MixedThe Irish Times (IRE)The novel’s biggest strength is its deadpan, Bret-Easton-Ellis-adjacent ability to use comedy to get at \'the absolute banality\' of sexual objectification. Its biggest weakness is that it doesn’t have much else to offer.
PositiveThe Irish Times (IRE)Rothery’s debut is the perfect bridge between the classic and contemporary ... Television shares some flaws with its namesake medium. Characters sometimes speak entirely in aphorisms, their dialogue relentlessly trailer-ready; but when Rothery captures the raw materials of the moment, her prose rises off the page with Champagne-bubble-effervescence.
