RaveEntropy\"...van den Berg uses the nightmarish logic of the horror genre and the critical insights of film theory—especially in the feminist mode—to weave a narrative that is continually interrogating and re-shaping itself, daring us to uncover what is lurking beneath the people we purport to know, the things we say, and how we view ourselves ... To van den Berg’s credit, the novel doesn’t provide easy answers to these or really any of its questions surrounding intrapersonal relationships, conception of the self, or art’s warped mirror to reality. Which isn’t to say that her writing is unsatisfying or evasive, but rather that it operates according to the dream—or nightmare—logic of, say, the best David Lynch movies.\