PositiveThe New York Times Book ReviewThat I was relieved at the slow-motion tragedy that does unfold is testimony to Fridlund’s daring. An artful story of sexual awakening and identity formation turns more stomach-churning; child sacrifice takes many forms, and sometimes the act doesn’t require bloodshed but simply adults too wedded to their ideals ... Fridlund has a tendency to double up on her descriptors, to use two adjectives where one would do. But she is masterly when she lets more scraped-down prose push a series of elemental questions to the fore: Do intentions matter? What price will you pay to feel wanted? How does it feel to ?be both guilty and exonerated? The result is a novel of ideas that reads like smart pulp, a page-turner of craft and calibration.
