RaveThe New York Times Book ReviewEssayist that she is, Rebecca Solnit pursues her subjects down multiple pathways of thought, feeling, memory and experience, aided by historical research and the intuitive literary hunch, as needed. Like George Orwell as essayist, the subject of her latest book and her model, she deploys the full human instrument in service of her curiosity ... wide-ranging yet disciplined ... This is Solnit applying economic and social analysis to longstanding cultural mythology. How, the reader wonders, is the life-loving Orwell she has just conjured going to survive this scrutiny? ... She implicates us in these comfortable delusions ... I won’t give away how Solnit rescues her portrait of Orwell from the bear trap she has sprung on it. Suffice it to say that in the end she throws us up on the shores of our flawed, vulnerable selves through a detailed portrait of Orwell dying in his mid-40s on an island in the Hebrides as he writes 1984. That novel, Solnit convincingly shows, is not primarily about how totalitarianism works but rather about what it destroys: consciousness, experience, life lived with the full human instrument — the very vision of political freedom that she has earlier identified at the heart of Orwell’s values ... Solnit doesn’t argue with her own counterpoint. She just creates a frame large enough to contain both revolutionary brilliance and unwitting reactionary associations in the same person — large enough to contain life’s contradictions in a way that only the essay, that humble literary mouthpiece, can.