“What is most distinctive in her writing is its tone, a sweetly ironic, melancholy deadpan that makes you feel she’s looking straight at the things she describes, not quite wide-eyed and not quite world-weary … One of Witt’s great strengths as a reporter is the steadiness of her gaze: She looks long enough to notice both what is valuable in the seemingly comical or bizarre and what’s ludicrous in the ostensibly normal … At times, Witt’s tone makes it hard to know how to interpret the material she presents … it can’t be that there’s nothing between a depressing status quo and a 1960s wet dream—and the in-between is where Witt’s subtle gifts come into their own.”
–Lidija Haas, Bookforum, Sep/Oct/Nov 2016
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