories together.
Exciting ... While the premise is similar to Karen Thompson Walker’s The Age of Miracles, Foster shines in his condemnation of corporations and their eagerness to deflect attention away from their role in the climate crisis. Fans of gleeful and unflinching satire will find plenty to love.
