MixedThe New YorkerCompelling ... All biography is an exercise in exclusion and framing, and Riesman’s attempts to trace the various contortions of kayfabe and neokayfabe over the years aren’t always successful. The narrative is built to climax in 1999, with a convoluted intra-family story line that dominated W.W.F. programming near the peak of its popularity ... The further the book gets along McMahon’s time line, the more removed its telling gets from having eyes and ears on the ground, and so the accounting of this transformation feels incomplete ... Still, Riesman never quite pins down the case that our current cultural distortion is McMahon’s progeny, rather than a strange parallel symptomatic of some common social corrosion.
