RaveThe Wall Street Journal... [a] superb new history of the rebellion and its broader implications ... That it very nearly failed provides Mr. Mazower with a compelling story—full of conflicting characters, rivalries, massacres, betrayals, enslavements—all of which he narrates with earned authority and exceptional power ... He achieves more clarity on this tangled subject than other historians in English have managed before.
Frances Wilson
RaveThe Hudson ReviewWilson’s new book succeeds on two levels. First, it reinvigorates the genre of biography by presenting its own thematic shape, dispensing with simple chronology and moving about more loosely in the baggy shapes of its stories. Second, it reads a great writer with real sympathy and acuteness. While I don’t always agree with her conclusions, I find the book nearly always entertaining and insightful ... Having read several doorstop biographies in the last few years, I find Wilson’s lively economy a breath of fresh air ... Reading Wilson’s book, one allows her some structural latitude because she is herself good company as a writer, an appreciator of vital prose ... The great gift of Frances Wilson’s book, like the contributions of Geoff Dyer, is that it invites new readers to come to Lawrence freshly and find out his importance for themselves.
Robert Kanigel
RaveThe Wall Street JournalMr. Kanigel proves the ideal synthesizer of Parry’s \'brief life and big idea.\' If Milman Parry the man proves frustratingly enigmatic throughout this book, he nevertheless seems quite a character ... He met and recorded the traditional singers, or guslars, who performed their narrative poems accompanied on \'rude, raspy one-stringed gusles\' ... The chapters recounting this work are Mr. Kanigel’s richest, full of character and incident ... Perhaps it was reading about Demodocus that set Parry on his course, rethinking what we mean by literature. This compelling book gives us the argument and the enigma of his unfinished life.
Hermione Lee
RaveThe Hudson Review... shrewdly judged and (aside from a few redundant details) well written, with the gossip of a celebrity biography and sympathy for what a life’s work really means ... The biographer’s modesty is becoming, but her book presents a commanding case for Stoppard’s greatness as a man and an artist. The book is long but not too long, elegantly shaped and verbally astute, even at times poetic in its evocations of theatre’s evanescence. And such evanescence is Stoppard’s very subject, making the glimmer of life beautiful even as it disappears ... Lee offers superb readings of Stoppard’s many works with stories of how they came into being and the talented personalities involved in mounting any play—these amount to a Who’s Who of modern theatre, actors, directors, moneymen, technicians ... Lee writes of all this with such skill that it never becomes maudlin, never seems to pry more than necessary into the man’s privacy, never tries to sell us a psychological bill of goods. Her book contributes to the best writing about world theatre since World War II, a kind of Elizabethan Age in which a vital theatre shows civilization to itself.
Roderick Beaton
PositiveThe Wall Street Journal... splendid ... Previous histories of modern Greece by C.M. Woodhouse, Richard Clogg and Thomas Gallant have gotten bogged down in this Balkan complexity, but Mr. Beaton’s biographical conceit keeps the narrative focused, lively and clear. His accounts of the Metaxas dictatorship (1936-41), the Axis occupation and subsequent civil war are both gripping and remarkably balanced. Historians have seen the rise of the Communist Party in Greece and its violent suppression, with the help of Britain and the U.S. under the Truman Doctrine, as the start of the Cold War. But Mr. Beaton allows that Greek communists were not a monolithic force under Stalin’s control. They were terrible, but they represented a more local struggle against fascism and monarchy.
Jamie James
PositiveThe Wall Street JournalPagan Light is a sequence of braided long-form profiles, full of bright digressions, horrors and lives that dead end. Among other things, it will send you on dozens of Google searches for books and artists you’ve never heard of before ... Mr. James is primarily interested in the undiscovered, the unheralded, the anomalous and obscure ... Mr. James deserves a lot of credit for giving attention to important artists who, in many cases, have not been sufficiently examined by critics. He also has stories to tell about well-known figures ... Mr. James could have said more about the island’s native population, who had to adapt to this influx of egos. It’s one of the few quibbles to make about his roguish, diverting book.
Jean Moorcroft Wilson
MixedThe Hudson ReviewThe new book by Jean Moorcroft Wilson, an expert on the poets of World War I, takes up the narrative established by Graves himself and deepens it with new material. Her telling of Graves’s early homosexuality is more open but still confusing. If you need to know precisely how he acted as a homosexual, you won’t get much help here. It’s all still very cloudy, wrapped up in his boyhood friendships and loyalties, with a gauze of closeted innocence and idealism. Wilson writes sympathetically about young men in the trenches ... Wilson’s book, at times so detailed that its pages blur before the eyes, is best in chapters on the war, a bit muddier about what follows.
Megan Marshall
RaveThe Wall Street Journal...[an] elegant, moving biography ... Taking up this biography, I sometimes felt that I could not possibly learn anything new. I was wrong. To begin with, Ms. Marshall was privy to letters kept by Bishop’s last lover, Alice Methfessel, and only made available on Alice’s death in 2009 ... But Elizabeth Bishop: A Miracle for Breakfast has more to recommend it than these shocking revelations. It is a shapely experiment, mixing memoir with biography ... The difficulty of knowing another person becomes a theme of Ms. Marshall’s book. Each of her six major chapters takes for its title one of the six end words used in each stanza of A Miracle for Breakfast, and in turn each chapter is followed by a briefer memoir of Ms. Marshall’s life, her own family wreckage and conflicted relationship with her subject. The structure shouldn’t work, but it does, by involving us in recognition ... This new biography fuses sympathy with intelligence, sending us back to Bishop’s marvelous poems.
