PositiveThe Washington PostWalsh’s book reads a lot like the internet: dizzying in scope, perceptive even when it gets caught up in nonsense ... Walsh hits her stride by taking Grossman’s emphasis on digital labor ... Walsh’s style is giddy with possibility ... Overtures to Theodor Adorno and Jacques Derrida decelerate her slapdash style, though Walter Benjamin feels necessary in our age of digital reproduction ... [There are] haphazard tangents...these ideas are rich enough for more exploration ... The ‘we’ and ‘us’ is jarring but intentional.
