MixedThe New York Times Book Review\"But Sounds Like Titanic at times casts Hindman too much as a millennial Everywoman. The weakest parts of the book are when she tries to wring meaning from absurdity, painting her generation or her country with wide strokes. The details she brings out from her gigs across America often fall back on unkind clichés ... The writer dresses up the events in her life with shifts in point of view, lyrical fragments, nonlinear storytelling, parodies, rhapsodies and a brocade of description. Hindman’s stylistic experimentation gives her book an alluring energy but hobbles her narrative. I longed to see how one event led to another in her life, and how the troubles of earlier scenes resonated in later ones. Instead we travel from topic to topic in discrete, sardonic vignettes that culminate in pithy but unsatisfying kickers...\