PositiveThe Wall Street JournalThe short life and spellbinding music of Jimi Hendrix have been well covered by other writers, and, with the exception of some new and dreary information about his death, there are not a lot of surprises in Wild Thing ... the real value of his book lies in the almost casual comments he offers about Jimi’s one-of-a-kind brand of rock ’n’ roll ... Music is notoriously difficult to translate into words, but Mr. Norman comes close again and again ... This is a sad book, but Jimi Hendrix’s music is too original to be anything like sad. There’s something not quite of this world about it.
Sandra B. Tooze
RaveThe Wall Street JournalTooze brings a man and a musical era to life ... Ms. Tooze, a drummer herself, interviewed Helm in 1996 for her Muddy Waters biography. She draws on that material as well as on rigorous research and numerous other interviews with key figures to depict Levon Helm both as a consummate musician and somebody it’d be a lot of fun to have a beer or three with. Helm co-wrote (with Stephen Davis) his own memoir, This Wheel’s on Fire: Levon Helm and the Story of The Band (1993). It, too, is a top read, but Ms. Tooze relates two things the drummer wouldn’t, or couldn’t, easily convey: the cradle-to-grave sweetness of his personality (with the occasional flare of red-hot anger, to be sure) and the subtle, understated nature of a technique that influences drummers to this day.
PositiveThe Washington Post... an intimidating marvel of scholarship, though editors Cliff Eisen and Dominic McHugh weave his correspondence into a mostly tidy account by adding diary excerpts, newspaper clippings and plentiful commentary of their own. There are Cole Porter biographies already (as well as two biopics, nearly 60 years apart, with Cary Grant and then Kevin Kline playing the composer), and another seems unnecessary. Considering all the connective tissue, The Letters of Cole Porter amounts to the last word, a work as disjointed and delightful as any of Porter’s unforgettable songs.
PositiveThe Washington Post... sober and thorough, and it amounts to the last word on a brief candle of an existence, a life whose peaks and valleys make your average mountain range look as flat as an acre of Texas farmland ... Joplin took such joy in performing that she made it look effortless, but George-Warren reminds readers how hard she worked, not only doing take after take in the studio but also doing the kind of behind-the-scenes research associated more with musicologists than whiskey-swigging blues shouters.
RaveThe Wall Street JournalGuitar King is what old-timers in the book trade call a doorstop or widowmaker, and it’s packed with enough info to make a blues nerd giddy with joy ... [a] rich, resonant, detailed account ... On page after page, [Dann] piles up minutiae as few music writers do ... Even when he’s not recounting a performance or quoting one of his hundreds of sources, Mr. Dann brings the reader into the story with little splashes of color and other sensory appeals ... this book draws you in the way a novel does, one by Dostoyevsky, say, in which the hero is part genius, part stumblebum, a flawed artist making his way half-aware through a world of joys and pitfalls—someone very much like most of us, in other words, if a lot more talented and a little more careless.
RaveThe Christian Science MonitorWhat you notice first about her charming book Don’t Read Poetry: A Book About How to Read Poems is its range. Shakespeare and Dickinson and Yeats are here, but so are Li Bai and Lorine Niedecker and Juan Felipe Herrera ... Having hooked the reader with feelings and character, she now gets into the carpentry of poetry and the way the pattern of a poem can reflect the grandeur of the universe ... She also demolishes the silly distinction between formal poems and free verse ... Burt is a delightful companion who reminds us that poems go down a lot better if we read them out loud and slowly.
Bruce Conforth and Gayle Dean Wardlow
PositiveThe Wall Street Journal... bristles with photos, maps, deeds, census reports and graphics of every kind to back up their authoritative account of Johnson’s birth, training, travels, tragedies, triumphs and contributions to roots music. To all popular music, really ... [Johnson] succeeded not by signing a contract offered to him by a sooty stranger but, as Bruce Conforth and Gayle Dean Wardlow show down to the last detail, by starting from an early age to listen, steal from others and play without ceasing.
MixedThe Washington PostStops being a tell-all and becomes a DIY guide to successful branding. There’s actually not a lot about music here ... The last few chapters of My Love Story will remind you why you should never ask an older person how they’re doing ... this is the only book I have ever read in which the last page is an organ donor form. Once again, Tina leaves nothing to chance.
RaveThe Wall Street Journal...an indispensable guide to American pop music and a damned fine read ... every page of Good Booty is a reminder that it takes countless heavenly bodies to make a galaxy ... Good Booty is nothing if not comprehensive. It’s all here, from gospel and swing to soul, punk, grunge and rap. On the surface, the common denominator might seem to be sex, the search for the anatomical Holy Grail of the book’s title...Really, though, this is a book about play. It’s about nonsense, about how this music 'contained all the ugly and problematic things about sex as well as its pleasures, demonstrating how yearning and sensual release could reduce a person to gibberish' ... The best thing about “Good Booty” is that it reminds us that the right song shows us how to be somebody in a way that’s not possible with any other art form.
PositiveThe Wall Street JournalMr. Fletcher gives Pickett’s other big songs the same treatment, and readers of this biography would do well to listen along on YouTube as the writer takes them through each hit as it starts, swells and comes to an end that is somehow both startling and inevitable. Journalists who write about sex, drugs, and rock ’n’ roll often find it easier to focus on the sensational aspects of the industry than on the music itself, but Mr. Fletcher, the author of books on Keith Moon, the Smiths and R.E.M., gets it right.
PositiveThe Washington Post...a compassionate yet clear-eyed study of the iconic country star ... it’s to his credit that [Ribowsky] gets as close to Williams as any writer could.
Brian Wilson with Ben Greenman
MixedThe Wall Street Journal...as plain-spoken as its title. Here the band’s presiding genius wanders over the terrain of his life as a son, father, husband and supremely gifted musician, describing what he remembers in a childlike tone ... there is in Brian Wilson’s poker-faced acceptance a reminder to take life as it comes. Part of the charm of his account is the way he drops little moments into the story with no preamble and then moves on with no follow-through.