PositiveThe Financial TimesThe language with which she describes the space between cities is that of her world, sexual and brazen, with a dark wit, because what is landscape without its human framing? ... Tea knows how to turn the conundrums of life-writing inside out, and commentary on the ethics of including close others runs alongside the fantastical possibilities of various possible ends ... Michelle’s fantasies are as much about escaping herself as they are exemplary of the death drive of the western imagination, which continues to project dystopian dreams while other communities live through them.