PositiveThe New YorkerWhat The Untold Story makes clear are the ways in which editorial sensibility and independence—renewed and reasserted at key points in the firm’s history—have combined with sheer luck, over the course of nearly a century, to sustain an operation that might very well have gone under more than once ... Toby Faber can be pardoned for betraying a hint of smugness about the company’s ongoing vigor, even if it’s thanks to a musical. Eliot would have been delighted.
