PositiveLos Angeles Review of Books\"Adam Nemett’s debut novel, We Can Save Us All, is Fight Club by way of Don DeLillo with a side of Pynchon ... Nemett wonderfully employs what worked for Karen Thompson Walker’s The Age of Miracles and Emily St. John Mandel’s Station Eleven: the terrifying disaster flick is ubiquitous, cities crumbling to dust in an instant — the End of Days is gut-wrenching when it’s gradual, a faucet dripping toward a crescendo ... [Time,] like other portions of We Can Save Us All, treads a fine line between clever and awkward ... Though, notably, Nemett deserves commendation for writing with poignancy about the toll that college takes on mental health ... Despite the choppy USV plot line, the final third act of We Can Save Us All is as fast-paced as it is dark ... Nemett is an undeniable talent with a unique voice.\
