PanThe New RepublicAlthough the majority of the book has all the hallmarks of a brilliant Therouxvian travel tale, a few misjudgments poke through and threaten his authority. It is not Theroux who has changed, but us: a white man writing what he thinks about a place as racially charged as the South is uncomfortable, and his tone comes off more as a crotchety old man with outdated views on race and gender rather than a keen observer qualified to write about the complexities of the South.