MixedThe Massachusetts ReviewOf these eight stories, only one can be called truly great and another awful—the rest lie on a spectrum between these extremes, depending on your own penchant for self-reflexive storytelling. We can locate this subjectivity by way of form: in this collection, the usual divide between reader and writer has been collapsed. We are not the only ones lost in these pages. Murakami is here, too ... If you are a reader who prioritizes...traditional standards, your enjoyment of this text will rest on whether you are a fan of Murakami and his work. If, on the other hand, this is your first encounter with Murakami’s stories, do not start with First Person Singular. Go back to his earlier works and experience him at his very best. But if you enjoy Murakami, if you respect what he does, then this collection is worth your time. And if you love Murakami, as so many of us do, then may you rejoice in the strange delight of returning home to the first-person singular experiences that elevate our world.